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2026-06-18 Public Art Commission Agenda Packet
PUBLIC ART COMMISSION Regular Meeting Thursday, June 18, 2026 Community Meeting Room & Hybrid 7:00 PM Public Art Commission meetings will be held as “hybrid” meetings with the option to attend by teleconference/video conference or in person. To maximize public safety while still maintaining transparency and public access, members of the public can choose to participate from home or attend in person. Information on how the public may observe and participate in the meeting is located at the end of the agenda. Masks are strongly encouraged if attending in person. The meeting will be broadcast on Cable TV Channel 76, live on YouTube https://www.youtube.com/c/cityofpaloalto, and streamed to Midpen Media Center https://midpenmedia.org. VIRTUAL PARTICIPATION CLICK HERE TO JOIN (https://cityofpaloalto.zoom.us/j/88627841441) Meeting ID: 886 2784 1441 Phone: 1(669)900-6833 PUBLIC COMMENTS General Public Comment for items not on the agenda will be accepted for up to three minutes or an amount of time determined by the Chair. In-person comments will be heard at the beginning of the agenda and remote comments will be heard at the end of the agenda. All requests to speak will be taken until 5 minutes after the staff’s presentation. Written public comments can be submitted in advance to pac@PaloAlto.gov and will be provided to the Council and available for inspection on the City’s website three days before the meeting. Please clearly indicate which agenda item you are referencing in your subject line. PowerPoints, videos, or other media to be presented during public comment are accepted only by email to pac@PaloAlto.gov at least 24 hours prior to the meeting. Once received, the Clerk will have them shared at public comment for the specified item. To uphold strong cybersecurity management practices, USB’s or other physical electronic storage devices are not accepted. Signs and symbolic materials less than 2 feet by 3 feet are permitted provided that: (1) sticks, posts, poles or similar/other type of handle objects are strictly prohibited; (2) the items do not create a facility, fire, or safety hazard; and (3) persons with such items remain seated when displaying them and must not raise the items above shoulder level, obstruct the view or passage of other attendees, or otherwise disturb the business of the meeting. CALL TO ORDER AGENDA CHANGES, ADDITIONS AND DELETIONS The Chair or Commission majority may modify the agenda order to improve meeting management. IN-PERSON PUBLIC COMMENT Members of the public may speak to any item NOT on the agenda. 1-3 minutes depending on number of speakers. In-person comments will be heard at the beginning of the agenda and remote comments will be heard at the end of the agenda. APPROVAL OF MINUTES 1.April 16, 2026 PAC Regular Meeting Minutes CITY OFFICIAL COMMENTS NON-ACTION ITEMS 2.Public Art in Private Development - Initial review of a public art in private development associated with the 762 San Antonio Road development project. Presentation by project developer Gary Johnson of Acclaim Properties. ACTION ITEMS 3.Sherman Ave Parking Garage Temporary Mural - Approval of conceptual design of temporary mural by artist Phillip Hua for the façade wall of the Sherman Ave Parking Garage 4.University Avenue Underpass Mural – Staff presentation on an opportunity to integrate artwork at the University Avenue underpass and give feedback to staff regarding the launch of the project, and staff recommendation that the Commission approve the allocation of funds in the amount of up to $65,000 for the mural project. 5.Approval of Promised Gift of Artwork – Approval of promised gift of artwork by Viola Frey by a private donor into the permanent collection of public art. 6.Acceptance of Gift of Artwork – Approval of gift of artwork by artist Richard Shaw into the permanent collection of public art. COMMISSIONER QUESTIONS, COMMENTS, ANNOUNCEMENTS OR FUTURE MEETINGS AND AGENDAS Members of the public may not speak to the item(s) VIRTUAL PUBLIC COMMENT Members of the public may speak to any item NOT on the agenda. 1-3 minutes depending on number of speakers. In-person comments will be heard at the beginning of the agenda and remote comments will be heard at the end of the agenda. PUBLIC LETTERS The materials below are provided for informational purposes, not for action or discussion during this meetings’ agenda. Written public comments may be submitted in advance and will be provided to the Commission and available for public inspection on the City’s website three days before the meeting. A.Public Comments ADJOURNMENT PUBLIC COMMENT INSTRUCTIONS Members of the Public may provide public comments to teleconference meetings via email, teleconference, or by phone. 1.Written public comments may be submitted by email to pac@PaloAlto.gov. 2.Spoken public comments using a computer will be accepted through the teleconference meeting. To address the Council, click on the link below to access a Zoom-based meeting. Please read the following instructions carefully. ◦You may download the Zoom client or connect to the meeting in- browser. If using your browser, make sure you are using a current, up-to-date browser: Chrome 30 , Firefox 27 , Microsoft Edge 12 , Safari 7 . Certain functionality may be disabled in older browsers including Internet Explorer. ◦You may be asked to enter an email address and name. We request that you identify yourself by name as this will be visible online and will be used to notify you that it is your turn to speak. ◦When you wish to speak on an Agenda Item, click on “raise hand.” The Clerk will activate and unmute speakers in turn. Speakers will be notified shortly before they are called to speak. ◦When called, please limit your remarks to the time limit allotted. A timer will be shown on the computer to help keep track of your comments. 3.Spoken public comments using a smart phone will be accepted through the teleconference meeting. To address the Council, download the Zoom application onto your phone from the Apple App Store or Google Play Store and enter the Meeting ID below. Please follow the instructions B-E above. 4.Spoken public comments using a phone use the telephone number listed below. When you wish to speak on an agenda item hit *9 on your phone so we know that you wish to speak. You will be asked to provide your first and last name before addressing the Council. You will be advised how long you have to speak. When called please limit your remarks to the agenda item and time limit allotted. CLICK HERE TO JOIN Meeting ID: 886 2784 1441 Phone: 1-669-900-6833 Americans with Disability Act (ADA) It is the policy of the City of Palo Alto to offer its public programs, services and meetings in a manner that is readily accessible to all. Persons with disabilities who require materials in an appropriate alternative format or who require auxiliary aids to access City meetings, programs, or services may contact the City’s ADA Coordinator at (650) 329-2550 (voice) or by emailing ada@PaloAlto.gov. Requests for assistance or accommodations must be submitted at least 24 hours in advance of the meeting, program, or service. IS POSTED IN ACCORDANCE WITH GOVERNMENT CODE SECTION 54954.2(a) OR SECTION 54956 PUBLIC ART COMMISSION SPECIAL MEETING MINUTES Thursday, April 16, 2026 Community Meeting Room & Virtual 7:00 p.m. Commissioners Participating: Hsinya Shen, Robin Mullery, Simon Tran , Amber Smith, Anjana Joshi, Tara de la Garza (joined at 7:02 pm) Commissioners Absent: Harriet Stern City Council Participating: None Staff Present: Amanda Deml, Assistant Director, CSD Nadya Chuprina, Public Art Program Coordinator, CSD Joseph Saxe, Public Art Program Manager, CSD CALL TO ORDER –Chair Shen called the meeting to order at 7:00 p.m. AGENDA CHANGES, REQUESTS, DELETIONS – Chair Shen moved the Public Comment section to the end of the meeting and limited all public comments to one minute. APPROVAL OF MINUTES – March 19, 2026 PAC Regular Meeting Minutes: Moved by Commissioner Mullery. Second by Commissioner Smith All in Favor. STAFF COMMENTS –Staff provided an update and shared images of the ongoing painting of a mural by artist Harumo Sato at the All Saints Episcopal Church in downtown Palo Alto. ACTION: 1. Downtown Parking Garage- Staff provided a summary of the public art commission history for the Downtown Parking Garage project, including its initial timeline, artist selection process, and previously concluded community engagement and research by the artist, Amy Landesberg, to inform her conceptual design for public art. Initially launched in 2014, the development project was put on hold by City Council in 2018. At that time, artist Amy Landesberg’s initial conceptual design had already previously been approved by the PAC. In 2025, the Council directed staff to resume the Downtown Garage development project. The Public Art Program staff reached out to the artist to confirm her interest and availability in resuming the project. Landesberg confirmed her interest as the project artist to continue development of the artwork for the garage structure and met with the design team. In June 2025 PAC approved funding in the amount of $30,600 for conceptual design development of public art by artist Amy Landesberg to be funded through pooled Art in Public Spaces CIP funds. Artist worked in collaboration with the public art staff and project design to inform her new conceptual design. Artist Amy Landesberg joined the meeting remotely via zoom to present her concept to the PAC. Landesberg, informed 1 Packet Pg. 5 by site research and prior stakeholder input, proposed The Climbing Biome, a large-scale, architecturally integrated artwork for the garage’s concrete shear wall (approx. 50' x 16'). The stainless steel design features an intricate vertical composition of endangered local flora, highlighting regional ecological diversity. Inspired by Moorish tessellation, Louis Sullivan, and William Morris, the work will face Hamilton Avenue and include interpretive signage. It is designed to have a distinct presence both day and night. Landesberg presented conceptual design images and emphasized they reflect an overall direction. If approved, she will further develop the design, including construction drawings, a detailed fabrication and installation budget, and material samples. Commissioners asked questions about the artwork’s integration with the building and landscape, funding source, and construction timeline. Staff clarified that funding comes from the City’s one percent for public art allocation and recommended approval of the concept and funding of up to $237,000 for fabrication and delivery. Motion: Commissioner Smith moved to approve the proposed conceptual design and approve funding in the amount of $237,000 for the fabrication and installation phase. Second: Commissioner de la Garza. All in Favor. 2. Sherman Ave Parking Garage Temporary Mural Project – Staff provided an overview of the project and recent artist selection process. The selection panel recommended Phillip Hua as the top-ranked artist based on the strength of his work samples. If approved, staff will contract Hua for design development to create a site-specific mural for the garage, to be printed on mesh banner material and installed in Summer 2026 for one year. Staff recommended approval of Phillip Hua as the project artist. Commissioner de la Garza announced that she had to leave the meeting and did not take part in the approval of the motion. Motion: Commissioner Mullery moved to approve artist Phillip Hua as the project artist to design an original design for the temporary mural. Second: Commissioner Joshi. All in Favor. NON-ACTION: 3. Public Art in Private Development – Staff introduced developer Melanie Griswold with Steel Bridge Homes who made a presentation for the initial review for public art in private development associated with the 4103 Old Trace Road project. The developer shared preliminary architectural drawings of the complex noting that the current design may evolve, and indicated two potential areas for integration of public art. Commissioners reviewed the plans and provided input on accessibility, public experience, and integration with the surrounding landscape. They advised against reflective or projection-based works and suggested considering mosaics or murals on public-facing fencing or building façades, as well as the in-lieu option if on-site placement proves challenging. COMMISSIONER QUESTIONS, ANNOUNCEMENTS, OR FUTURE ITEMS: Commissioner Mullery announced upcoming CASP open studios event scheduled for April 25, 1-5 pm at Cubberley Community Center. PUBLIC COMMENT – None CALENDAR: PAC Regular Meeting – May 21, 2026, at 7 pm. MEETING ADJOURNED: at 8:57 pm by Chair Shen. 1 Packet Pg. 6 Public Art Commission Staff Report From: Elise DeMarzo, Manager Community Services Sr Programs Meeting Date: June 18, 2026 Report #: 2606-6474 TITLE Public Art in Private Development - Initial review of a public art in private development associated with the 762 San Antonio Road development project. Presentation by project developer Gary Johnson of Acclaim Properties. RECOMMENDATION Staff recommends that the Public Art Commission review the plans for an upcoming project located at 762 San Antonio Road and give input to the applicant regarding the locations and themes for artwork planned at the site before they undertake their design development. BACKGROUND AND ANALYSIS The project it 762 San Antonio Road is a planned eight story apartment building with 228 rental apartments, including 30 below market rate units. The project qualifies for the Private Percent for Art Requirement under Municipal Code chapter 16.61. The applicant has met with Public Art staff to discuss the options for integration of public art into the project and estimated 1% public art allocation of $805,870 and their intent to incorporate artwork into the project. For more detail on the project, please review the applicant’s submittal and project description (ATTACHMENT A). FISCAL/RESOURCE IMPACT The project is anticipated for review by the City Council August 10, 2026. The applicant will return to the Public Art Commission for final review and approval once they have the artwork design completed in the next few months. ATTACHMENTS Attachment A: 762 San Antonio Road Project submittal for PAC Initial review. 2 Packet Pg. 7 762 SAN ANTONIO RD MULTIFAMILY Project Summary for Palo Alto Art Commission (PAC) Initial Review Developer: Acclaim Companies Landowner: Matt Hengehold Date: June 10, 2026 Project Overview 762 San Antonio Road will be a 228 unit, for-rent multifamily community located on a 2.0- acre parcel at the current site of Hengehold Trucks. The project will replace three existing commercial buildings and surface parking. Of the 228 units, 30 units will be designated as below-market-rate. The proposed project is 85 feet in height and eight stories. The first two levels of the project include ground-level amenities such as entry lobby, co-working areas, leasing office, and mail room. Other amenities include roof-top terraces, pool, spa, gym, and wellness center. For more detailed information, please see submitted plans. The project will bring an architecturally distinguished presence to the San Antonio Road corridor and will be anchored by a curated public art component that will contribute meaningfully to Palo Alto’s cultural landscape. The integration of art and architecture will create a place of resonance and distinction – a landmark that reflects the city's values. Public Art Budget Approximate Art Allocation - $805,870 Art Selection Plan The developer recently completed a comprehensive artist selection process for the project at 3150 El Camino Real (ECR), Palo Alto. Several artists were considered including Ball Nogues Studio, Giles Miller, Ned Kahn, Rob Ley and Blessing Hancock. Ultimately, Giles Miller was selected. Acclaim Companies is thrilled that Giles Miller has agreed to create art for 3150 ECR and has requested that he also consider providing art for 762 San Antonio Road. 2 Packet Pg. 8 Timeline July 2025 Submittal of Public Art Application June-August 2026 Artist Selection Process and Contract September 2026 Entitlements Received October 2026 – August 2026 Construction Drawing Progression/Permitting November 2026 – March 2027 Artist Concept Development Spring 2027 Final Review by Palo Alto Art Commission September 2027 Permits Granted October 2027 Construction Commences February 2029 Project Completion/Artwork installed March 2029 Final Inspection by Public Art Staff March 2029 Certificate of Occupancy Contact Gary Johnson Acclaim Companies gary@acclaimcompanies.com 650-800-7508 2 Packet Pg. 9 762 SAN ANTONIO 762 SAN ANTONIO, PALO ALTO, CA 94303 ACCLAIM COMPANIES 125 WILLOW RD, MENLO PARK, CA 94025 PUBLIC ART COMMISSION PERSPECTIVE FROM SAN ANTONIO ROAD 2 Packet Pg. 10 762 SAN ANTONIO 762 SAN ANTONIO, PALO ALTO, CA 94303 ACCLAIM COMPANIES 125 WILLOW RD, MENLO PARK, CA 94025 PUBLIC ART COMMISSION BIRD EYE VIEW PERSPECTIVE FROM SAN ANTONIO ROAD 2 Packet Pg. 11 762 SAN ANTONIO 762 SAN ANTONIO, PALO ALTO, CA 94303 ACCLAIM COMPANIES 125 WILLOW RD, MENLO PARK, CA 94025 PUBLIC ART COMMISSION ILLUSTRATIVE SITE PLAN SETBACK 10' - 0" SETBACK 10' - 0" SETBACK 10' - 0" SE T B A C K 10 ' - 0 " GARAGE ENTRANCE SAN ANTONIO ROAD LEGHORN STREET SE T B A C K 10 ' - 0 " SE T B A C K 10 ' - 0 " VEHICULAR AND MAIN LOADING ENTRY PEDESTRIAN ENTRY AMENITY/ ROOF LEVEL RESIDENTIAL UNIT PROPERTY LINE BUILDING SETBACK LINE BIKE PARKING - LONG TERM, CLASS I TRASH PICKUP/ STAGING AREA LOADING ZONE PARKING LOT TWO-STORY OFFICE BUILDING ONE-STORY COMMERCIAL BUILDING ONE-STORY COMMERCIAL BUILDING GARAGE ENTRANCE LOADING ENTRY PEDESTRIAN ENTRANCE 10'-0" PROPOSED UTILITY ADJUSTMENT (PUA) 25'-0" FUTURE STREET LINE 30'-0" STREET EASEMENT 50'-0" BUILDING SETBACK PEDESTRIAN ENTRY RE Q U I R E D S E T B A C K 25 ' - 0 " LEVEL 7 (ROOF GARDEN) LEVEL 3 COURTYARD CITY LIMIT PALO ALTO MOUNTAIN VIEW PA LO AL TO MOUNTAIN VIEW PALO ALTO MOUNTAIN VIEW MOUNTAIN VIEW PALO ALTO PALO MOUNTA PEDESTRIAN ENTRANCE LEVEL 8 (ROOF DECK) PEDESTRIAN ENTRANCE PO R P O S E D S E T B A C K 20 ' - 0 " 5 5 10 15 20 3/64" = 1'-0" 0 FEETSCALE N 2 Packet Pg. 12 762 SAN ANTONIO 762 SAN ANTONIO, PALO ALTO, CA 94303 ACCLAIM COMPANIES 125 WILLOW RD, MENLO PARK, CA 94025 PUBLIC ART COMMISSION BIRD EYE VIEW PERSPECTIVE FROM SAN ANTONIO ROAD (ENLARGED) 2 Packet Pg. 13 762 SAN ANTONIO 762 SAN ANTONIO, PALO ALTO, CA 94303 ACCLAIM COMPANIES 125 WILLOW RD, MENLO PARK, CA 94025 PUBLIC ART COMMISSION PERSPECTIVE VIEW FROM LEGHORN ROAD 2 Packet Pg. 14 762 SAN ANTONIO 762 SAN ANTONIO, PALO ALTO, CA 94303 ACCLAIM COMPANIES 125 WILLOW RD, MENLO PARK, CA 94025 PUBLIC ART COMMISSION PERSPECTIVE VIEW FROM SAN ANTONIO ROAD 2 Packet Pg. 15 762 SAN ANTONIO 762 SAN ANTONIO, PALO ALTO, CA 94303 ACCLAIM COMPANIES 125 WILLOW RD, MENLO PARK, CA 94025 PUBLIC ART COMMISSION PERSPECTIVE VIEW FROM SAN ANTONIO ROAD (ENLARGED) 2 Packet Pg. 16 762 SAN ANTONIO 762 SAN ANTONIO, PALO ALTO, CA 94303 ACCLAIM COMPANIES 125 WILLOW RD, MENLO PARK, CA 94025 PUBLIC ART COMMISSION WEST ELEVATION LEVEL 2 10' -0" LEVEL 3 20' -6" LEVEL 4 32' -2" LEVEL 5 42' -4" LEVEL 6 52' -6" LEVEL 7 62' -8" LEVEL 8 72' -10" T.O. PARAPET 90' -0" STAIR & ELEV. ENCLOSURE 96' -0" LOWER ROOF DECK 63' -10" PL PL TO R O O F S H E A T H I N G ( 8 5 ' - 0 " ) 85 ' - 0 " P L A N N I N G B U I L D I N G H E I G H T F R O M L O W E S T C U R B ( 1 2 . 2 ' ) 5' - 7 " 11 ' - 7 " 10 ' - 2 " 10 ' - 2 " 10 ' - 2 " 10 ' - 2 " 11 ' - 8 " 10 ' - 6 " 8' - 7 2 9 / 1 2 8 " 81 11 106453514 1512 EXISTING BUILDING OUTLINEEXISTING BUILDING OUTLINE (E ) H E I G H T 20 ' - 6 " 57613 TY P . 2' - 7 " BACKFLOW ASSEMBLIES TO BE SCREENED WITH LANDSCAPE ROOF LEVEL 84' -5" GROUND LEVEL -SAN ANTONIO ROAD 14.2' UPPER ROOF DECK 73' -10" 13 131 LOWEST CURB HEIGHT 12.2' TY P E I I I A TY P E I A 10 ' - 1 1 " 2 Packet Pg. 17 762 SAN ANTONIO 762 SAN ANTONIO, PALO ALTO, CA 94303 ACCLAIM COMPANIES 125 WILLOW RD, MENLO PARK, CA 94025 PUBLIC ART COMMISSION NORTH ELEVATION LEVEL 2 10' -0" LEVEL 3 20' -6" LEVEL 4 32' -2" LEVEL 5 42' -4" LEVEL 6 52' -6" LEVEL 7 62' -8" LEVEL 8 72' -10" T.O. PARAPET 90' -0" STAIR & ELEV. ENCLOSURE 96' -0" PL PL 5' - 7 " 11 ' - 7 " 10 ' - 2 " 10 ' - 2 " 10 ' - 2 " 10 ' - 2 " 11 ' - 8 " 10 ' - 6 " 8' - 7 " TY P E I I I A TY P E I A TO R O O F S H E A T H I N G ( 8 5 ' - 0 " ) 85 ' - 0 " P L A N N I N G B U I L D I N G H E I G H T F R O M L O W E S T C U R B ( 1 2 . 2 ' ) 78116 4 83 105 1214 EXISTING BUILDING OUTLINE 6 131 (E ) H E I G H T 16 ' - 0 " ROOF LEVEL 84' -5" GROUND LEVEL -SAN ANTONIO ROAD 14.2' UPPER ROOF DECK 73' -10" 11 LOWEST CURB HEIGHT 12.2' MATERIAL LEGEND 1. GLASS RAILING 2. METAL RAILING 3. STOREFRONT 4. VINLY WINDOW 5. METAL SUNSHADE 6. PLASTER COLOR 1 7. PLASTER COLOR 2 8. PLASTER COLOR 3 9. PLASTER COLOR 4 10. EXTERIOR FACADE PANEL 11. ACM PANEL 1 12. ACM PANEL 2 13. ACM PANEL 3 14. PERFORATED METAL PANEL 15. VERTICAL WOODLIKE SCREEN 2 Packet Pg. 18 762 SAN ANTONIO 762 SAN ANTONIO, PALO ALTO, CA 94303 ACCLAIM COMPANIES 125 WILLOW RD, MENLO PARK, CA 94025 PUBLIC ART COMMISSION SOUTH ELEVATION LEVEL 2 10' -0" LEVEL 3 20' -6" LEVEL 4 32' -2" LEVEL 5 42' -4" LEVEL 6 52' -6" LEVEL 7 62' -8" LEVEL 8 72' -10" (0' -0") GROUND LEVEL 12.8' T.O. PARAPET 90' -0" STAIR & ELEV. ENCLOSURE 96' -0" LOWER ROOF DECK 63' -10" 10312 8 11 1 2 4 14 6 7 5' - 7 " 11 ' - 7 " 10 ' - 2 " 10 ' - 2 " 10 ' - 2 " 10 ' - 2 " 11 ' - 8 " 10 ' - 6 " 10 ' - 0 " TY P E I I I A TY P E I A TO R O O F S H E A T H I N G ( 8 5 ' - 0 " ) 85 ' - 0 " P L A N N I N G B U I L D I N G H E I G H T F R O M L O W E S T C U R B ( 1 2 . 2 ' ) PL PL 9 EXISTING BUILDING OUTLINE 138 11 ROOF LEVEL 84' -5" GROUND LEVEL -SAN ANTONIO ROAD 14.2' 8 (E ) H E I G H T 20 ' - 6 " LOWEST CURB HEIGHT 12.2' MATERIAL LEGEND 1. GLASS RAILING 2. METAL RAILING 3. STOREFRONT 4. VINLY WINDOW 5. METAL SUNSHADE 6. PLASTER COLOR 1 7. PLASTER COLOR 2 8. PLASTER COLOR 3 9. PLASTER COLOR 4 10. EXTERIOR FACADE PANEL 11. ACM PANEL 1 12. ACM PANEL 2 13. ACM PANEL 3 14. PERFORATED METAL PANEL 15. VERTICAL WOODLIKE SCREEN 2 Packet Pg. 19 762 SAN ANTONIO 762 SAN ANTONIO, PALO ALTO, CA 94303 ACCLAIM COMPANIES 125 WILLOW RD, MENLO PARK, CA 94025 PUBLIC ART COMMISSION EAST ELEVATION LEVEL 2 10' -0" LEVEL 3 20' -6" LEVEL 4 32' -2" LEVEL 5 42' -4" LEVEL 6 52' -6" LEVEL 7 62' -8" LEVEL 8 72' -10" T.O. PARAPET 90' -0" STAIR & ELEV. ENCLOSURE 96' -0" 9' - 1 0 " 1 0 ' - 6 " 1 1 ' - 8 " 1 0 ' - 2 " 1 0 ' - 2 " 1 0 ' - 2 " 1 0 ' - 2 " 1 1 ' - 7 " 5 ' - 7 " TY P E I A TY P E I I I A 1199247 PL PL 14 TO R O O F S H E A T H I N G ( 8 5 ' - 0 " ) 85 ' - 0 " P L A N N I N G B U I L D I N G H E I G H T F R O M L O W E S T C U R B ( 1 2 . 2 ' ) 65 12 ROOF LEVEL 84' -5" GROUND LEVEL - LEGHORN ST 13' LOWEST CURB HEIGHT 12.2' 2 Packet Pg. 20 762 SAN ANTONIO 762 SAN ANTONIO, PALO ALTO, CA 94303 ACCLAIM COMPANIES 125 WILLOW RD, MENLO PARK, CA 94025 PUBLIC ART COMMISSION PERSPECTIVE FROM SAN ANTONIO ROAD (ENLARGED) 2 Packet Pg. 21 762 SAN ANTONIO 762 SAN ANTONIO, PALO ALTO, CA 94303 ACCLAIM COMPANIES 125 WILLOW RD, MENLO PARK, CA 94025 PUBLIC ART COMMISSION EXTERIOR ENLARGED (NORTH ELEVATION) Garage “Do Not Enter”/Clearance bar Building ID (canopy mounted) Parking IDLobby ID Loading ID 2 Packet Pg. 22 762 SAN ANTONIO 762 SAN ANTONIO, PALO ALTO, CA 94303 ACCLAIM COMPANIES 125 WILLOW RD, MENLO PARK, CA 94025 PUBLIC ART COMMISSION EXTERIOR ENLARGED (WEST ELEVATION) DO NOT ENTER CLEARANCE X'-XX" NOTE: All signs are diagrammatic representations to indicate general placements and approximate sizes, with material, illumination and general sign structure call outs. Color palette,typography, visual language and design details to be developed. Building ID (canopy mounted) Address Lobby ID Leasing Office ID Parking ID Building ID (building mounted) Garage “Do Not Enter”/Clearance bar 2 Packet Pg. 23 Sensory Artistry 762 San Antonio 2 Packet Pg. 24 Our artistic purpose is to benefit the human experience. Neuroscience has proven art’s ability to promote wellbeing. It validates our purpose. Art communicates with and unites our senses. It has the power to make us feel pleasure, awe, comfort, serenity, and excitement. It’s a power we study, channel, and perpetuate. We call it sensory artistry. Artist Statement 2 Packet Pg. 25 Giles Miller Studio Team Giles Miller, Creative Director 2011 - Present (14 years) - MA Royal College of Art, London. - Designer in Residence, London Design Museum. - Lectured at at Central Saint Martins, London Metropolitan, and Buckinghamshire New University. - Awards including Breakthrough Talent (FX), National Sculpture Prize (UK), Rising Talent (Maison Objet), Most Outstanding in Architectural Sculpture (Build Awards) amongst many others. William Lee, Project Manager 2013 - Present (12 years) - Graduate of the Royal Academy of Arts, London. - Specialises in delivering high-profile projects. for clients including British Airways, Hermès, Harrods and Disney. - Leads projects from concept through to installation, underpinned by strong expertise in materials and production processes. - Has lectured internationally, including at Columbia University’s GSAPP New York. Ellie Youngman, Business Development 2018 - Present (8 Years) - Textile Design Graduate from BIAD. - Drives business growth and profitability. - Specialising in delivering large-scale, complex projects internationally. - Maintains client relationships such as Hilton, Ritz Carlton, Harvey Nichols, American Express, Starbucks, Marriot Hotels and Omega Watches. - Lead the studios B-Corp application and maintain certification. Sarah-Jane Miller, Director 2011 - Present (14 years) - Founded the studio with Giles in 2011. - Co-Director engaged in business development and operational oversight. - 10+ years PR industry experience. - Manages the shop/cafe in GMS Suffolk studio. Prim, Studio Dog 2024 - Present (2 years) - Ensures that the creative process remains balanced, focused, and joyful. - Specialises in quiet observation, carefully monitoring studio activity from a strategically positioned sunlit area. - Expertise in stress reduction has proven especially valuable during deadline-driven milestones. Nataly Khadziakova, Computational Senior Designer 2016 - Present (10 years) - AA School Landscape Urbanism graduate. - Specialises in computational modelling (Rhino+Grasshopper 3d), complex shapes, R&D, AI integration into the studio work. - Venice Architecture Biennale 2025 GENS public programme speaker. - S+T+ARTS resident. - TedX speaker. Demi Levy, Design & Sales 2023 - Present (3 years) - Fine Art Graduate from Nottingham Trent. - Contributes to the studio’s design development process, shaping spatial concepts and translating artistic intent into clear, deliverable outcomes. - Acting as Artist’s Representative, supporting projects across all stages and ensuring alignment between artistic vision. Polly Raymond, Financial Director 2025 - Present (1 Year) - BSc Economics graduate from Newcastle University. - Association of Accounting Technicians (AAT) Level 2 Qualification. - Managing the smooth running and delivery of core finance activities, focusing on ensuring compliance with its control framework, identifying process improvement opportunities and striving for operational excellence. 2 Packet Pg. 26 Benefits Biomorphic Design Organic forms that echo natural growth patterns - Calm the mind and elevate mood - Support health and productivity - Fosters a sense of balance and harmony that resonates deeply with human experience. Fractals Rhythmic, repeating patterns introduce both motion and energy into our work. - Exposure to fractal patterns activates brain regions associated with visual pleasure and processing. - Creating spaces that feel harmonious, restorative, and connected to the natural world. Light The interplay between light, material, and structure is central to fostering wellbeing. - Designed to evolve with shifting light - Inviting moments of reflection, tranquility, and uplift throughout the day. Curves Curvature speaks to an innate human preference for soft, flowing forms in the built environment. - Creating spaces that feel inviting, intuitive, and emotionally resonant. Eyrie, Berkshire, UK L’Envol, Paris, France What is Hope?, New York, USA Kyma, Limassol, Cyprus 2 Packet Pg. 27 Working globally with local fabricators and installation teams From houses to public artworks, to jewellery Combining design expertise with artistic vision Sustainability, ethical practices and how we work 2 Packet Pg. 28 Portfolio - Selected Projects 2 Packet Pg. 29 L’Envol 2025 Paris, France Metallic Ceramic, Recycled Plastic 213m2 A break of pace A large-scale mural on Paris’ Champs Elysees provides sensory respite from the urban overload. With its face of flowing softness, it instils a sense of release. Its fractal patterning invites light to dance across its surface, which boosts mood. And its reflective glazed ceramic materiality allows people to see themselves in a new way, sparking self-awareness that heightens mindfulness. Selected Projects 2 Packet Pg. 30 Fractalism 2025 San Francisco, CA Anodised Aluminum 71.4m2 An unexpected encounter A sculptural wave unfurls across the new Spur district building, offering a fleeting moment of wonder within the rhythm of the commute. Formed of thousands of aluminium petals, it cascades across the building’s corner like a metallic wave, catching light and shifting with each passing moment. As sunlight drifts across its surface, the sculpture awakens, revealing ever-changing facets of reflection and calm. Its form contrasts with the clean precision of the biotech architecture, adding softness, texture, and motion. And through its fractal rhythm, Fractalism transforms the urban environment into a moment of mindful encounter. Selected Projects 2 Packet Pg. 31 Falling Still 2023 London, United Kingdom Aluminium Pixels, Tensile Cable 22.5m2 A reason to take a deep breath This intriguing installation juxtaposes stillness with energy to reflect nature and inspire curiosity. Individually angled leaves bounce light around and cast shadows within the space to create a sense of soothing dappled sun. Its gentle screening practicality guides people between the lobby’s zones. And it’s fine materiality carries a gentle, maternal warmth which instils a sense of deep comfort. Selected Projects 2 Packet Pg. 32 Yah Jagah Hai This Is The Place 2022 Mumbai, India Powder Coated Steel 714m2 Softness at scale Encasing and rounding off a corner of a skyscraper, this vast artwork is a place-making icon for the city. It is both strikingly bold and sensitively integrated into the built environment. The organic, scale-like façade expands the biophilic beauty of nearby trees, imbuing urban chaos with tangible tranquillity. Playing with light, it transitions throughout the day, seeming to reflect the rhythms of Mumbai life. And the fluency of its repeat patterning reduces stress by creating a sense of order that provides respite in an otherwise cluttered, disjointed atmosphere. Selected Projects 2 Packet Pg. 33 Eyrie 2024 Reading, England Thermally treated timber and steel Closer contact with nature A structural sculpture overlooking a lake draws people to step inside, pause, and feel nature’s nurture. Formed of timber, it exudes profound peace and invites touch. Its constant curvature expresses approachability and welcome. Its kernel-like form offers cocooning protection both physically and emotionally. And the fluency of its facets activates brain regions associatedwith pleasure. Selected Projects 2 Packet Pg. 34 BBC Pavilion 2019 Cannes, France Raw Aluminum 10,800 sqft Communing with nature Kinetic abilities open this structure to the sea’s wonder, adding a playful, performative dimension. The curvature of the façade’s water-like undulations gives the structure an inherently welcoming demeanour. Its shimmering raw aluminium finish and the direction of its scale-like surface pixels recall teeming shoals of fish. And it is designed to be dismantled and rebuilt, making it destined to reach and enhance more lives. Selected Projects 2 Packet Pg. 35 50 North America 41 Asia 117 Europe 46 Middle East Global Projects 2 Packet Pg. 36 +44 (0) 20 7293 0253 enquiries@gilesmiller.com gilesmiller.com Sensory Artistry 2 Packet Pg. 37 Public Art Commission Staff Report From: Elise DeMarzo, Manager Community Services Sr Programs Meeting Date: June 18, 2026 Report #: 2606-6473 TITLE Sherman Ave Parking Garage Temporary Mural - Approval of conceptual design of temporary mural by artist Phillip Hua for the façade wall of the Sherman Ave Parking Garage RECOMMENDATION Staff recommends that the Public Art Commission approve the conceptual design by artist Phillip Hua for a long-term temporary mural to be printed on mesh banner material and temporarily displayed on the exterior wall of the Sherman Ave Parking Structure in the California Avenue District in Palo Alto. BACKGROUND The California Avenue District Public Art Plan, adopted by the Public Art Commission in March 2021, recommends the integration of temporary and permanent public art to enhance wayfinding and pedestrian experiences, reflect California Avenue’s identity, offer opportunities for more diverse artistic expression, and support economic vitality. Consistent with these recommendations, and following the successful implementation of the Temporary Murals Pilot Program on California Avenue in 2023, the 2024/25 Council-approved Public Art Commission Workplan identified the Sherman Avenue Parking Garage as a priority site for rotating temporary public art. In 2025, public art staff, in coordination with the Public Works Department, evaluated the feasibility of installing a permanent mounting system to support rotating large-scale, digitally printed temporary murals on the garage exterior. Staff completed structural analysis, coordinated support system design with a structural engineer, and obtained Building Department approval and permits. Staff also obtained vendor proposals and cost estimates for hardware installation and banner production. In February 2026, PAC approved funding in the amount not to exceed $35,000 for the installation of hardware and design and production of artwork on the Sherman Avenue Garage, including mounting hardware, permits, banner production and installation, and artist design 3 Packet Pg. 38 fees1. With funding approved, staff proceeded with the artist selection process and utilized the City’s pre-qualified artist pool and identified 27 artists with relevant experience to develop conceptual mural designs as digital artwork. A selection panel comprised of Public Art Commissioner Robin Mullery, artist Liv Unger-Losee, community members Lara Ekwall and Susan Light, and City of Palo Alto Police Department staff member Eric Jensen evaluated artists’ applications online and held a panel meeting on April 14, 2026 to review and discuss the their evaluations and recommend a finalist based on the overall artistic excellence of the applicant’s submitted work samples and demonstrated ability to create visually engaging designs for large- scale murals. San Francisco-based artist Phillip Hua was recommended by the panel as the project artist. At the April 16 PAC meeting, the Commissioners approved Phillip Hua for the commission. ANALYSIS 1 Public Art Commission; February 12, 2026 Agenda Item #6, SR# 2602-5904; https://recordsportal.paloalto.gov/WebLink/DocView.aspx?id=85387&dbid=0&repo=PaloAlto 3 Packet Pg. 39 The family-friendly character of California Avenue informed the overall aesthetic of the mural. I selected bright, saturated colors to create a sense of energy and optimism that would resonate with young people while remaining engaging for viewers of all ages. The text is intended to be accessible and meaningful across generations. Everything Changes is both a visual metaphor and an invitation to embrace transformation.” Everything Changes, 2026 by Phillip Hua. Digital rendering. FISCAL/RESOURCE IMPACT 3 Packet Pg. 40 Should the PAC approve the proposed conceptual design, staff will proceed with the production phase of the project. Fabrication and installation of the temporary mural — including printing, installation of permanent mounting hardware, and placement of the mural — will be completed by a Santa Clara County-based signage contractor. Installation on the exterior wall of the Sherman Ave Parking Structure is anticipated to occur in late July to early August 2026, with exact dates to be coordinated and announced separately by staff. The project is funded through the City’s Art in Public Places CIP fund. The City of Palo Alto Public Art Program operates in accordance with Chapter 2.26 Visual Art in Public Places Policy of Palo Alto Municipal Code. The Municipal Percent for Art Policy specifies that the City will budget one percent (1%) of its construction costs to include public art for City capital improvement projects that have a visual impact on the surrounding environment by altering a site through new construction or reconstruction, at the initial stages of design, thereby ensuring that art elements become an integral part of the overall design. In 2015, in order to strengthen its ongoing commitment to the City’s municipal public art program, the Palo Alto Council amended the Palo Alto Municipal Code to add Section 2.26.070 "Public Art for Municipal Projects" to Chapter 2.26 (Visual Art in Public Places). The Ordinance enhanced the funds available for public art and increased flexibility to provide art experiences that are timely and relevant throughout the community. According to the Ordinance, one percent (1%) of the City’s annual Capital Improvement Program (CIP) budget devoted to public art is deposited into the Public Art Fund. Funds may be used at any appropriate site within Palo Alto for permanent or temporary public art projects. Additionally, funds from two or more CIP projects may be pooled to fund a single work of art. 3 Packet Pg. 41 Public Art Commission Staff Report From: Elise DeMarzo, Manager Community Services Sr Programs Meeting Date: June 18, 2026 Report #: 2606-6470 TITLE University Avenue Underpass Mural – Staff presentation on an opportunity to integrate artwork at the University Avenue underpass and give feedback to staff regarding the launch of the project, and staff recommendation that the Commission approve the allocation of funds in the amount of up to $65,000 for the mural project. RECOMMENDATION Staff recommends that the Commission hear a presentation by staff on an opportunity to integrate artwork at the University Avenue underpass and provide feedback to staff regarding the launch of the project. Staff recommends the Commission approve the allocation of funds in the amount of up to $65,000 for the mural project. ANALYSIS The University Avenue transit hub is the second most frequented station on the Caltrain line. It services Caltrain, Valley Transit Authority, Marguerite shuttles, and bus lines. As such, the underpass used by pedestrians and cyclists has never incorporated public art due to the low lighting levels and challenges with water penetration within the walls. Public Art Program staff was recently notified that the tunnel electrical conduit was replaced, the lighting has been upgraded, and the walls have been repainted a light color to help reflect the light. These upgrades and improved conditions present an opportunity to integrate artwork into this key arrival point to downtown Palo Alto and Stanford University. In June 2026, Public Art staff has submitted a VTA Transit Oriented Communities grant application to help support the cost of the project and has reached out to Stanford University colleagues to discuss options for the murals. Staff is reaching out to key stakeholders and working with our Economic Development team to gather input and assemble a selection panel. Staff would like to gather input from the Public Art Commission at this critical stage in project planning. FISCAL/RESOURCE IMPACT 4 Packet Pg. 42 Staff is meeting with stakeholders and gathering feedback to solidify the planning and call for artists. Staff will find out if we are successful in securing funds from the VTA grant in August 2026. City funds for the murals would come from the Art in Public Spaces Capital Improvement Projects fund. It is anticipated that staff would launch a call for artists in April 2027, with the project anticipated completion in October 2027. 4 Packet Pg. 43 Public Art Commission Staff Report From: Elise DeMarzo, Manager Community Services Sr Programs Meeting Date: June 18, 2026 Report #: 2606-6472 TITLE Approval of Promised Gift of Artwork – Approval of promised gift of artwork by Viola Frey by a private donor into the permanent collection of public art. RECOMMENDATION Staff recommends that PAC approve acceptance of a promised gift of artwork by Viola Frey by a private donor into the permanent collection of public art. DISCUSSION A large-scale ceramic sculpture by the late artist Viola Frey, titled Seated Man Foot Poised on World (2004), has been offered to the City of Palo Alto as a promised gift by a local resident, art collector, and former board member of the Palo Alto Art Center Foundation. The sculpture depicts one of Frey’s iconic monumental male figures, often referred to as the “Everyman” or “Blue-Suited Man.” The larger-than-life figure is seated in a slightly hunched posture, with one foot resting on a globe. Like many of Frey’s signature works, the sculpture explores themes of power, identity, and the human condition through exaggerated scale and expressive form. Measuring approximately 6 feet high by 6 feet wide by 6 feet deep, the work exemplifies Frey’s distinctive contribution to contemporary ceramic sculpture. Viola Frey (1933–2004) was one of the most influential American ceramic artists of the twentieth century and a pioneering figure in the California Funk Art movement. Renowned for her monumental figurative sculptures, Frey challenged traditional distinctions between fine art and craft while expanding the possibilities of ceramic practice. Her work is represented in the collections of major museums throughout the United States and internationally. The artwork was valued at $90,000 at the date of purchase to the owner in 2005. The artwork is currently located at the donor’s private residence. In January 2026, the donor contacted City staff to inquire whether the City would be interested in accepting the sculpture as a promised gift. Staff subsequently visited the residence to inspect the artwork and discuss the terms and logistics of a potential donation. 5 Packet Pg. 44 To evaluate the condition of the sculpture, staff engaged Preservation Arts, a Bay Area conservation firm with extensive experience treating Viola Frey’s outdoor ceramic sculptures. Preservation Arts conducted an on-site assessment and provided a condition report and treatment recommendations. TIMELINE, RESOURCE IMPACT AND POLICY IMPLICATIONS Seated Man Foot Poised on World (2004), staff will work with the donor to finalize a Deed of Gift Agreement and establish a timeline for the transfer of ownership, conservation treatment, transportation, and installation of the artwork. 5 Packet Pg. 45 ATTACHMENTS Attachment A: Image of Artwork and Artist Resume 5 Packet Pg. 46 Viola Frey Seated Man Foot Poised on World, 2004 ceramic and glazes 70 x 70 x 72 inches (177.8 x 177.8 x 182.9 cm) ALF no. VF-0009CMS 2005-2026 © Artists’ Legacy Foundation, Oakland / Artists Rights Society (ARS), New York. 5 Packet Pg. 47 Viola Frey - Solo Exhibition History Artists’ Legacy Foundation, 3/31/2026 1 Type Year Published Form with Dates (bold indicates exhibition catalogue)City State or Country Solo 2026 Viola Frey: Foundations , Bedford Gallery, Walnut Creek, CA, 1/10/2026 through 4/5/2026 Walnut Creek CA Solo 2025 Viola Frey: Observed and Gathered , The Pit, Los Angeles, CA, 5/3/2025 through 6/7/2025 Los Angeles CA Solo 2025 Viola Frey: Transitory Fragments , Pt. 2 Gallery, Oakland, CA, 1/11/2025 through 2/22/2025 Oakland CA Solo 2023 Viola Frey , The Pit Palm Springs, Palm Springs, CA, 12/2/2023 through 1/20/2024 Palm Springs CA Solo 2022 Distinctly Her Own: Sculptures by Viola Frey , California Museum, Sacramento, CA, 2/17/2022 through 5/15/2022 Sacramento CA Solo 2022 Viola Frey: Faces, Masks, and Figurines , Nancy Hoffman Gallery, New York, NY, 11/10/2022 through 12/31/2022 New York NY Solo 2021 Viola Frey (The Space Just Between) Sculpture and Works on Paper 1970-1989 , GAVLAK, Palm Beach, FL, 3/24/2021 through 4/18/2021 Palm Beach FL Solo 2020 Gods & Monsters , American University Museum at the Katzen Arts Center, Washington, DC, 4/4/2020 through 5/24/2020 Washington DC Solo 2020 Monumental: The Art of Viola Frey , Flint Institute of Arts, Flint, MI, 3/14/2020 through 10/25/2020 Flint MI Solo 2019 Viola Frey: Center Stage , di Rosa Center for Contemporary Art, Napa, CA, 3/9/2019 through 12/29/2019 Napa CA Solo 2019 Viola Frey: Her Self , Marin Museum of Contemporary Art, Novato, CA, 3/2/2019 through 4/21/2019 Novato CA Solo 2018 The Future of Yesterday , James Harris Gallery, Seattle, WA, 5/3/2018 through 6/23/2018 Seattle WA Solo 2015 Viola Frey: A Personal Iconography , Nancy Hoffman Gallery, New York, NY, 5/7/2015 through 6/27/2015 New York NY Solo 2014 Collection in Focus: Viola Frey , di Rosa, Napa, CA, 10/29/2014 through 3/1/2015 Napa CA Solo 2012 Viola Frey: Echoes of Images , Nancy Hoffman Gallery, New York, NY, 9/6/2012 through 10/20/2012 New York NY Solo 2010 Viola Frey: A Legacy in Paint and Clay , Sylvia White Gallery, Ventura, CA, 4/7/2010 through 5/8/2010 Ventura CA Solo 2010 Viola Frey: Every Man, Every Woman , Nancy Hoffman Gallery, New York, NY, 1/7/2010 through 2/20/2010 New York NY Solo 2009 - 2010 Bigger, Better, More: The Art of Viola Frey , Racine Art Museum, Racine, WI, 4/24/2009 through 8/16/2009; also traveled to Gardiner Museum, Toronto, ON; Museum of Arts and Design, New York, NY; Arkansas Art Center, Little Rock, AR Racine WI Solo 2008 Viola Frey: Focus on the Figure , Rena Bransten Gallery, San Francisco, CA, 4/10/2008 through 5/17/2008 San Francisco CA Solo 2007 Viola Frey: Relationships/Interrelationships , Nancy Hoffman Gallery, New York, NY, 9/8/2007 through 10/16/2007 New York NY Solo 2005 Viola Frey , Louis Wells Cameron Art Museum, Wilmington, NC, 6/3/2005 through 9/4/2005 Wilmington NC Solo 2005 Viola Frey: A Lasting Legacy , Nancy Hoffman Gallery, New York, NY, 9/16/2005 through 9/4/2005; also traveled to Avampato Discovery Museum, Charleston, WV; Cameron Art Museum, Wilmington, NC New York NY Solo 2003 Viola Frey , Rena Bransten Gallery, San Francisco, CA, 10/9/2003 through 11/15/2003 San Francisco CA Solo 2002 Viola Frey , Nancy Hoffman Gallery, New York, NY, 9/21/2002 through 10/26/2002 New York NY Solo 2001 - 2002 Larger than Life: Ceramic Figures by Viola Frey , Boise Art Museum, Boise, ID, 12/1/2001 through 10/27/2002; also traveled to Nevada Museum of Art, Reno, NV Boise ID Solo 2000 Viola Frey (Focus on the Figure), Rena Bransten Gallery, San Francisco, CA, 10/19/2000 through 11/25/2000 San Francisco CA 5 Packet Pg. 48 Viola Frey - Solo Exhibition History Artists’ Legacy Foundation, 3/31/2026 2 Solo 1999 Viola Frey , Nancy Hoffman Gallery, New York, NY, 5/1/1999 through 6/2/1999 New York NY Solo 1999 Viola Frey , Rena Bransten Gallery, San Francisco, CA, 9/9/1999 through 10/9/1999 San Francisco CA Solo 1998 Viola Frey: Survey 1969-1981 , Rena Bransten Gallery, San Francisco, CA, 11/19/1998 through 12/23/1998 San Francisco CA Solo 1997 Viola Frey: Plates , Frank Lloyd Gallery, Santa Monica, CA, 9/6/1997 through 10/1/1997 Santa Monica CA Solo 1996 Viola Frey , Rena Bransten Gallery, San Francisco, CA, 11/8/1996 through 12/9/1996 San Francisco CA Solo 1996 Viola Frey: An Exhibition of Small Scale Ceramic Sculpture by a Major American Artist , Riva Yares Gallery, Sante Fe, NM, 12/6/1996 through 12/31/1996 Santa Fe NM Solo 1995 Viola Frey Ceramics: The Dinner Plates , Western Gallery, Western Washington University, Bellingham, WA, 1995 Bellingham WA Solo 1995 Viola Frey: Arguments , Rena Bransten Gallery, San Francisco, CA, 11/8/1995 through 12/9/1995 San Francisco CA Solo 1994 Viola Frey , Rena Bransten Gallery, San Francisco, CA, 4/14/1994 through 5/14/1994 San Francisco CA Solo 1994 Viola Frey: Monumental Sculpture , Riva Yares Gallery, Scottsdale, AZ, 1994 Scottsdale AZ Solo 1994 - 1996 Viola Frey: Plates 1968-1994 , Nancy Hoffman Gallery, New York, NY, 12/10/1994 through 1/11/1995; also traveled to Butler Institute of American Art, Youngstown, OH; Western Gallery, Western Washington University, Bellingham, WA; Art Museum of South Texas, Corpus Christi, TX; Wichita Center for the Arts, Wichita, KS; Dahl Fine Arts Center, Rapid City, SD New York NY Solo 1994 Viola Frey: Sculpture and Paintings , Riva Yares Gallery, Santa Fe, NM, 10/7/1994 through 10/31/1994 Santa Fe NM Solo 1993 Viola Frey , Nancy Hoffman Gallery, New York, NY, 9/11/1993 through 10/20/1993 New York NY Solo 1992 Viola Frey , Nancy Hoffman Gallery, New York, NY, 5/30/1992 through 7/31/1992 New York NY Solo 1992 Viola Frey: Artist's Mind/Studio/World Wallpaper and Pink Lady , The Fabric Workshop, Philadelphia, PA, 3/4/1992 through 5/1/1992 Philadelphia PA Solo 1992 Viola Frey: Figures , Crocker Museum of Art, Sacramento, CA, 3/25/1992 through 5/17/1992 Sacramento CA Solo 1992 Viola Frey: Sculpture and Wallpaper , Asher/Faure, Los Angeles, CA, 03/28/1992 through 4/25/1992 Los Angeles CA Solo 1992 Viola Frey: Works on Paper , Rena Bransten Gallery, San Francisco, CA, 5/12/1992 through 6/13/1992 San Francisco CA Solo 1991 Viola Frey , Fresno Art Museum, Fresno, CA, 12/3/1991 through 3/1/1992 Fresno CA Solo 1991 Viola Frey , Nancy Hoffman Gallery, New York, NY, 4/27/1991 through 6/1/1991 New York NY Solo 1990 Viola Frey , Rena Bransten Gallery, San Francisco, CA, 3/21/1990 through 4/21/1990 San Francisco CA Solo 1989 Viola Frey , Nancy Hoffman Gallery, New York, NY, 4/22/1989 through 5/31/1989 New York NY Solo 1989 Viola Frey , Rena Bransten Gallery, San Francisco, CA, 2/7/1989 through 3/4/1989 San Francisco CA Solo 1988 Manufacture de Sèvres, Atelier Experimental de Recherche et de Creation: Viola Frey , Hall du Centre National des Arts Plastiques, Paris, France 1/6/1988 through 1/29/1988 Paris France Solo 1988 Viola Frey: Recent Work , Asher/Faure, Los Angeles, CA, 4/30/1988 through 5/28/1988 Los Angeles CA Solo 1987 Viola Frey , Nancy Hoffman Gallery, New York, NY, 5/2/1987 through 6/3/1987 New York NY Solo 1987 Viola Frey , Rena Bransten Gallery, San Francisco, CA, 12/2/1987 through 1/9/1988 San Francisco CA Solo 1987 Viola Frey , Rena Bransten Gallery, San Francisco, CA, 12/2/1987 through 1/9/1988 San Francisco CA Solo 1986 Viola Frey , Asher/Faure, Los Angeles, CA, 3/15/1986 through 4/12/1986 Los Angeles CA Solo 1985 Viola Frey: Paintings and Sculpture , Rena Bransten Gallery, San Francisco, CA, 9/5/1985 through 10/5/1985 San Francisco CA 5 Packet Pg. 49 Viola Frey - Solo Exhibition History Artists’ Legacy Foundation, 3/31/2026 3 Solo 1984 - 1985 It's All Part of the Clay: Viola Frey , Goldie Paley Gallery, Moore College of Art, Philadelphia, PA, 11/2/1984 through 12/18/1984; also traveled to Pittsburgh Center for the Arts, Pittsburgh, PA; Erie Art Museum, Erie, PA Philadelphia PA Solo 1984 Viola Frey , Whitney Museum of American Art, New York, NY, 7/25/1984 through 9/30/1984 New York NY Solo 1984 Viola Frey: Paintings and Sculpture , Greenberg Gallery, St. Louis, MO, 1984 St. Louis MO Solo 1984 Viola Frey: Sculpture and Painting , Asher/Faure, Los Angeles, CA, 1/7/1984 through 2/4/1984 Los Angeles CA Solo 1983 Viola Frey: Paintings, Sculptures, Drawings , Quay Gallery, San Francisco, CA, 3/29/1983 through 4/30/1983 San Francisco CA Solo 1982 Currents 18: Viola Frey , St. Louis Art Museum, St. Louis, MO, 11/16/1982 through 1/2/1983 St. Louis MO Solo 1982 Viola Frey , Art Collections, Arizona State University, Tempe, AZ, 8/22/1982 through 9/19/1982 Tempe AZ Solo 1982 Viola Frey , Mark Twain Plaza Bank, Kansas City, MO, 10/31/1982 through 12/31/1982 Kansas City MO Solo 1982 Viola Frey: Figures , Art Gallery/Visual Arts Center, CSU Fullerton, Fullerton, CA, 4/16/1982 through 5/13/1982 Fullerton CA Solo 1981 - 1984 Viola Frey , Crocker Art Museum, Sacramento, CA, 3/21/1981 - 4/27/1981; also traveled to Oakland Museum, Oakland, CA; Sheehan Art Gallery, Whitman College, Walla Walla, WA; Blanden Memorial Gallery, Fort Dodge, IA; Matthew’s Center, Arizona State University, Tempe, AZ; Illinois State University, Normal, IL; Huntsville Museum of Art, Huntsville, AL Sacramento CA Solo 1980 Viola Frey , Quay Gallery, San Francisco, CA, 10/7/1980 through 11/1/1980 San Francisco CA Solo 1978 Viola Frey: Ceramic Artist in Residence , Purdue University CA 5 Ceramic Studio, West Lafayette, IN, 3/21/1978 through 4/2/1978 West Lafayette IN Solo 1975 Viola Frey: Recent Ceramic Sculpture , Hank Baum Gallery, Century City, CA, 8/18/1975 through 10/17/1975 Los Angeles CA Solo 1975 Viola Frey: Recent Ceramic Sculpture , Hank Baum Gallery, San Francisco, CA, 4/2/1975 through 5/30/1975 San Francisco CA Solo 1975 Viola Frey: Recent Works , Wenger+Casat Galleries, La Jolla, CA, 11/22/1975 through 1/14/1976 La Jolla CA Solo 1974 Viola Frey “Seat of Civilization” Series , Wenger Gallery, San Francisco, CA, 4/2/1974 through 4/27/1974 San Francisco CA Solo 1970 Viola Frey: Artist in Residence , Pioneer Museum & Haggin Galleries, San Joaquin Delta College, Stockton, CA, 2/22/1970 through 3/20/1970 Stockton CA Solo 1969 “Trophies in Clay” by Viola Frey , Chabot College Art Gallery, Hayward, CA, 3/4/1969 through 3/31/1969 Hayward CA Solo 1966 Borkeramik Gallery, Chicago, IL, 10/2/1966 through 10/31/1966 Chicago IL Solo 1965 Viola Frey: Pottery, Paintings , College of the Holy Names, Oakland, CA, 11/21/1965 through 1/9/1966 Oakland CA 5 Packet Pg. 50 Viola Frey - Group Exhibition History (bold indicates exhibition catalogue) Type Year Published Form with Dates City State or Country Group 2026 Finding the Center: The Clay Art Center Historic Collection , Clay Art Center, Port Chester, NY, 4/25/2026 through 5/31/2026 Port Chester NY Group 2026 Rhapsody: Works from the Cooper Rosenwasser Collection , Berkeley Art Museum and Pacific Film Archive, Berkeley, CA, 3/4/2026 through 6/28/2026 Berkeley CA Group 2025 A Shared Journey: The Barkan Contemporary Ceramic Collection at the RISD Museum , RISD Museum, Providence, RI, 11/8/2025 through 3/5/2028 Providence RI Group 2025 California Clay , Hastings College Jackson Dinsdale Art Center, Hastings, NE, 1/15/2025 through 3/28/2025 Hastings NE Group 2025 Far Out: Northern California Art , di Rosa SF, San Francisco, CA, 8/2/2025 through 10/4/2025 San Francisco CA Group 2025 Infinite Horizons , The Pit Los Angeles, Los Angeles, CA, 3/15/2025 through 4/19/2025 Los Angeles CA Group 2025 Making Moves: A Collection of Feminisms , Crocker Art Museum, Sacramento, CA, 11/2/2025 through 5/3/2026 Sacramento CA Group 2025 Monumental: Larger than Life-Size , Racine Art Museum, Racine, WI, 8/1/2025 through 2/28/2026 Racine WI Group 2025 RBG at 50: Focus on Ceramics , Rena Bransten Gallery, San Francisco, CA, 2/8/2025 through 3/29/2025 San Francisco CA Group 2025 Ruminations: Tracing the Past, Shaping the Future , Vicki Myhren Gallery, University of Denver, Denver, CO, 9/25/2025 through 11/23/2025 Denver CO Group 2025 Sèvres Extraordinaire! Sculpture from 1740 until Today , Bard Graduate Center Gallery, New York, NY, 9/10/2025 through 11/16/2025 New York NY Group 2025 Summer in Black and White , Nancy Hoffman Gallery, New York, NY, 7/10/2025 through 8/29/2025 New York NY Group 2025 The Incorrect Museum , di Rosa Center for Contemporary Art, Napa, CA, 5/3/2025 through ongoing Napa CA Group 2024 Crosscurrents: Contemporary Art from the Speed Art Museum Collection and Beyond , Speed Art Museum, Louisville, KY, 7/19/2024 through ongoing Louisville KY Group 2024 Exposure Therapy , KMAC Contemporary Art Museum, Louisville, KY, 8/31/2024 through 11/3/2024 Louisville KY Group 2024 Going Our Way , George Adams Gallery, New York, NY, 1/5/2024 through 2/17/2024 New York NY Group 2024 Halfway to Sanity , The Pit Los Angeles, Los Angeles, CA, 2/24/2024 through 4/6/2024 Los Angeles CA Group 2024 Jay DeFeo, Martha Shaw, Mildred Howard, Robert Therrien, Squeak Carnwath, Viola Frey , Pt. 2 Gallery, Oakland, CA, 9/14/2024 through 10/26/2024 Oakland CA Group 2024 Making Her Mark , Flint Institute of Arts, Flint, MI, 12/21/2024 through 9/28/2025 Flint MI Group 2024 Poke in the Eye: Art of the West Coast Counterculture , Seattle Art Museum, Seattle, WA, 6/21/2024 through 9/2/2024 Seattle WA Group 2024 She Laughs Back: Feminist Wit in 1970s Bay Area Art , University Library Gallery, CSU Sacramento, Sacramento, CA, 2/6/2024 through 4/13/2024 Sacramento CA Group 2024 Studio Time + Studio Practice , Arkansas Museum of Fine Arts, Little Rock, AR, 7/23/2024 through 4/20/2025 Little Rock AR Group 2024 The Figure-The Face: Pastels from the Butler’s Collection , The Butler Institute of American Art, Youngstown, OH, 3/24/2024 through 5/12/2024 Youngstown OH Group 2024 The Portland Vase: Mania and Muse , Crocker Art Museum, Sacramento, CA, 6/9/2024 through 9/8/2024 Sacramento CA Artists' Legacy Foundation, 5/11/2026 1 5 Packet Pg. 51 Viola Frey - Group Exhibition History (bold indicates exhibition catalogue) Group 2024 Whispers and Screams: Voices from the Belger Collection , Belger Arts Center, Kansas City, MO, 4/5/2024 through 8/3/2024 Kansas City MO Group 2023 (Mostly) Women (Mostly) Abstract, Pt. II , Eric Firestone Gallery, New York, NY, 9/8/2023 through 10/14/2023 New York NY Group 2023 13 Women: Variation V , Orange County Museum of Art, Costa Mesa, CA, 7/25/2023 through 8/27/2023 Costa Mesa CA Group 2023 Funk You Too! Humor and Irreverence in Modern and Contemporary Ceramic Sculpture , Museum of Arts and Design, New York, NY, 3/18/2023 through 8/27/2023 New York NY Group 2023 Moment Momentum , James Harris Gallery, Dallas, TX, 9/30/2023 through 12/21/2023 Dallas TX Group 2023 RAM Staff Selects: A Community-Curated Exhibition , Racine Art Museum, Racine, WI, 10/11/2023 through 1/13/2024 Racine WI Group 2023 Tender Loving Care: Contemporary Art from the Collection , Museum of Fine Arts Boston, Boston, MA, 7/22/2023 through 7/28/2025 Boston MA Group 2023 The Divine Feminine: Contemporary Women Sculptors , Ann Norton Sculpture Gardens, West Palm Springs, FL, 12/1/2023 through 04/30/2024 West Palm SpringsFL Group 2023 Threads That Bind: Elucidating Diverse Voices of Womanhood , Daum Museum of Contemporary Art, Sedalia, MO, 2/25/2023 through 7/30/2023 Sedalia MO Group 2023 WARES! Extraordinary Ceramics and the Ordinary Home , Santa Barbara Museum of Art, Santa Barbara, CA, 6/18/2023 through 9/17/2023 Santa Barbara CA Group 2023 Winter Selects 2023 , Eric Firestone Gallery, East Hampton, NY, 2023-24 East Hampton NY Group 2023 Women of Northern California: Making Meaning for Yesterday, Today, and Tomorrow , John Natsoulas Gallery, Davis, CA, 3/1/2023 through 4/1/2023 Davis CA Group 2022 After Viola , The Barn Gallery, Woodland, CA, 3/16/2022 through 6/11/2022 Woodland CA Group 2022 Breaking Ground: Women in California Clay , American Museum of Ceramic Art, Pomona, CA, 9/10/2022 through 3/12/2023 Pomona CA Group 2022 California Clay: The Big Bang , Clarinda Carnegie Art Museum, Clarinda, IA, 4/10/2022 through 7/31/2022 Clarinda IA Group 2022 Home as Stage , Wharton Esherick Museum, Malvern, PA, 9/15/2022 through Malvern PA Group 2022 Important Studio Ceramics, 1932-2022 , Moderne Gallery, Philadelphia, PA, 6/17/2022 through 9/24/2022 Philadelphia PA Group 2022 On the Edge: CCA Clay , Pence Gallery, Davis, CA, 3/16/2022 through 5/15/2022 Davis CA Group 2022 The Message is the Medium , 484 Broome Street, Presented by Arthur, New York, NY, 6/8/2022 through New York NY Group 2022 The Object in its Place: As Designed by Ted Cohen , Museum of Craft and Design, San Francisco, CA, 2/12/2022 through 6/5/2022 San Francisco CA Group 2022 Unearthed: The NEHMA Ceramics Collection & The Woman Behind It , Nora Eccles Harrison Museum of Art, Utah State University, Logan, UT, 8/30/2022 through 4/20/2024 Logan UT Group 2021 (Not) Quiet on the Western Front , Belger Arts Center, Kansas City, MO, 6/4/2021 through 3/5/2022 Kansas City MO Group 2021 Craft Front and Center , Museum of Arts and Design, New York, NY, 5/22/2021 through 2/13/2022 New York NY Group 2021 For the Record: Celebrating Art by Women , Norton Museum of Art, West Palm Beach, FL, 6/11/2021 through 10/3/2021 West Palm Beach FL Artists' Legacy Foundation, 5/11/2026 2 5 Packet Pg. 52 Viola Frey - Group Exhibition History (bold indicates exhibition catalogue) Group 2021 Hard/Cover , Fabric Workshop and Museum, Philadelphia, PA, 4/9/2021 through 9/26/2021 Philadelphia PA Group 2021 In Search of Lost Time , James Harris Gallery, Seattle, WA, 1/9/2021 through 2/27/2021 Seattle WA Group 2021 Jennifer Rochlin, Bella Foster, and Viola Frey , The Pit, Glendale, CA, 5/22/2021 through 7/2/2021 Glendale CA Group 2021 Linger and Flow , Pennsylvania Academy of the Fine Arts, Philadelphia, PA, 9/16/2021 through 4/3/2022 Philadelphia PA Group 2021 Making a Mark: American Women Artists , Artis-Naples, The Baker Museum, Naples, FL, 3/28/2021 through 7/25/2021 Naples FL Group 2021 Playful / Pensive: Contemporary Artists and Contemporary Issues , Racine Art Museum, Racine, WI, 8/6/2021 through 7/9/2022 Racine WI Group 2021 Presenting 4 x 8-bridges on 8-bridges.com , online art fair, San Francisco, CA, 1/25/2021 through 1/31/2021 San Francisco CA Group 2021 Reflect: Modern and Contemporary Highlights , Honolulu Museum of Art, Honolulu, HI, 4/17/2021 through 7/25/2021 Honolulu HI Group 2021 Taking Space: Contemporary Women Artists and the Politics of Scale , Pennsylvania Academy of the Fine Arts, Philadelphia, PA, 1/21/2021 through 9/19/2021 Philadelphia PA Group 2021 The Flames: The Age of Ceramics , Musée d’Art Moderne de Paris, Paris, France, 10/15/2021 through 2/6/2022 Paris France Group 2021 The Incorrect Museum: Vignettes from the di Rosa Collection , di Rosa Center for Contemporary Art, Napa, CA, 4/17/2021 - ongoing Napa CA Group 2021 When Nobody’s Watching , Rena Bransten Gallery, San Francisco, CA, 5/22/2021 through 7/2/2021 San Francisco CA Group 2020 A Legacy of Firsts: The Everson Collects , Everson Museum of Art, Syracuse, NY, 11/16/2020 through 1/3/2021 Syracuse NY Group 2020 An Earth Song, A Body Song: Figures with Landscapes , OMCAExpand, Santa Ana, CA, 10/4/2020 Santa Ana CA Group 2020 Clay (&c), Petaluma Arts Center, Petaluma, CA, 2/15/2020 through 3/22/2020 Petaluma CA Group 2020 Nasty Women , GAVLAK Los Angeles, Los Angeles, CA, 10/31/2020 through 12/12/2020 Los Angeles CA Group 2020 Sweet Land of Funk , Phoenix Art Museum, Phoenix, AZ, 1/11/2020 through 6/27/2021 Phoenix AZ Group 2020 Winterfest: An Exhibition of Arts and Crafts , Aspen Art Museum, Aspen, CO, 12/18/2020 through 2/21/2021 Aspen CO Group 2019 100 Iconic Works from the Permanent Collection , The Baker Museum, Artis-Naples, Naples, FL, 12/1/2019 through 7/25/2020 Naples FL Group 2019 20/20: A Twentieth Anniversary Survey , James Harris Gallery, Seattle, WA, 6/3/2019 through 08/17/2019 Seattle WA Group 2019 - 2020 About Face: Contemporary Ceramic Sculpture , Montgomery Museum of Fine Arts, Montgomery, AL, 2/2/2019 through 5/12/2019; also traveled to Art Museum of South Texas, Corpus Christi, TX; and Figge Art Museum, Davenport, IA Montgomery AL Group 2019 Chris Hood and Viola Frey , Et al. etc., San Francisco, CA, 7/13/2019 through 8/24/2019 San Francisco CA Group 2019 Clay , Nancy Hoffman Gallery, New York, NY, 6/19/2019 through 10/14/2019 New York NY Group 2019 Clayblazers: Women Artists of the ‘50s, ‘60s, and ‘70s , Arizona State University Art Museum, Tempe, AZ, 4/20/2019 through 8/10/2019 Tempe AZ Group 2019 Cool Clay: Recent Acquisitions of Contemporary Ceramics , Crocker Art Museum, Sacramento, CA, 7/21/2019 through 7/19/2020 Sacramento CA Group 2019 Global Conversations: Art in Dialogue , Toledo Museum of Art, Toledo, OH, 3/9/2019 through 8/16/2020 Toledo OH Artists' Legacy Foundation, 5/11/2026 3 5 Packet Pg. 53 Viola Frey - Group Exhibition History (bold indicates exhibition catalogue) Group 2019 Human Condition , KANEKO, Omaha, NE, 1/12/2019 through 5/4/2019 Omaha NE Group 2019 Making Knowing: Craft in Art, 1950-2019 , Whitney Museum of American Art, New York, NY, 11/22/2019 through 2/20/2022 New York NY Group 2019 The Circle , Nancy Hoffman Gallery, New York, NY, 12/12/2019 through 1/30/2020 New York NY Group 2019 The Figure , Nancy Hoffman Gallery, New York, NY, 1/26/2019 through 3/2/2019 New York NY Group 2019 Women in Contemporary Art , Craft and Design, Cincinnati Art Museum, Cincinnati, OH, 11/29/2019 through 2/12/2023 Cincinnati OH Group 2018 40 by 40: The 40th Anniversary Show , University Art Gallery, Sonoma State University, Rohnert Park, CA, 11/8/2018 through 12/9/2018 Rohnert Park CA Group 2018 A Look Back: Forty Years of the Foosaner Collection , Foosaner Art Museum, Florida Institute of Technology, Melbourne, FL, 6/1/2018 through 11/3/2018 Melbourne FL Group 2018 American Beauty , Design Museum Den Bosch, Hertogenbosch, Netherlands, 3/3/2018 through 6/3/2018 Hertogenbosch Netherlands Group 2018 Be Not Still: Living in Uncertain Times (Part 1), di Rosa Center for Contemporary Art, Napa, CA, 1/27/2018 through 5/27/2018 Napa CA Group 2018 Be Not Still: Living in Uncertain Times (Part 2), di Rosa Center for Contemporary Art, Napa, CA, 6/23/2018 through 12/30/2018 Napa CA Group 2018 First Glimpse: Introduction to the Buck Collection , University Art Gallery and Contemporary Arts Center Gallery, University of California, Irvine, Irvine, CA, 9/29/2018 through 1/5/2019 Irvine CA Group 2018 Funk/Pop: Viola Frey , Arizona State University Art Museum, Tempe, AZ, 9/1/2018 through 12/29/2018 Tempe AZ Group 2018 In the Company of Women , Phoenix Art Museum, Phoenix, AZ, 7/7/2018 through 8/12/2018 Phoenix AZ Group 2018 Living with Clay: California Ceramics Collections , Nicholas & Lee Begovich Gallery, California State University, Fullerton, Fullerton, CA, 8/25/2018 through 11/17/2018 Fullerton CA Group 2018 Ouch!, Belger Arts Center, Kansas City, MO, 2/2/2018 through 6/2/2018 Kansas City MO Group 2018 Reverberations: A Visual Conversation , Sebastopol Center for the Arts, Sebastopol, CA, 10/26/2018 through 12/2/2018 Sebastopol CA Group 2018 Sculptors and Their Drawings , Nancy Hoffman Gallery, New York, NY, 9/6/2018 through 10/13/2018 New York NY Group 2018 The Elaine and Sidney Cohen Collection of Contemporary Ceramics , Crocker Art Museum, Sacramento, CA, 8/5/2018 through 11/18/2018 Sacramento CA Group 2018 The Incongruous Body , American Museum of Ceramic Art, Pomona, CA, 8/11/2018 through 2/17/2019 Pomona CA Group 2017 Bay Area Clay - A Legacy of Social Consciousness , Arts Benicia, Benicia, CA, 10/14/2017 through 11/19/2017 Benicia CA Group 2017 Body Language: Figuration in Modern and Contemporary Art , Tucson Museum of Art and Historic Block, Tucson, AZ, 2/25/2017 through 7/9/2017 Tucson AZ Group 2017 Fall Presentation , Jeffrey Spahn Gallery via Artsy.net, Berkeley, CA, 9/18/2017 through 11/18/2017 Berkeley CA Group 2017 From Funk To Punk: Left Coast Ceramics , Everson Museum of Art, Syracuse, NY, 11/11/2017 through 4/15/2018 Syracuse NY Group 2017 In Praise of Women: Works from the Permanent Collection , Canton Museum of Art, Canton, OH, 4/29/2017 through 7/23/2017 Canton OH Artists' Legacy Foundation, 5/11/2026 4 5 Packet Pg. 54 Viola Frey - Group Exhibition History (bold indicates exhibition catalogue) Group 2017 Personalities in Clay: American Studio Ceramics from the E. John Bullard Collection , New Orleans Museum of Art, New Orleans, LA, 11/4/2017 through 5/13/2018 New Orleans LA Group 2017 REWIND: 60 Years at CAC , Clay Art Center, Port Chester, NY, 1/29/2017 through 3/26/2017 Port Chester NY Group 2017 Story Telling about Life: 2017 Gyeonggi International Biennale , Icheon World Ceramics Center, Icheon Cerapia, Icheon, Gyeonggi-do Provence, 4/22/2017 through 5/28/2017 Icheon-si South Korea Group 2017 The Women , Ferrin Contemporary, North Adams, MA, 10/28/2017 through 12/31/2017 North Adams MA Group 2017 Woman Made: Female Artists from the Foosaner Collection , Foosaner Art Museum, Florida Institute of Technology, Melbourne, FL, 8/12/2017 through 10/7/2017 Melbourne FL Group 2016 A Century of Collecting: Ceramics at the Everson from 1916 to the Present , Everson Museum of Art, Syracuse, NY, 11/20/2016 through 6/30/2017 Syracuse NY Group 2016 EXPOSED: Heads, Busts, and Nudes , Ferrin Contemporary, North Adams, MA, 6/18/2016 through 8/7/2016 North Adams MA Group 2016 Fired Up: Monumental Clay , Palo Alto Art Center, Palo Alto, CA, 6/18/2016 through 8/28/2016 Palo Alto CA Group 2016 From the Collection: Passion and Obsession , KANEKO, Omaha, NE, 11/12/2016 through 5/6/2017 Omaha NE Group 2016 Function, Form, and Fantasy: Ceramics from the Dr. Robert and Deanna Harris Burger Collection , Flint Institute of Arts, Flint, MI, 5/7/2016 through 8/14/2016 Flint MI Group 2016 Now Where Were We?, Minneapolis Institute of Art, Minneapolis, MN, 12/23/2016 through 12/15/2017 Minneapolis MN Group 2016 The Human Spirit: Contemporary Figuration as an Expression of Humanism , Richmond Art Center, Richmond, CA, 3/19/2016 through 5/22/2016 Richmond CA Group 2016 Tiny Treasures , Nancy Hoffman Gallery, New York, NY, 7/7/2016 through 9/1/2016 New York NY Group 2015 - 2016 CERAMIX: Art and Ceramics from Rodin to Schütte , Bonnefantenmuseum, Maastricht, Netherlands, 10/16/2015 through 1/31/2016; also traveled to la Maison Rouge, Paris, France; and Cité de la Céramique, Maastricht Netherlands Group 2015 Character Studies: Clay from the Collection , San Jose Museum of Art, San Jose, CA, 10/3/2016 through San Jose CA Group 2015 Father Clay - Bruce Duke Retrospective , Grand Theater Center for the Arts, Tracy, CA, 8/29/2015 through 10/17/2015 Tracy CA Group 2015 Lukas Duwenhögger, Viola Frey, D'Ette Nogle, Joel Otterson, Carol Rama , Michael Benevento Gallery, Los Angeles, CA, 09/19/2015 through 11/7/2015 Los Angeles CA Group 2015 Rodin to Warhol: 60th Anniversary Gifts and Recent Acquisitions , McNay Art Museum, San Antonio, TX, 2/18/2015 through 5/17/2015 San Antonio TX Group 2014 - 2015 Beyond Craft: Decorative Arts from the Leatrice S. and Melvin B. Eagle Collection , Museum of Fine Arts Houston, Houston, TX, 2/23/2014 through 5/26/2014; also traveled to Mint Museum, Charlotte, NC; Canton Museum of Art, Canton, OH Houston TX Group 2014 In Passionate Pursuit: The Arlene and Harold Schnitzer Collection and Legacy , Portland Art Museum, Portland, OR, 10/18/2014 through 1/11/2015 Portland OR Group 2014 Magic Mud: Masterworks in Clay from RAM’s Collection , Racine Art Museum, Racine, WI, 2/2/2014 through 5/4/2014 Racine WI Artists' Legacy Foundation, 5/11/2026 5 5 Packet Pg. 55 Viola Frey - Group Exhibition History (bold indicates exhibition catalogue) Group 2014 The Female Gaze: The Linda Lee Alter Collection of Art by Women , Vicki Myhren Gallery, University of Denver, Denver, CO, 3/27/2014 through 5/4/2014 Denver CO Group 2014 The Human Condition: The Stephen and Pamela Hootkin Collection , Chazen Museum of Art, University of Wisconsin-Madison, Madison, WI, 9/4/2014 through 11/30/2014 Madison WI Group 2014 The Morgan Collection - Selections , University Art Gallery, Dinah Washington Cultural Arts Center, Tuscaloosa, AL, 1/16/2014 through 3/7/2014 Tuscaloosa AL Group 2013 A Riot of Color: The Fabric Workshop and Museum in Collaboration with Ruth Fine , Fabric Workshop and Museum, Philadelphia, PA, 9/13/2013 through Fall 2013 Philadelphia PA Group 2013 Adornment , Belger Arts Center, Kansas City, MO, 2/1/2013 through 6/8/2013 Kansas City MO Group 2013 Color: The Splendor Of , Nancy Hoffman Gallery, New York, NY, 8/5/2013 through 8/30/2013 New York NY Group 2013 Fifty Gifts for Fifty Years , Sheldon Museum of Art, University of Nebraska, Lincoln, NE, 7/5/2013 through Lincoln NE Group 2013 Larger than Life: Exploring Scale in Contemporary Art , Bedford Gallery, Walnut Creek, CA, 6/2/2013 through 8/18/2013 Walnut Creek CA Group 2013 The Landy Collection of Ceramics , High Museum of Art, Atlanta, GA, 2013 Atlanta GA Group 2013 Winter Blues , Nancy Hoffman Gallery, New York, NY, 12/12/2013 through 1/25/2014 New York NY Group 2012 40 Years , Nancy Hoffman Gallery, New York, NY, 12/13/2012 through 2/2/2013 New York NY Group 2012 Local Treasures: Bay Area Ceramics , Berkeley Art Center, Berkeley, CA, 9/22/2012 through 11/18/2012 Berkeley CA Group 2012 Renegade Humor , San Jose Museum of Art, San Jose, CA, 2/3/2012 through 7/8/2012 San Jose CA Group 2012 Shifting Paradigms in Contemporary Ceramics: The Garth Clark and Mark Del Vecchio Collection , Museum of Fine Arts Houston, Houston, TX, 3/4/2012 through 6/3/2012 Houston TX Group 2012 - 2014 The Female Gaze: Women Artists Making Their World , Pennsylvania Academy of the Fine Arts, Philadelphia, PA, 11/17/2012 through 4/7/2013; also traveled to Vicki Myhren Gallery, University of Denver, Denver, CO Philadelphia PA Group 2012 The Figure , Nancy Hoffman Gallery, New York, NY, 1/26/2012 through 8/31/2012 New York NY Group 2012 To Be A Lady: Forty-Five Women in the Arts , Norte Maar, New York, NY, 9/19/2012 through 3/21/2013 New York NY Group 2012 Women: By, Of, About , Nancy Hoffman Gallery, New York, NY, 6/7/2012 through 8/31/2012 New York NY Group 2011 43rd Annual Arkansas Art Center Collector’s Showcase , Arkansas Art Center, Little Rock, AR, 12/2/2011 through 12/31/2011 Little Rock AR Group 2011 Clay Bodies: Reinterpreting the Figure , Hunterdon Art Museum, Clinton, NJ, 2/27/2011 through 6/12/2011 Clinton NJ Group 2011 Discerning Taste: Paintings from the Simona and Jerome Chazen Collection , Chazen Museum of Art, University of Wisconsin-Madison, Madison, WI, 10/22/2011 through 3/11/2012 Madison WI Group 2011 Hand Made: Contemporary Craft in Ceramic, Glass, and Wood , Carnegie Museum of Art, Pittsburgh, PA, 4/8/2011 through 7/28/2013 Pittsburgh PA Group 2011 Looking at You Looking at Me , di Rosa, Napa, CA, 10/29/2011 through 2/18/2012 Napa CA Group 2010 Beneath the Surface - Excavating the Belger Collection , Belger Arts Center, Kansas City, MO, 3/5/2010 through 8/6/2010 Kansas City MO Artists' Legacy Foundation, 5/11/2026 6 5 Packet Pg. 56 Viola Frey - Group Exhibition History (bold indicates exhibition catalogue) Group 2010 Cross Currents in 20th Century Art: Prints and Ceramics from the Anne C. and Harry Wollman Collection , Currier Museum of Art, Manchester, NH, 6/26/2010 through 9/6/2010 Manchester NH Group 2010 Go Figure!, Cantor Center for the Arts, Stanford University, Stanford, CA, 9/21/2010 through 8/5/2012 Stanford CA Group 2010 Narcissus In the Studio: Artist Portraits and Self-Portraits , Pennsylvania Academy of the Fine Arts, Philadelphia, PA, 10/23/2010 through 1/2/2011 Philadelphia PA Group 2010 Refraction: Contemporary Art from the Harn Museum Collection , Harn Museum of Art, University of Florida, Gainesville, FL, 8/24/2010 through 8/28/2011 Gainesville FL Group 2010 Summer , Nancy Hoffman Gallery, New York, NY, 7/29/2010 through 9/7/2010 New York NY Group 2010 Tomorrow’s Legacies: Gifts Celebrating the Next 125 Years , Crocker Art Museum, Sacramento, CA, 10/10/2010 through 1/9/2011 Sacramento CA Group 2009 50/50: Fifty Gifts Celebrating Fifty Years , Phoenix Art Museum, Phoenix, AZ, 12/4/2009 through 1/3/2010 Phoenix AZ Group 2009 Dirt on Delight: Impulses That Form Clay , Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA, 1/16/2009 through 6/21/2009; also traveled to Walker Art Center, Minneapolis, MN Philadelphia PA Group 2009 Outside the Ordinary: Contemporary Art in Glass, Wood, and Ceramics from the Wolf Collection , Cincinnati Art Museum, Cincinnati, OH, 6/20/2009 through 9/13/2009 Cincinnati OH Group 2009 Titans II: Viola Frey and Robert Arneson , Arizona State University Art Museum, Tempe, AZ, 6/27/2009 through 8/8/2009 Tempe AZ Group 2009 TITANS: Robert Arneson and Viola Frey , Arizona State University Art Museum, Tempe, AZ, 2/28/2009 through 4/25/2009 Tempe AZ Group 2008 Bay Area Ceramic Sculpture: Collection in Context , di Rosa Preserve: Art & Nature, Napa, CA, 3/29/2008 through 5/17/2008 Napa CA Group 2008 Carolina Collects , Columbia Museum of Art, Columbia, SC, 6/27/2008 through 8/17/2008 Columbia SC Group 2008 Multiple Personalities: Figural Sculpture and Contemporary Craft , Minneapolis Institute of Arts, Minneapolis, MN, 3/22/2008 through 2/8/2009 Minneapolis MN Group 2008 NANCY HOFFMAN GALLERY: SUMMER SOHO , Nancy Hoffman Gallery, New York, NY, 5/10/2008 through New York NY Group 2008 Out of Shape: Bodies in Contemporary Art , Norton Museum of Art, West Palm Beach, FL, 8/10/2008 through 11/2/2008 West Palm Beach FL Group 2008 Paradigms and the Unexpected: Modern and Contemporary Art from the Shey Collection , Samuel P. Harn Museum of Art, University of Florida, Gainesville, FL, 2/10/2008 through 5/18/2008 Gainesville FL Group 2008 Re-considering Color: Postmodern Classical II , Olympic Tower Atrium, Onassis Cultural Center, New York, NY, 4/21/2008 through 6/1/2008 New York NY Group 2008 The Art of a City: The History of the San Francisco Arts Festival 1946-1986 , San Francisco International Airport, South San Francisco, CA, 10/11/2008 through 4/10/2009 South San FranciscoCA Group 2008 Threads of History , The Fabric Workshop and Museum, Philadelphia, PA, 2008-2009 Philadelphia PA Group 2007 A Legacy of Art: The Ted and Ruth Nash Collection , Oakland Museum of California, Oakland, CA, 8/24/2007 through 12/30/2007 Oakland CA Artists' Legacy Foundation, 5/11/2026 7 5 Packet Pg. 57 Viola Frey - Group Exhibition History (bold indicates exhibition catalogue) Group 2007 Artists of Invention: A Century of CCA , Oakland Museum of California, Oakland, CA, 10/13/2007 through 3/16/2008 Oakland CA Group 2007 CCA: 100 Years in the Making , Oakland Museum of California, Oakland, CA, 10/13/2007 through 1/27/2008 Oakland CA Group 2007 CCA[C]@di Rosa Preserve: Celebrating the Centennial Anniversary of the California College of the Arts , di Rosa Preserve: Art & Nature, Napa, CA, 5/26/2007 through 7/14/2007 Napa CA Group 2007 - 2010 Innovation & Change: Ceramics from the Arizona State University Art Museum , Arizona State University Art Museum, Tempe, AZ, 9/8/2007 through 11/4/2007; traveled to Fort Wayne Museum of Art, Fort Wayne, IN; Arkansas Art Center, Little Rock, AR; J. Wayne Stark Gallery, Texas A&M University, College Station, TX; Roswell Museum and Art Center, Roswell, NM; The Plains Art Museum, Fargo, ND; Las Cruces Museum of Fine Art & Culture, Las Cruces, NM; Huntsville Museum of Art, Huntsville, AL; Wichita Art Museum, Wichita, KS; Vero Beach Museum of Art, Vero Beach, FL Fort Wayne IN Group 2007 Shy Boy, She Devil, and Isis: The Art of Conceptual Craft , Museum of Fine Arts, Boston, Boston, MA, 9/11/2007 through 1/6/2008 Boston MA Group 2006 A Ceramic Legacy: The Stéphane Janssen and R. Michael Johns Collection , The Katherine K. Herberger College of Fine Arts, Arizona State University Art Museum, Tempe, AZ, 2/11/2006 through 8/5/2006 Tempe AZ Group 2006 Circles , Nancy Hoffman Gallery, New York, NY, 6/24/2006 through 9/4/2006 New York NY Group 2006 Drawing the Line , Nancy Hoffman Gallery, New York, NY, 5/20/2006 through 6/20/2006 New York NY Group 2006 Poetic Expressions of Morality: Figurative Ceramics from the Porter*Price Collection , Mobile Museum of Art, Mobile, AL, 4/14/2006 through 9/24/2006; also traveled to Montgomery Museum of Fine Arts, Montgomery, AL Mobile AL Group 2006 The Family of Clay: CCA Ceramics 1950-2005 , Tecoah Bruce Gallery, Steven Oliver Art Center, Oakland, CA, 1/17/2006 through 2/6/2006 Oakland CA Group 2006 - 2007 The Human Form in Clay: The Mind’s Eye , Shigaraki Ceramic Cultural Park, The Museum of Contemporary Ceramic Art, Shiga, Japan, 3/17/2006 through 6/3/2006; also traveled to The Museum of Ceramic Art, Hyogo, Japan; Shizuoka Art Gallery, Shizuoka City, Japan Shiga Japan Group 2005 Artist/Teacher/Artist , Sonoma Valley Museum of Art, Sonoma, CA, 1/22/2005 through 2/27/2005 Sonoma CA Group 2005 Connoisseurs of Clay: Collecting Contemporary Ceramics , Museum of Fine Arts, St. Petersburg, FL, 5/7/2005 through 7/24/2005 St. Petersburg FL Group 2005 Dual Vision: The Simona and Jerome Chazen Collection , Museum of Arts and Design, New York, NY, 5/26/2005 through 9/11/2005; also traveled to Elvehjem Museum of Art, University of Wisconsin at Madison, Madison, WI New York NY Group 2005 Fired at Davis: Figurative Ceramic Sculpture by Robert Arneson, Visiting Professors, and Students at the University of California at Davis, the Paula and Ross Turk Collection , Cantor Center for the Arts, Stanford University, Stanford, CA, 10/12/2005 through 2/26/2006 Stanford CA Group 2005 The Anniversary Show , Rena Bransten Gallery, San Francisco, CA, 1/13/2005 through 2/19/2005 San Francisco CA Artists' Legacy Foundation, 5/11/2026 8 5 Packet Pg. 58 Viola Frey - Group Exhibition History (bold indicates exhibition catalogue) Group 2005 - 2016 The Human Touch: Selections from the RBC Wealth Management Art Collection , Cedar Rapids Museum of Art, Cedar Rapids, IA, 6/10/2005 through 7/30/2005; also traveled to Maine College of Arts, Portland, ME; Virginia Commonwealth University, Richmond, VA; Rockford Art Museum, Rockford, IL; Yellowstone Art Museum, Billings, MT; Rochester Art Center, Rochester, MN; Yakima Valley Museum, Yakima, WA; Joslyn Art Museum, Omaha, NE; Nevada Museum of Art, Reno, NV; Fresno Art Museum, Fresno, CA; Museum of Fine Arts, St. Petersburg, St. Petersburg, FL; RedLine, Denver, CO; Blanton Museum of Art, University of Texas at Austin, Austin, TX; Scottsdale Museum of Contemporary Art, Scottsdale, AZ; RedLine Milwaukee, Milwaukee, WI; Jordan Schnitzer Museum of Art, University of Oregon, Eugene, OR; Memorial Art Gallery, University of Rochester, Rochester, NY; Weisman Art Museum, University of Minnestoa, Minneapolis, MN; Wadsworth Atheneum Cedar Rapids IA Group 2005 The Long & Short of It , Richard L. Nelson Gallery, UC Davis, Davis, CA, 3/31/2005 through 5/22/2005 Davis CA Group 2004 Inside Out: Selections the San Jose Museum of Art Permanent Collection , San Jose Museum of Art, San Jose, CA, 11/20/2004 through 7/9/2006 San Jose CA Group 2004 Picasso to Thiebaud: Modern and Contemporary Art from the Collections at Stanford University Alumni and Friends , Cantor Center for the Arts, Stanford University, Stanford, CA, 2/18/2004 through 6/20/2004 Stanford CA Group 2004 - 2005 The True Artist is an Amazing Luminous Fountain: Selected Works from the di Rosa Preserve: Art & Nature , Kreeger Museum, Washington, DC, 4/21/2004 through 7/31/2004; also traveled to di Rosa Preserve: Art & Nature, Napa, CA; Palm Springs Desert Museum, Palm Springs, CA; Santa Cruz Museum of Art & History, Santa Washington DC Group 2003 American Art Today: Faces and Figures , The Art Museum at Florida International University, Miami, FL, 1/17/2003 through 3/9/2003 Miami FL Group 2003 On the Wall: Wallpaper and Tableau , The Fabric Workshop and Museum, Philadelphia, PA, 5/9/2003 through 9/13/2003 Philadelphia PA Group 2003 Scenery , Rena Bransten Gallery, San Francisco, CA, 7/17/2003 through 8/16/2003 San Francisco CA Group 2002 Celebrating Thirty Years , Nancy Hoffman Gallery, New York, NY, 9/4/2002 through 9/17/2002 New York NY Group 2002 Crafting a Legacy: Contemporary American Crafts in the Philadelphia Museum of Art , Philadelphia Museum of Art, Philadelphia, PA, 9/26/2002 through 8/10/2003 Philadelphia PA Group 2002 Functionalism to Funk: California Ceramics , Minneapolis Institute of Arts, Minneapolis, MN, 2/23/2002 through 1/19/2003 Minneapolis MN Group 2002 Major Figures: A Group Show of Figural Ceramics , Ferrin Gallery, Lenox, MA, 5/11/2002 through 6/16/2002 Lenox MA Group 2002 Selections from Valley Collections, Inaugural Exhibition in the Ceramics Research Center , Arizona State University Art Museum, Tempe, AZ, 2/1/2002 through 5/31/2002 Tempe AZ Group 2002 The 30th Anniversary Exhibition of Carl Schlosberg: Sculpture, Paintings, Prints, Drawings, and Photographs , Carl Schlosberg Fine Arts, Sherman Oaks, CA, 10/13/2002 through 11/12/2002 Sherman Oaks CA Group 2002 The Erotic Life of Clay , Fine Arts Gallery, San Francisco State University, San Francisco, CA, 9/22/2002 through 10/17/2002 San Francisco CA Group 2001 Allan Chasonoff Ceramic Collection , Mint Museum of Craft and Design, Charlotte, NC, 11/4/2000 through 5/27/2001 Charlotte NC Artists' Legacy Foundation, 5/11/2026 9 5 Packet Pg. 59 Viola Frey - Group Exhibition History (bold indicates exhibition catalogue) Group 2001 Artists’ Tiles: Beyond Tradition , Pence Gallery, Davis, CA, 10/5/2001 through 11/17/2001 Davis CA Group 2001 Comic Relief , Rena Bransten Gallery, San Francisco, CA, 3/22/2001 through 4/28/2001 San Francisco CA Group 2001 Figuration in Clay: A Collection , McMaster Gallery, University of South Carolina, Columbia, SC, 2/15/2001 through 3/31/2001 Columbia SC Group 2001 Form 45: On Paper II , Carnegie Museum of Art, Pittsburgh, PA, 2/10/2001 through 5/6/2001 Pittsburgh PA Group 2001 From the Figure to the Body: Modern and Contemporary Sculpture , Santa Barbara Museum of Art, Santa Barbara, CA, 11/11/2001 through 1/27/2002 Santa Barbara CA Group 2001 I love New York , Nancy Hoffman Gallery, New York, NY, 10/17/2001 through 11/1/2001 New York NY Group 2001 Objects of Desire II , Nancy Hoffman Gallery, New York, NY, 9/8/2001 through 10/2/2001 New York NY Group 2001 - 2003 Poetics of Clay: An International Perspective , Philadelphia Art Alliance, Philadelphia, PA, 9/13/2001 through 11/11/2001; also traveled to Museum of Art and Design, Helsinki, Finland; Houston Center for Contemporary Craft, Houston, TX Philadelphia PA Group 2001 The Body Project , Nancy Hoffman Gallery, New York, NY, 6/9/2001 through 9/5/2001 New York NY Group 2000 - 2001 Color and Fire: Defining Moments in Studio Ceramics, 1950-2000 , Los Angeles County Museum of Art, Los Angeles, CA, 6/4/2000 through September 17, 2000; also traveled to Kemper Museum of Contemporary Art, Kansas City, MO; Tucson Museum of Art and Historic Block, Tucson, AZ; Memorial Art Gallery of the University of Rochester, Rochester, NY Los Angeles CA Group 2000 Expanded Visions: Ceramic Art in the 1970s - 80s from the Collection of Daniel Jacobs and Derek Mason , Bayly Art Museum, University of Virginia, Charlottesville, VA, 1/21/2000 through 3/19/2000 Charlottesville VA Group 2000 GLASS: A CELEBRATION , Nancy Hoffman Gallery, New York, NY, 6/3/2000 through 7/29/2000 New York NY Group 2000 Legacy III: Contemporary Women Artists , Brevard Museum of Art and Science, Melbourne, FL, 7/15/2000 through 9/3/2000 Melbourne FL Group 2000 Masters of Contemporary Sculpture , University of California San Francisco, Laurel Heights Campus, San Francisco, CA, 2000 San Francisco CA Group 2000 The Lighter Side of Bay Area Figuration , Kemper Museum of Contemporary Art, Kansas City, MO, 4/7/2000 through 6/18/2000; also traveled to San Jose Museum of Art, San Jose, CA Kansas City MO Group 1999 Art & Industry: Contemporary Porcelain from Sèvres , American Craft Museum, New York, NY, 1/14/1999 through 5/2/1999 New York NY Group 1999 Born of Clay 3 , Garth Clark Gallery, New York, NY, 12/7/1999 through 1/8/2000 New York NY Group 1999 Choice from America - Modern American Ceramics , Stedelijk Museum ‘s-Hertogenbosch, ‘s-Hertogenbosch, 6/5/1999 through 9/12/1999 ‘s-Hertogenbosch Netherlands Group 1999 Gateways , Nancy Hoffman Gallery, New York, NY, 12/11/1999 through 7/29/2000 New York NY Group 1999 Objects of Desire , Nancy Hoffman Gallery, New York, NY, 9/7/1999 through 9/25/1999 New York NY Group 1999 Pioneers and Terriers: Colenbrander, Ohr and USA Clay Today , Stedelijk Museum ‘s-Hertogenbosch, ‘s- Hertogenbosch, 6/6/1999 through 9/12/1999 ‘s-Hertogenbosch Netherlands Group 1999 Size Matters: Mega vs. Mini , Norton Museum of Art, West Palm Beach, FL, 1999 West Palm Beach FL Artists' Legacy Foundation, 5/11/2026 10 5 Packet Pg. 60 Viola Frey - Group Exhibition History (bold indicates exhibition catalogue) Group 1999 The Art of Craft: Contemporary Works from the Saxe Collection , Fine Arts Museum of San Francisco, San Francisco, CA, 6/26/1999 through 10/17/1999 San Francisco CA Group 1998 20/20 The 20th Anniversary Exhibition , University Art Gallery, Sonoma State University, Rohnert Park, CA, 3/12/1998 through 4/4/1998 Rohnert Park CA Group 1998 A Fire For Ceramics: Contemporary Art from the Daniel Jacobs and Derek Mason Collection , Hand Workshop Art Center, Richmond, VA, 11/6/1998 through 1/31/1999 Richmond VA Group 1998 Fifty Year-Fifty Artists , Butler Institute of American Art, Trumbull Branch, Howland, OH, 8/9/1998 through 8/30/1998 Howland OH Group 1998 The 25th Anniversary Celebration of Carl Schlosberg Fine Arts: Sculpture, Paintings, Prints, and Drawings , Carl Schlosberg Fine Arts, Sherman Oaks, CA, 11/8/1998 through 12/8/1998 Sherman Oaks CA Group 1998 Uit het EKWC , Stedelijk Museum ‘s-Hertogenbosch, ‘s-Hertogenbosch, 9/13/1998 through 10/4/1998 ‘s-Hertogenbosch Netherlands Group 1997 5th Anniversary Celebration: Contemporary Art from the Frederick R. Weisman Collections , Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, CA, 8/23/1997 through 9/28/1997 Malibu CA Group 1997 Arbus to Zynsky , Norton Museum of Art, West Palm Beach, FL, 6/7/1997 through 8/24/1997 West Palm Beach FL Group 1997 Ceramic Still Life: The Common Object , Oliver Art Center, California College of the Arts and Crafts, San Francisco, CA, 9/10/1997 through 12/13/1997 Oakland CA Group 1997 Color Detour , Apex Art, New York, NY, 1/9/1997 through 2/8/1997 New York NY Group 1997 The Hergenrader Collection of Contemporary Art , Sheldon Memorial Art Gallery and Sculpture Garden, University of Nebraska, Lincoln, NE Lincoln NE Group 1997 The Hirshhorn Collects: Recent Acquisitions 1992-1996 , Hirshhorn Museum and Sculpture Garden, Washington, DC, 6/4/1997 through 9/7/1997 Washington DC Group 1996 Narcissism: Artists Reflect Themselves , California Center for the Arts Museum, Escondido, CA, 2/4/1996 through 5/26/1996 Escondido CA Group 1996 Real(ist) Women , Selby Gallery, Ringling School of Art and Design, Sarasota, FL, 1/10/1996 through 2/26/1996 Sarasota FL Group 1996 Six From California , Frank Lloyd Gallery, Santa Monica, CA, 9/7/1996 through 10/2/1996 Santa Monica CA Group 1996 Vessels , Armory Center for the Arts, Pasadena, CA, 11/10/1996 through 1/19/1997 Pasadena CA Group 1995 - 1996 Breaking Barriers: Recent American Craft , Portland Art Museum, Portland, OR, 2/6/1995 through 4/16/1995; also traveled to Madison Art Center, Madison, WI; Albany Museum of Art, Albany, GA; American Craft Museum, New York, NY Portland OR Group 1995 - 1997 From Plastic Form to Printer’s Plates: 16 Contemporary Sculptor/Printmakers , The Lamont Gallery, Phillips Exeter Academy, Exeter, NH, 11/4/1995 through 12/10/1995; also traveled to Western Gallery, Western Washington University, Bellingham, WA; Canton Museum of Art, Canton, OH; Irving Arts Center, Irving, TX; McDonough Museum of Art, Youngstown State University, Youngstown, OH; Shafer Art Gallery, Barton County Community College, Great Bend, KS Exeter NH Group 1995 In Three Dimensions: Women Sculptors of the ‘90s , Newhouse Center for Contemporary Art, Staten Island, NY, 7/9/1995 through 1/14/1996 Staten Island NY Artists' Legacy Foundation, 5/11/2026 11 5 Packet Pg. 61 Viola Frey - Group Exhibition History (bold indicates exhibition catalogue) Group 1995 Light Interpretations: A Hanukah Memorial Invitational , The Jewish Museum San Francisco, San Francisco, CA, 11/12/1995 through 12/25/1995 San Francisco CA Group 1995 Louis Mueller and Viola Frey , Galerie Carin Delcourt van Krimpen, Amsterdam, Netherlands, 2/25/1995 through 4/2/1995 Amsterdam Netherlands Group 1994 Contemporary American Ceramics: From the Dean Thompson Collection , Gallery of Art, Johnson County Community College, Overland Park, KS, 7/24/1994 through 8/31/1994 Overland Park KS Group 1994 Here and Now: Bay Area Masterworks from the di Rosa Collection , Oakland Museum, Oakland, CA, 1994 Oakland CA Group 1994 The 58th National Midyear Exhibition , Butler Institute of American Art, Youngstown, OH, 6/26/1994 through 8/21/1994 Youngstown OH Group 1994 The Figure , Grounds for Sculpture, Hamilton, NJ, 1994-1995 Hamilton NJ Group 1994 The Women’s Mentor Show , San Francisco Arts Commission Gallery, San Francisco, CA, 5/5/1994 through 6/11/1994 San Francisco CA Group 1994 Working in Other Dimensions: Objects & Drawings II , Arkansas Art Center Decorative Arts Museum, Little Rock, AR, 10/2/1994 through 11/13/1994 Little Rock AR Group 1994 Works on Paper , Nancy Hoffman Gallery, New York, NY, c. 1994 New York NY Group 1993 Contemporary Crafts and The Saxe Collection , Toledo Museum of Art, Toledo, OH, 9/12/1993 through 2/5/1995 (traveling exhibit) Toledo OH Group 1993 Five Bay Area Artists: Sculpture and Works on Paper , Rena Bransten Gallery, San Francisco, CA, 9/9/1993 through 10/2/1993 San Francisco CA Group 1993 From the Fire, Three Exhibitions in Clay: Incendiary Spirits , Palo Alto Cultural Center, Palo Alto, CA, 1/17/1993 through 4/25/1993 Palo Alto CA Group 1993 Hybridization: Contemporary Northern California Crafts, 1975 - Present , California College of the Arts and Crafts, Oakland, CA, 1993 Oakland CA Group 1993 Nine Decades: The Northern California Craft Movement 1907 to Present (three part exhibit), California Crafts Museum, San Francisco, CA, 9/18/1993 through 11/14/1993 San Francisco CA Group 1993 Nine Decades: The Northern California Craft Movement 1907 to Present (three part exhibit), Oliver Art Center, Oakland, CA, 10/13/1993 through 12/18/1993 Oakland CA Group 1993 Nine Decades: The Northern California Craft Movement 1907 to Present (three part exhibit), San Francisco Craft & Folk Art Museum, San Francisco, CA, 9/4/1993 through 10/24/1993 San Francisco CA Group 1993 Tales and Traditions: Storytelling in Twentieth-Century American Craft , Washington University Gallery of Art, St. Louis, MO, 1993 St. Louis MO Group 1993 The Art of Craft , Boca Raton Museum of Art, Boca Raton, FL, 1/22/1993 through 2/28/1993 Boca Raton FL Group 1992 Cross Section , Battery Park City and the World Financial Center, New York, NY, 7/9/1992 through 9/20/1992 New York NY Group 1992 Objects and Drawings from the Sanford M. and Diane Besser Collection , Arkansas Art Center, Little Rock, AR, 7/16/1992 through 2/4/1993 (traveling exhibit) Little Rock AR Artists' Legacy Foundation, 5/11/2026 12 5 Packet Pg. 62 Viola Frey - Group Exhibition History (bold indicates exhibition catalogue) Group 1992 Summer Selection: Painting, Photography, Sculpture, Video , Rena Bransten Gallery, San Francisco, CA, 7/21/1992 through 8/15/1992 San Francisco CA Group 1992 The Figure: Two Bay Area Artists, Christopher Brown and Viola Frey, Gallery of Art, Johnson County Community College, Overland Park, KS, 2/23/1992 through 4/3/1992 Overland Park KS Group 1992 Viola Frey and Dennis Gallagher , Esprit Sculpture Garden, San Francisco, CA, 5/14/1992 through 8/15/1992 San Francisco CA Group 1992 What’s New: Invitational Group Exhibition of Recent Painting and Sculpture , Helander Gallery, Palm Beach, FL, 11/12/1992 through 12/10/1992 Palm Beach FL Group 1992 Works on Paper: The Craft Artist as Draftsman , Renwick Gallery of the National Museum of American Art, Washington, DC, 6/26/1992 through 3/21/1993 Washington DC Group 1991 American Life in American Art 1950-1990: Selections from the Permanent Collection , Whitney Museum of American Art, New York, NY, 7/11/1991 through 1/5/1992 New York NY Group 1991 De-Persona , Oakland Museum of California, Oakland, CA, 5/18/1991 through 9/22/1991 Oakland CA Group 1991 Diverse Directions , Transamerica Pyramid Lobby, San Francisco, CA, 4/1/1991 through 5/24/1991 San Francisco CA Group 1991 Experiencing Sculpture: The Figure in American Art, 1850 to 1990 , Hudson River Museum, Yonkers, NY, 1991-Yonkers NY Group 1991 Not On Canvas , Asher/Faure, Los Angeles, CA, 2/16/1991 through 3/23/1991 Los Angeles CA Group 1991 Selections from Rene and Veronica di Rosa Foundation Collection of Northern California Art , Redding Museum of Art and History, Redding, CA, 1/10/1991 through 2/14/1991 Redding CA Group 1991 Selections from the Collection of Stéphane Janssen and Michael Johns , Arizona State University Art Museum, Tempe, AZ, 4/1/1991 through 6/9/1991 Tempe AZ Group 1991 Smith Collects Contemporary , Smith College Museum of Art, Northampton, MA, 1991 Northampton MA Group 1991 The 1980s: Selections from the Permanent Collection , Whitney Museum of American Art, New York, NY, 1/16/1991 through 3/24/1991 New York NY Group 1991 The New Bronze Age , The Society for Contemporary Crafts, Pittsburgh, PA, 9/13/1991 through 11/3/1991 Pittsburgh PA Group 1991 Walls: Large-Scale Ceramic Sculpture, Eight Variations , Nora Eccles Harrison Museum of Art, Utah State University, Logan, UT, 1/31/1991 through 3/10/1991 Logan UT Group 1990 Art at Gateway Center , Gateway Center, Prudential Services Company, Newark, NJ, 1990 Newark NJ Group 1990 Bay Area Sculptors of the 1960s: Then and Now , Braunstein/Quay Gallery, San Francisco, CA, 6/5/1990 through 7/7/1990 San Francisco CA Group 1990 Building A Permanent Collection: A Perspective on the 1980s , American Craft Museum, New York, NY, 8/8/1990 through 9/30/1990 New York NY Group 1990 Contra Costa Collects Contemporary , Civic Art Gallery, Walnut Creek, CA, 10/09/1990 through 12/23/1990 Walnut Creek CA Group 1990 Functional Fantasy , Transamerica Pyramid Lobby, San Francisco, CA, 9/17/1990 through 11/8/1990 San Francisco CA Group 1990 National Drawing Invitational , Arkansas Art Center, Little Rock, AR, 3/1/1990 through 4/8/1990 Little Rock AR Group 1990 Oakland’s Artists ‘90 , Oakland Museum, Oakland, CA, 3/24/1990 through 7/1/1990 Oakland CA Group 1990 The Figure: Selections from the Arkansas Arts Center Foundation Collection , Arkansas Art Center, Little Rock, AR, 11/16/1990 through 2/11/1991 Little Rock AR Artists' Legacy Foundation, 5/11/2026 13 5 Packet Pg. 63 Viola Frey - Group Exhibition History (bold indicates exhibition catalogue) Group 1990 Thirty Ceramic Sculptors , Natsoulas Novelozo Gallery, Davis, CA, 1990 Davis CA Group 1989 2D/3D: Sculptors Drawing , Seattle Art Museum, Seattle, WA, 2/16/1989 through 3/26/1989 Seattle WA Group 1989 30 Ceramic Sculptors , Natsoulas Novelozo Gallery, Davis, CA, 4/7/1989 through 5/6/1989 Davis CA Group 1989 A Rain of Talent: Umbrella Art , The Fabric Workshop, Philadelphia, PA, 1989-1990 (traveling exhibit)Philadelphia PA Group 1989 American Pop Culture Today , Laforet Museum, Tokyo, 3/20/1989 through 4/19/1989 Tokyo Japan Group 1989 California Crafts XVI: Selections from One Man’s Collection, Hubert A. Arnold , Crocker Art Museum, Sacramento, CA, 2/25/1989 through 4/2/1989 Sacramento CA Group 1989 Ceramic Traditions: Figuration , Palo Alto Cultural Center, Palo Alto, CA, 7/16/1989 through 9/17/1989 Palo Alto CA Group 1989 - 1993 Craft Today USA , Musée des Arts Décoratifs, Paris, France, 5/24/1989 through 8/27/1989; also traveled to Museum of Applied Art, Helsinki, Finland; Museum für Kunsthandwerk, Frankfurt, Germany; Zacheta Gallery, Warsaw, Poland; Musée des Arts Décoratifs, Lausanne, Switzerland; Museum of Decorative Applied & Folk Art, Moscow, Russia; State Painting & Sculpture Museum, Ankara, Turkey; The Oslo Museum of Applied Art, Oslo, Norway; St. Peter’s Abbey, Ghent, Belgium; Amerika Haus, Berlin, Germany; The Zappeion, Athens, Greece; Slovak National Gallery, Bratislava, Czechoslovakia; The Grassi Museum, Leipzig, Germany; Sala Sant Jaume de la Fundacio “La Caixa”, Barcelona, Spain; The Gulbenkain, Lisbon, Portugal Paris France Group 1989 Eternal Shades , Fisher Gallery, University of Southern California, Los Angeles, CA, 11/14/1989 through Los Angeles CA Group 1989 Kansas City Collects: Contemporary Ceramics , Nelson-Atkins Museum of Art, Kansas City, MO, 1/28/1989 through 3/12/1989 Kansas City MO Group 1989 Perth International Crafts Triennial , Art Gallery of Western Australia, Perth, Australia, 10/14/1989 through 12/3/1989 Perth Australia Group 1989 Selections from the Joyce and Jay Cooper Collection of Contemporary Ceramics , Nelson Fine Arts Center, ASU Art Museum, Tempe, AZ, 10/23/1989 through 1/7/1990 Tempe AZ Group 1989 The Eighties in Review , Whitney Museum of American Art at Fairfield County, Stamford, CT, 12/8/1989 through 2/28/1990 Stamford CT Group 1989 The Figure: Selections from the Arkansas Art Center Foundation Collection , Arkansas Art Center, Little Rock, AR, 11/16/1989 through 2/11/1990 Little Rock AR Group 1988 Bronze Works: Northern California Artists , Memorial Union Art Gallery, University of California, Davis, Davis, CA, 2/29/1988 through 4/17/1988 Davis CA Group 1988 California Crossroads , Koll Company, Newport Beach, CA, 1988 Newport Beach CA Group 1988 Classical Myth and Imagery in Contemporary Art , Queens Museum, Flushing, NY, 4/15/1988 through 6/12/1988 Flushing NY Group 1988 Columnar , Hudson River Museum, Yonkers, NY, 7/17/1988 through 10/16/1988 Yonkers NY Group 1988 - 1989 Figure as Subject: The Revival of Figuration Since 1975 , Erwin A. Ulrich Museum of Art, Wichita State University, Wichita, KS, 4/6/1988 through 6/12/1988; also traveled to Arkansas Art Center, Little Rock, AR; Amarillo Art Center, Amarillo, TX; Utah Museum of Fine Arts, University of Utah, Salt Lake City, UT; Madison Art Wichita KS Group 1988 Heroics: A Critical View , Walter Phillips Gallery, The Banff Centre, Banff, AB, Canada, 2/2/1988 through Banff AB Group 1988 Just Like A Woman , Greenville County Museum of Art, Greenville, SC, 3/15/1988 through 5/15/1988 Greenville SC Artists' Legacy Foundation, 5/11/2026 14 5 Packet Pg. 64 Viola Frey - Group Exhibition History (bold indicates exhibition catalogue) Group 1988 Not So Naive: Bay Area Artists and Outsider Art , San Francisco Craft & Folk Art Museum, San Francisco, CA, San Francisco CA Group 1988 Portraits: Here’s Looking at You , Anchorage Museum of History and Art, Anchorage, AK, 6/19/1988 through 6/1/1989 Anchorage AK Group 1988 The Figure and Clay , Pewabic Pottery, Detroit, MI, 2/19/1988 through 3/19/1988 Detroit MI Group 1988 Twelve Artists , Triton Museum of Art, Santa Clara, CA, 9/22/1988 through 11/13/1988 Santa Clara CA Group 1988 Urban Figures , The Whitney Museum of American Art at Philip Morris, New York, NY, 1988-1989 New York NY Group 1987 - 1989 American Ceramics Now: 27th Ceramic National Exhibition , Everson Museum of Art, Syracuse, NY, 4/8/1987 through 6/28/1987; also traveled to American Craft Museum, New York, NY; Crocker Art Museum, Sacramento, CA; De Cordova and Dana Museum and Park, Lincoln, MA; Butler Institute of Art, Youngstown, OH; Sheldon Memorial Art Gallery, University of Nebraska-Lincoln, Lincoln, NE; Birmingham Museum of Art, Birmingham, AL Syracuse NY Group 1987 Bay Area Artists: Small Works Invitational , Janet Steinberg Gallery, San Francisco, CA, 12/2/1987 through 12/19/1987 San Francisco CA Group 1987 Bay Area Drawing , Richmond Art Center, Richmond, CA, 5/5/1987 through 6/16/1987 Richmond CA Group 1987 California Figurative Sculpture , Palm Springs Desert Museum, Palm Springs, CA, 1/30/1987 through 3/15/1987 Palm Springs CA Group 1987 - 1989 Clay Revisions: Plate, Cup, Vase , Seattle Art Museum, Seattle, WA, 1987-1989; also traveled to Roland Gibson Gallery, State University of New York at Potsdam, Potsdam, NY; Portland Art Museum, Portland, OR; Renwick Gallery, Smithsonian Institution, Washington, DC; Santa Barbara Museum of Art, Santa Barbara, CA; Tucson Museum of Art, Tucson, AZ; Scottsdale Museum of Art, Scottsdale, AZ Seattle WA Group 1987 Contemporary Ceramics from the Smits Collection , Los Angeles County Museum of Art, Los Angeles, CA, 1987 Los Angeles CA Group 1987 Figurative Clay ‘87 , University Center Gallery, Southern Illinois University at Edwardsville, Edwardsville, IL, 3/8/1987 through 4/3/1987 Edwardsville IL Group 1987 Imaginary Acquaintances , San Francisco International Airport Galleries, South San Francisco, CA, 8/30/1987 through 9/8/1987 South San FranciscoCA Group 1987 Quatre Américains à la Manufacture de Sèvres , American Center, Paris, France, 1/23/1987 through 3/21/1987 Paris France Group 1987 - 1989 The Eloquent Object: The Evolution of American Art in Craft Media since 1945 , Philbrook Museum of Art, Tulsa, OK, 9/20/1987 through 1/3/1988; also traveled to The Oakland Museum, Oakland, CA; Museum of Fine Arts, Boston, Boston, MA; Chicago Public Library Cultural Center, Chicago, IL; Orlando Museum of Art, Orlando, FL; Virginia Museum of Fine Arts, Richmond, VA Tulsa OK Group 1987 What’s New? American Ceramics since 1980 , The Alfred and Mary Shands Collection, JBSpeed Art Museum, Louisville, KY, 6/16/1987 through 8/9/1987 Louisville KY Group 1986 American Potters Today , Victoria and Albert Museum, London, UK, 5/14/1986 through 8/31/1986 London United Kingdom Group 1986 California Sculpture: 1959-1980 , San Francisco Museum of Modern Art, San Francisco, CA, 7/20/1986 through 8/17/1986 San Francisco CA Group 1986 Contemporary Figurative Sculpture , Carl Schlosberg Fine Arts, Sherman Oaks, CA, 9/28/1986 through Sherman Oaks CA Artists' Legacy Foundation, 5/11/2026 15 5 Packet Pg. 65 Viola Frey - Group Exhibition History (bold indicates exhibition catalogue) Group 1986 - 1988 Craft Today: Poetry of the Physical , American Craft Museum, New York, NY, 10/26/1986 through 3/22/1987; also traveled to Denver Art Museum, Denver, CO; Laguna Art Museum, Laguna Beach, CA; Phoenix Art Museum, Phoenix, AZ; Milwaukee Art Museum, Milwaukee, WI; J.B. Speed Art Museum, Louisville, KY; Virginia Museum of Fine Arts, Richmond, VA New York NY Group 1986 Featured Artists of N.E.C.A. 1986 , Southwest Craft Center, San Antonio, TX, 1986 San Antonio TX Group 1986 Gallery Artists , Rena Bransten Gallery, San Francisco, CA, 6/3/1986 through 6/28/1986 San Francisco CA Group 1986 Inez Storer and Viola Frey , Site 311, Pacific Grove, CA, 2/28/1986 through 4/25/1986 Pacific Grove CA Group 1986 Material and Metaphor: Contemporary American Ceramic Sculpture , Chicago Public Library Cultural Center, Chicago, IL, 2/1/1986 through 3/29/1986 Chicago IL Group 1986 Miniature Worlds: The San Francisco Bay Area, 1965-1975 , San Jose Museum of Art, San Jose, CA, 11/22/1986 through 1/4/1987 San Jose CA Group 1986 Sculptors’ Drawings: Terry Allen, Viola Frey, Robert McCauley, Mary Miss, Dann Nardi, Judy Pfaff, Michael Singer , University Art Gallery, Sonoma State University, Rohnert Park, CA, 11/6/1986 through 10/15/1987 (traveling Rohnert Park CA Group 1986 Second Newport Biennial: The Bay Area , Newport Harbor Art Museum, Newport Beach, CA, 10/2/1986 through 11/23/1986 Newport Beach CA Group 1985 American Clay Artists: Philadelphia ‘85 , Port of History Museum: City of Philadelphia, Philadelphia, PA, 4/27/1985 through 6/9/1985 Philadelphia PA Group 1985 CCAC Faculty Show , Susan Cummins Gallery, Mill Valley, CA, 6/27/1985 through 8/15/1985 Mill Valley CA Group 1985 In the Eye of the Beholder: A Portrait of Our Time , College Art Gallery, Suny/The College at New Paltz, New Paltz, NY, 3/24/1985 through 4/21/1985 New Paltz NY Group 1985 Recent Ceramic Sculpture , University Art Museum, University of New Mexico, Albuquerque, NM, 11/5/1985 through 1/12/1986 Albuquerque NM Group 1985 Surface, Function, Shape: Selections from the Earl Millard Collection , Southern Illinois University at Edwardsville, Edwardsville, IL, 3/24/1985 through 4/12/1985 Edwardsville IL Group 1984 A Passionate Vision: Contemporary Ceramics from the Daniel Jacobs Collection , DeCordova Museum, Lincoln, MA, 4/1/1984 through 5/27/1984 Lincoln MA Group 1984 American Sculpture: Three Decades , Seattle Art Museum, Seattle, WA, 11/15/1984 through 1/27/1985 Seattle WA Group 1984 Art of the States: Works from a Santa Barbara Collection , Santa Barbara Museum of Art, Santa Barbara, CA, 6/22/1984 through 8/26/1984 Santa Barbara CA Group 1984 Contemporary Ceramic Vessels: Two Los Angeles Collections , Baxter Art Gallery, California Institute of Technology, Pasadena, CA, 1/4/1984 through 1/29/1984 Pasadena CA Group 1984 Directions in Contemporary American Ceramics , Museum of Fine Arts, Boston, Boston, MA, 2/25/1984 through 6/3/1984 Boston MA Group 1984 Figurative Sculpture: Ten Artists/Two Decades , University Art Museum, CSU Long Beach, Long Beach, CA, 3/12/1984 through 4/29/1984 Long Beach CA Artists' Legacy Foundation, 5/11/2026 16 5 Packet Pg. 66 Viola Frey - Group Exhibition History (bold indicates exhibition catalogue) Group 1984 Platters and Related Forms , Southern Illinois University at Edwardsville, Edwardsville, IL, 4/15/1984 through 5/4/1984 Edwardsville IL Group 1984 The 20th Century: The San Francisco Museum of Modern Art , San Francisco Museum of Modern Art, San Francisco, CA, 1984 San Francisco CA Group 1983 A Personal View: Selections from the Joan Mannheimer Ceramic Collection , University of Missouri, Kansas City, Kansas City, MO, 10/13/1983 through 11/30/1983 Kansas City MO Group 1983 CCAC: 75 Years , San Francisco Museum of Modern Art, San Francisco, CA, 1/18/1983 through 2/27/1983 San Francisco CA Group 1983 Ceramic Echoes: Historical References in Contemporary Ceramics , Nelson-Atkins Museum of Art, Kansas City, MO, 10/14/1983 through 11/27/1983 Kansas City MO Group 1983 Clay for Walls: Surface Reliefs by American Artists , Renwick Gallery of the National Museum of American Art, Washington, DC, 9/16/1983 through 6/17/1984 Washington DC Group 1983 Contemporary Clay Sculpture: Selections from the Daniel Jacobs Collection , Heckscher Museum, Huntington, NY, 3/26/1983 through 4/24/1983 Huntington NY Group 1983 Small Figures , Garth Clark Gallery, Los Angeles, CA, 5/21/1983 through 6/25/1983 Los Angeles CA Group 1983 The Raw Edge: Ceramics of the ‘80s , Hillwood Art Gallery, Long Island University, Greenvale, NY, 10/19/1983 through 11/9/1983 Greenvale NY Group 1982 100 Years of California Sculpture , Oakland Museum of California, Oakland, CA, 8/7/1982 through 10/17/1982 Oakland CA Group 1982 Art and/or Craft; USA and Japan , Kanazawa City, Japan, 9/4/1982 through 9/23/1982 Kanazawa City Japan Group 1982 Clay Bodies: Autio, DeStaebler, Frey , Meyerhoff Gallery, Maryland Institute, College of Art, Baltimore, MD, 1/29/1982 through 3/7/1982 Baltimore MD Group 1982 Continuum , Michael Himovitz Gallery, Carmichael, CA, 1982 Carmichael CA Group 1982 Figurative Clay Sculpture: Northern California , Quay Gallery, San Francisco, CA, 1982 San Francisco CA Group 1982 Narrative Ceramics , Impressions Gallery, Boston, MA, 12/1/1982 through 12/30/1982 Boston MA Group 1982 NCECA ‘82 , San Jose State University, San Jose, CA, 1982 San Jose CA Group 1982 Pacific Currents/Ceramics 1982 , San Jose Museum of Art, San Jose, CA, 3/25/1982 through 4/25/1982 San Jose CA Group 1982 Three Dimensions: Glass, Clay, Fiber , The Katonah Gallery, Katonah, NY, 8/8/1982 through 9/12/1982 Katonah NY Group 1981 CCAC Alumni Exhibition , California College of the Arts and Crafts, Oakland, CA, 1/16/1981 through 2/10/1981 Oakland CA Group 1981 The Animal Image: Contemporary Objects and the Beast , Renwick Gallery of the National Museum of American Art, Washington, DC, 3/13/1981 through 8/30/1981 Washington DC Group 1981 The Clay Figure , American Craft Museum, New York, NY, 4/5/1981 through 5/31/1981 New York NY Group 1980 Clay Plus , Purdue University Union Gallery, West Lafayette, IN, 2/13/1980 through 3/7/1980 West Lafayette IN Group 1980 Contemporary Ceramics: A Response to Wedgwood , Museum of the Philadelphia Civic Center, Philadelphia, PA, 1980-1981 (traveling) Philadelphia PA Group 1980 Seven Ceramic Sculptors , Santa Rosa Junior College Art Gallery, Santa Rosa, CA, 2/12/1980 through 3/7/1980 Santa Rosa CA Group 1980 The Vessel , Delahunty Gallery, Dallas, TX, 12/13/1980 through 1/14/1981 Dallas TX Artists' Legacy Foundation, 5/11/2026 17 5 Packet Pg. 67 Viola Frey - Group Exhibition History (bold indicates exhibition catalogue) Group 1979 - 1982 A Century of Ceramics in the United States: 1878 - 1978 , Everson Museum of Art, Syracuse, NY, 5/5/1979 through 9/23/1979; also traveled to Renwick Gallery of the National Collection of Fine Arts, Washington, DC; Cooper-Hewitt Museum, New York, NY; Flint Institute of Arts in the DeWaters Art Center, Flint, MI; DeCordova Museum, Lincoln, MA; Philbrook Art Center, Tulsa, OK; The University of Iowa Museum of Art, Iowa City, IA; Toledo Museum of Art, Toledo, OH; The Allentown Art Museum, Allentown, PA Syracuse NY Group 1979 Large Scale Ceramic Sculpture , Richard L. Nelson Gallery, U.C. Davis, Davis, CA, 2/26/1979 through 3/30/1979 Davis CA Group 1979 Spaces , Walnut Creek Civic Arts Gallery, Walnut Creek, CA, 9/20/1979 through 11/3/1979 Walnut Creek CA Group 1979 Teachers and Their Pupils , Anna Gardner Gallery, Stinson Beach, CA, 6/10/1979 through 7/1979 Stinson Beach CA Group 1979 The Unpainted Portrait: Contemporary Portraiture in a Nontraditional Media , John Michael Kohler Arts Center, Sheboygan, WI, 4/8/1979 through 5/27/1979 Sheboygan WI Group 1979 West Coast Clay Spectrum , Security Pacific Bank Plaza, Los Angeles, CA, 6/25/1979 through 9/2/1979 Los Angeles CA Group 1978 CCAC Alumni Exhibition , California College of the Arts and Crafts, Oakland, CA, 1/16/1981 through 2/10/1981 Oakland CA Group 1978 Contemporary Crafts from Greenwich Area Collections , Hurlbutt Gallery, Greenwich Public Library, New York, NY, 1978 New York NY Group 1977 A Teapot Show , El Camino College Art Gallery, El Camino, CA, 2/14/1977 through 3/13/1977 El Camino CA Group 1977 Overglaze Imagery: Cone 019-016 , Art Gallery/Visual Arts Center, CSU Fullerton, Fullerton, CA, 11/11/1977 through 12/15/1977 Fullerton CA Group 1977 Viewpoint: Ceramics 1977 , Grossmont College, El Cajon, CA, 3/27/1977 through 4/17/1977 El Cajon CA Group 1976 CCAC Clay ‘76 , Chabot College Art Gallery, Hayward, CA, 5/7/1976 through 5/27/1976 Hayward CA Group 1975 Capricorn Crafts Exhibit , Capricorn Asunder Gallery, The San Francisco Art Commission, San Francisco, CA, San Francisco CA Group 1975 San Francisco Museum of Art presents First Artists’ Soap Box Derby , McLaren Park, San Francisco, San Francisco, CA, 1975 San Francisco CA Group 1974 Art Clay , The Hoffman Gallery, School of Arts and Crafts, Portland, OR, 10/21/1974 through 11/16/1974 Portland OR Group 1974 Baroque ‘74 , Museum of Contemporary Crafts, New York, NY, 1/18/1974 through 3/17/1974 New York NY Group 1974 U.I.A.C. Crafts Exhibition , Philadelphia College of Art, Philadelphia, CA, Philadelphia PA Group 1973 27th Annual San Francisco Outdoor Art Festival , Civic Center Plaza, San Francisco, CA, 9/19/1973 through 9/23/1973 San Francisco CA Group 1973 California Crafts 1973 Invitational , Crocker Art Gallery, Sacramento, CA, 3/10/1973 through 4/8/1973 Sacramento CA Group 1973 Invitational Craft Exhibition , University Art Museum, University of New Mexico, Albuquerque, NM, 9/9/1973 through 10/5/1973 Albuquerque NM Group 1973 Media Survey ‘73 , Fine Arts Gallery of San Diego, San Diego, CA, 4/14/1973 through 5/27/1973 San Diego CA Group 1973 The Great Oakland Myth , Wenger Gallery, San Francisco, CA, 4/10/1973 through 5/5/1973 San Francisco CA Group 1972 26th Annual San Francisco Art Festival , Civic Center Plaza, San Francisco, CA, 9/21/1972 through 9/24/1972 San Francisco CA Group 1972 Ceramics West , Utah State University, Logan, UT, 10/29/1972 through 11/16/1972 Logan UT Group 1971 Association of San Francisco Potters: Ceramic Statement 1971 , de Young Museum, San Francisco, CA, 2/6/1971 through 3/7/1971 San Francisco CA Artists' Legacy Foundation, 5/11/2026 18 5 Packet Pg. 68 Viola Frey - Group Exhibition History (bold indicates exhibition catalogue) Group 1971 California Design XI , Pasadena Art Museum, Pasadena, CA, 3/14/1971 through 4/25/1971 Pasadena CA Group 1970 Annual San Francisco Art Festival , Civic Center Plaza, San Francisco, CA, 9/24/1970 through 9/27/1970 San Francisco CA Group 1970 Chico State College Ceramic National Invitational , Chico State College, Chico, CA, 4/19/1970 through 5/8/1970 Chico CA Group 1969 Annual San Francisco Art Festival , Civic Center Plaza, San Francisco, CA, 9/24/1970 through 9/27/1970 San Francisco CA Group 1969 CCAC Alumni Painting and Sculpture Show , California College of the Arts and Crafts, Oakland, CA, 1/7/1969 through 1/28/1969 Oakland CA Group 1968 25th Ceramic National Exhibition , Everson Museum of Art, Syracuse, NY, 11/24/1968 through 1/5/1969 Syracuse NY Group 1968 California Design X , University of Davis Extension, Davis, CA, 10/1/1968 through 11/23/1968 Davis CA Group 1968 CCAC Faculty Show , Crown Zellerbach Building, 1 Bush Street, San Francisco, CA, 3/27/1968 San Francisco CA Group 1968 Media ‘68 , Civic Art Gallery, Walnut Creek, CA, 3/25/1968 through 4/25/1968 Walnut Creek CA Group 1967 Association of San Francisco Potters , Contemporary Crafts Gallery, Portland, OR, 1967 Portland OR Group 1967 Ceramics by Viola Frey and Peter Layton , Gallery 38, Art Institute of Chicago, Chicago, IL, 7/28/1967 through 8/27/1967 Chicago IL Group 1966 Association of San Francisco Potters: 21st Biennial Ceramic Exhibition , de Young Museum, San Francisco, CA, 11/14/1966 through 12/18/1966 San Francisco CA Group 1965 California Crafts IV 1965 Invitational , Crocker Art Gallery, Sacramento, CA, 3/20/1965 through 4/25/1965 Sacramento CA Group 1965 Collector: Object / Environment , Museum of Contemporary Crafts, New York, NY, 6/4/1965 through 9/12/1965 New York NY Group 1965 One Score: 20th Anniversary Exhibition of the Association of San Francisco Potters , de Young Museum, San Francisco, CA, 2/15/1965 through 3/14/1965 San Francisco CA Group 1964 18th Annual San Francisco Arts Festival , Civic Center Plaza, San Francisco, CA, 9/23/1964 through 9/27/1964 San Francisco CA Group 1964 California State Fair, State Fairgrounds, Sacramento, CA, 9/2/1964 through 9/13/1964 Sacramento CA Group 1963 California Crafts III , Crocker Art Gallery, Sacramento, CA, 1963 Sacramento CA Group 1963 Eighth Annual Pageant of Arts , Walnut Creek Civic Arts Gallery, Walnut Creek, CA, 5/30/1963 through 6/2/1963 Walnut Creek CA Group 1963 Emergence: Student - Craftsmen , Museum of Contemporary Crafts, New York, NY, 5/24/1963 through New York NY Group 1963 Twelfth Annual Designer-Craftsmen Exhibition , Richmond Art Center, Richmond, CA, 4/12/1963 through Richmond CA Group 1962 - 1964 22nd Ceramic National Exhibition , Everson Museum of Art, New York, NY, 11/4/1962 through 12/30/1962; also traveled to Museum of Contemporary Crafts, New York, NY; Grand Rapids Art Gallery, Grand Rapids, MI; The Arkansas Arts Center, Little Rock, AR; Albright-Knox Gallery, Buffalo, NY; Albany Institute of History and Art, Albany, NY; Allentown Art Museum, Allentown, PA; School of Art, Ohio State University, Columbus, OH; Atkins Museum of Fine Arts, Kansas City, MO; Newcomb College, Tulane University, New Orleans, LA; Brooks Memorial Art Gallery, Memphis, TN New York NY Group 1962 Stone Forms: Association of San Francisco Potters 12th Exhibition , de Young Memorial Museum, San Francisco, CA, 12/17/1962 through 1/17/1963 San Francisco CA Group 1962 Young Americans 1962, Museum of Contemporary Crafts, New York, NY, 5/25/1962 through 9/2/1962 New York NY Group 1961 American Crafts: New Talent , Krannert Art Museum, University of Illinois at Urbana, Champaign, IL, 2/26/1961 through 4/2/1961 Champaign IL Artists' Legacy Foundation, 5/11/2026 19 5 Packet Pg. 69 Viola Frey - Group Exhibition History (bold indicates exhibition catalogue) Group 1961 An Exhibition of Paintings by Viola Frey and Richard McDonald , Framecraft Studio, San Francisco, CA, 11/7/1961 through 12/1/1961 San Francisco CA Group 1961 California Crafts II , Crocker Art Gallery, Sacramento, CA, 3/18/1961 through 4/23/1961 Sacramento CA Group 1961 California State Fair and Exposition, Sacramento, CA, 1961 Sacramento CA Group 1961 Contemporary Craftsmen of the Far West , Museum of Contemporary Crafts, New York, NY, 9/22/1961 through 11/5/1961 New York NY Group 1961 First California Craftsmen’s Biennial , Oakland Art Museum, Oakland, CA, 1961 Oakland CA Group 1959 Ten Potters , Clay Art Center, Port Chester, NY, 2/3/1959 through 2/20/1959 New York NY Group 1958 California College of the Arts and Crafts , Oakland, CA, 10/12/1958 through 11/17/1958 Oakland CA Group 1957 27th Annual Exhibit , County Center, White Plains, NY, 11/11/1957 through 11/17/1957 White Plains NY Group 1957 Clay Art Center, Port Chester, NY, 12/7/1957 through 12/15/1957 Port Chester NY Group 1954 The Thirteenth Annual Pacific Coast Ceramic Exhibition , The Rotunda Gallery, City of Paris, San Francisco, CA, 5/20/1954 through 6/15/1954 San Francisco CA Artists' Legacy Foundation, 5/11/2026 20 5 Packet Pg. 70 Public Art Commission Staff Report From: Elise DeMarzo, Manager Community Services Sr Programs Meeting Date: June 18, 2026 Report #: 2606-6471 TITLE Acceptance of Gift of Artwork – Approval of gift of artwork by artist Richard Shaw into the permanent collection of public art. RECOMMENDATION Staff recommends that the Public Art Commission accept the donation of artwork by artist Richard Shaw into the City collection. ANALYSIS Artist Richard Shaw has offered to donate Watercolor Palette and Ink (2024), a glazed porcelain tabletop sculpture with overglaze decals and transfers, to the City’s Public Art Collection. The artwork was recently exhibited as part of Clay Sustains, a group exhibition at the Palo Alto Art Center. Following the exhibition, the artist offered the work as a gift to the Art Center; however, as a non-collecting institution, the Art Center recommended that the artwork instead be offered to the City’s Public Art Program for consideration. Acceptance of the donation is subject to approval by the Public Art Commission and will be governed by the City’s standard terms and conditions for gifts to the collection. Richard Shaw is widely recognized as a leading figure in contemporary ceramic sculpture. Best known for his illusionistic assemblages rendered in trompe-l’oeil realism, Shaw transforms everyday objects into meticulously crafted ceramic sculptures that combine humor, wit, and social commentary. Through his mastery of ceramic decals and overglaze transfer techniques, he convincingly replicates the appearance of common materials and found objects, blurring the boundary between reality and artifice. By juxtaposing the ordinary with the unexpected, Shaw creates works that are both playful and thought-provoking. "I try to stand back and be the absent arranger, creating a poem about a person using humor, irony, and elegance. Sometimes the subject is actually me, where I reference my role as the artist". — Richard Shaw 6 Packet Pg. 71 Since the 1970s, Shaw has been an influential presence in the field of contemporary ceramics. His work is represented in numerous major regional, national, and international museum collections. He earned a Master of Fine Arts degree from the University of California, Davis, and a Bachelor of Fine Arts degree from the San Francisco Art Institute. In addition to his artistic practice, Shaw has had a distinguished teaching career, including 25 years as a professor at the University of California, Berkeley, where he mentored generations of artists. He currently lives and works in Marin County, California. Watercolor Palette and Ink would further strengthen the representation of this significant California artist within the City’s collection. ATTACHMENTS Attachment A: Image of proposed artwork and artist resume 6 Packet Pg. 72 Attachment A: Proposed artwork and Artist Resume Image of Proposed Artwork: Watercolor Palette with Ink, 2024 by Richard Shaw Glazed porcelain with overglaze decals/transfers, 8.8” x 2.75” 6 Packet Pg. 73 Richard Shaw - CV Education 1968 MFA, University of California, Davis, Davis, CA 1965 BFA, San Francisco Art Institute, San Francisco, CA Positions Held 1987-2012 Professor, University of California at Berkeley- retired 1966-87 Instructor, San Francisco Art Institute 1978 Lecturer, University of California at Davis 1977 Lecturer, College of Marin, Kentfield, California 1971 Lecturer, University of Wisconsin at Madison 1970 Lecturer, University of California at Berkeley 1966-87 Instructor, San Francisco Art Institute Select Solo Exhibitions 2015 Richard Shaw, Art Works Downtown, San Rafael, CA 2014 Richard Shaw: Ceramic Sculptures, b. sakata garo, Sacramento, CA Collection In Focus: Richard Shaw, di Rosa, Napa, CA Breaking the Mold. Richard Shaw, Worth Ryder Gallery, UC Berkeley, CA 2013 New Work, Gallery Paule Anglim, San Francisco, CA 6 Packet Pg. 74 2012 Regis Master: Richard Shaw, Northern Clay Center, Minneapolis, MN Select Group Exhibitions 2026 Clay Sustains: Vessels of Change, Palo Alto Art Cetner, Palo Alto, CA 2018 Tricks of the Trade: Illusions in Craft-Based Media, Fuller Craft Museum, Brockton, MA 2017 Bay Area Clay: A Legacy of Social Consciousness, Arts Benicia, Benicia, CA DOUBUTSU (Animal) SHOW”, B. Sakata Garo, Sacramento, CA Sabbath, Contemporary Jewish Museum, San Francisco, CA 2016 Order and Nature, Anglim Gilbert Gallery, Minnesota Street Project, San Francisco, CA 2015 Material Matters, Seager/Gray Gallery, Mill Valley, CA 2014 Fertile Ground: Art and Community in California, Oakland Museum of California, Oakland, CA with the San Francisco Museum of Modern Art Richard Shaw, Ralph Bacerra, Richard DeVore, Frank Lloyd Gallery, Santa Monica, CA Left Coast/Third Coast: Bay Area and Chicago Artists and Their Affinities, George Adams Gallery, New York, NY 2013 In Our Hands, Mešrović Pavilion, Zagreb, Croatia New Blue and White: Contemporary Art and Design, Museum of Fine Arts Boston, MA Contemporary Spins on Blue and White Ceramics, La Coste Gallery, Concord, MA 6 Packet Pg. 75 Blue and White, Richard Shaw and Dorothy Feibleman, Mobilia Gallery, Cambridge, MA Three Decades of West Coast Ceramics, 1956-1986, The Museum of Fine Arts, Houston, TX Dwelling on the Gulf, Galveston Historical Foundation, Galveston, TX Frank’s International House of Ceramics part three, Frank Lloyd Gallery, Santa Monica, CA Small is Beautiful, Frank Lloyd Gallery, Santa Monica, CA Doki Doki, The Fascination of Ceramics, The Excitement of Art, The Museum of Ceramic Art, Hyogo, Sasayama, Hyogo Richard Shaw and Ken Graves, Gallery Paule Anglim, San Francisco, CA Breaking Ground: Gifts from Katie and Drew Gibson, San Jose Museum of Art, San Jose, CA Faux Real, Laguna Art Museum, Laguna Beach, CA The Teapot Redefined, Mobilia Gallery, Cambridge, MA Materials Matter, Seager Gray Gallery, Mill Valley, CA Select Collections Addison Gallery of American Art, Andover, MA Arizona State University, Tempe, AZ The Contemporary Museum, Honolulu, HI Crocker Art Museum, Sacramento, CA De Young Museum, San Francisco, CA di Rosa Preserve, Napa, CA Everson Museum of Art, Syracuse, NY Kohler Arts Center, Sheboygan, WI Krannert Art Museum, University of Illinois at Champagne, IL Los Angeles County Museum of Art, Los Angeles, CA Lowe Art Museum, University of Florida, Coral Gables, FL Minneapolis Institute of the Arts, Minneapolis, MN 6 Packet Pg. 76 Mint Museum, Charlotte, NC Museum of Contemporary Crafts, New York, NY National Museum of Modern Art, Tokyo, Japan Nelson-Atkins Museum of Art, Kansas City, MO Nora Eccles Museum of Art, Utah State University, Logan, UT The Oakland Museum of California, CA Palm Beach Museum, Palm Beach, FL Petits Lu Collection, Paris, France Renwick Gallery of National Collection of Fine Arts, Washington, DC Saint Louis Art Museum, Saint Louis, MO San Diego Museum of Contemporary Art, San Diego, CA San Francisco Museum of Modern Art, San Francisco, CA San Jose Museum of Art, San Jose, CA Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NB Shigaraki Ceramic Cultural Park, Shigaraki, Japan Smithsonian Institution, Washington, DC Stedelijk Museum, Amsterdam, Holland Taipei Fine Arts Museum, Taipei, Taiwan Victoria & Albert Museum, London, UK University of Miami, Miami, FL University of New Mexico, Albuquerque / Los Cruces, NM University of Washington, Seattle, WA Utah Museum of Fine Arts, Salt Lake City, UT Whitney Museum of American Art, New York, NY Yale University Art Museum, New Haven, CT 6 Packet Pg. 77 !"#$"%&'( ,-..-/0/, .01./ 2!345"6 7"89" 7"89"%+!345"$!""%&'(<=: >?@ABCDEFGHIJ KLM ELNOLPQ RILSJMNLTNQQFUIMV WSLXIJSYRSZPLMQSUMW[S\]SL^_`ab _cdef`cdSHIYSegSQPLhNiZPHNPHMNeONXjjjeZPHNPHMNeONX\ZFGHIJPLM uvwpuxyqxzy{|y}~‡…uˆ‰ Š‹†„ Œ ‰ Ž Ž ‘’“ q”šy›„—z s—„†z—˜™„w„t—˜{vyœ~š pqr stuvwpuxyqxzy{|y}~¢„„…›uv™ s£„„…›uv™w‡xu‡¡…yz{y—|~š ¤u—„ˆ ¤—u‹z„— s™„™w›‹œt‡uˆ‡{vyœ~š Š„‡‡„†˜u yxy|œu˜x{vyœ~š Š˜xx §˜v™†„xx s¥˜xx›¨Ž w|œu˜x{vyœ~š ”˜v¡u„x –u|„— s„u|„—w„u|„—vy†{vyœ~štuxyuxzy{|y}~®˜™yxu ¯„‡xu zuz‹„ y† §˜—v¡ z—„„zL LSPJ[IUO NFMe µ HNN³Sg IU NFL YVYMSQ PUg ´NHHNjSg FZ jIM[ QV JNHHSPO jS YSS UN ZHPUY ´NL JNUYMLFJMINUe ¶S NUHV YSS MSHSJNQ\FMIHIMV FZOLPgSMYe µ´ M[SLS PZZSPLY MN GS JNUYMLFJMINU MP³IUO ZHPJS FUZSLQIMMSg± VNF JNO JNUYMLFJMINU jIM[NFM ZSLQIMY PUg M[PM jNFHg OSM PU IUYZSJMNL NFM M[SL gNSY UNM Y[Nj FZ IU M[S YVYMSQ PUg IY UNM ZPLM N´ M[S EFGHIJ KLM JNHHSS ZLNZSLMV NjUSLe µ Y[Nj M[S NjUSL PY ]N[GPJ[ ¸SPHMV TNe± ZSL[PZY VM[SQ LSOPLgIUO M[S YMPMFSe A Packet Pg. 78 444//$&;ABCD@=<E=@;<=>?@F@G=>HICJKUAVQ;@WAXYXZ[Y\X]^_FaTcC^c<CHdCeKj@@SDTI?Ek@@SDTI?FRcTRiSC<HC=dKlmT=@Um=TQ<@=E?@?FDQJGRTURHICJKlV@RR@;>ThCcCdJT>cHICJKlV>cco>I?;@ccEn>ccDpXqFdJT>cHICJKl_>IiT@c:Td@=E@Td@=F@Td@=IC;HICJKlGTcCTc<CHdCeKcTP@RcTh<T<Q@C;o>=Iih<=@@<{€ ‚ƒ„… †‡ˆ ‰ Š…‹ƒŒ ˆ‡„‡Ž‹‚ Œƒ‡ ‹€ƒ‡ˆ‰…Š …‹ ‡Š ‘ƒ’…Ž‹ ‡Ž‚…‹‹…’€„ƒŠ‹‚…ŠŒ’† ’” Љ‡Š† Š”‚ ! • •% –—˜ 1#%1™!!š 1,• ––1 1 11 1›˜œ š-žŸ%# / 4 ˜ 1•¡41" –" %%% 1%41 1 ¥¥§¨ © ª¥«¬®§¯¯ ©¯¢¬©% – /#– ± !²Ÿ››³±¡›¡!œ´±! ••% –—˜ 1#%1™!!š 1,• ––1 1˜œ š-žŸ%# / 4 ˜ 1•¡41" –" %%%41 1 •¡–1% µ % !"– $ /!" 4 4· ¸¡%$ "–% µ –% ¶)+#% 1$ ¹4% œ •11"%$ % –¹ A Packet Pg. 79 ! 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