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Attachment A POLICY AND PROCEDURES x-xxJCSD
Effective: November 2004
ART IN CITY CAPITAL IMPROVEMENT PROJECTS
POLICY STATEMENT
As a policy the City will budget one percent (1 %) of its construction costs to include
public art for City capital improvement projects that have a visual impact on the
surrounding environment by altering a site through new construction or reconstruction.
The Public Art Commission, through its staff liaison, will work with the appropriate City
departments (which may include but are not limited to Planning, Public Works, Utilities,
and Community Services) to identify and select the appropriate pr,ojects and.artists.
PROJECTS INCLUDED AS POTENTiAL SITES
City capital improvement projects that have a visual impact on the surrounding
environment by significantly changing Qr altering a site with the addition of a substantial
new construction or reconstruction are potential sites for an art component.
Examples of projects may include but are not limited to:
• New buildings such as libraries, public safety buildings, community centers,
parking garages and lots, transit stations, or performing art center.
• Parks and plazas
• Gateways entering and existing at the City boundaries
• Bridges, walls and tunnels
PROJECTS EXCLUDED FROM CONSIDERATION AS POTENTIAL SITES
City capital improvement projects with minor or no visual impact are excluded from
consideration.
Examples of excluded projects may include but are not limited to:
• Anyimprovements, upgrades, and/or repair to existing systems such as irrigation,
mechanical or electrical, and projects where the significant portion of the work IS
underground, such as the Electric Under grounding Projects and Water Gas or
Wastewater Rehabilitation and Augmentations projects.
• Any installation of a new system such as irrigation, mechanical or electrical and
projects where the significant portion of the work is underground, such as the
electric under grounding projects and water, gas or wastewater rehabilitation and
augmentations projects.
• Projects with no design or construction, such as studies associated with capital
projects.
• Customer connection projects associated with the utility meters and equipment for
electric, water, and gas services to customers for which customers are charged for
Page 1 of 1
POLICY AND PROCEDURES x-xxlCSD
Effective: November 2004
the services. It is not the intention of the procedure to cause an increase in
connection fees to customers.
• Projects designed and constructed to protect and guard the security of Utility
facilities.
• Projects associated with software, hardware and other IT related products.
• ADA compliance
• Seismic retrofitting
•. Open space maintenance projects such as trail and erosion repair
• Parking lot repajr or reconstruction
• Annual street maintenance and sidewalk replacement projects
• Any project of a temporary nature such as construction fencing and signage,
vehicle or equipment replacement.
• Projects' for which funding is provided through government, non-profit, or private
grants are excluded unless identified for the specific and restricted purpose of the
creation of artwork
PROCEDURE FOR IDENTIFYING AND SELECTING PROJECTS
1. The staff liaison to the Public Art Commission working with the Infrastructure
Management Committee and appropriate City departments will first identify
projects that have a visual impact on the surrounding environment, significantly
. changing or altering a site with the addition of substantial new construction.
2. Identified projects that merit further consideration will be presented to the Public
Art Commission. Consideration will include, but not be limited to:
• Significant visual impact on the surrounding environment
• Safety and security of the project and the public
3. Projects selected to include public art and submitted during the regular budget
process will include one percent (l %) of the project construction budget for art.
The project manager will determine the one percent budget derived from the
construction estimates, excluding the contingency and design budget. The one
percent (l %) will be augmented or decreased during the design phase with the
determination of .final cost estimates for construction.
4. Every effort should be made to identify and select projects in a timely manner.
PROCEDURE FOR IDENTIFYING AND SELECTING ART WORKS
1. Once the capital improvement project has been approved by ~he Council, the
designer/architect selected, and design work has begun, the Request for Proposal
(RFP) for the artwork will be developed. The staff liaison to the 'Public Art
Commission and the project manager will develop the RFP in consultation with
the selected designer/architect. The art budget will be derived from the 1% of the
Page 2 of 1
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POLICY AND PROCEDURES x-xxlCSD
Effective: November 2004
construction budget of the project, excluding the contingency and design budget.
The one percent (1 %) will be subject to change during the design phase with the
determination of final cost estimates for construction. The RFP will include, but
not be limited to:
• Artist's timeline beginning with the project design phase.
• Any restrictions and requirements of the project as defined by staff and/or
project manager.
• Artist's responsibilities to the proj ect in regards to time and involvement
with the project ~anager and project team.
2. Selection of the artist will include input from the appropriate City department
representative as well as the Public Art Commission. Artists will be elected
through an open competitive process.
3. Artists' submittals will be reviewed by a panel composed of representatives of the
Public Art Commission, staff liaison to the Public Art Commission, appropriate
City department representative, and project manager. Considerations in selecting
the proposed work of art will include:
• Safety and security
• Maintenance and repair to the work of art
• Appropriateness to the purpose of the site
4. The Public Art Commission will recommend the selected artist and artist's
proposal to the City.
5. The selected artist will work with the appropriate department and project manager
as detailed in the RFP and contract agreement. .
6. Every effort should be made to conduct the artist selection and contract process in
a timely manner.
OWNERSHIP AND MAINTENANCE ,
The City of Palo Alto through owns and maintains all art in City projects and has sole
fiscal responsibility for the artworks and the maintenance of the works. This includes all
artworks in utility projects, separate from the structures.
Page 3 of 1
Art in Capital Projects, 1 0 year
2001-2011 Qualifying Amounts
Proj. # Description
Park Facilities Improvement (Robles, Seale, Bol, & Werry
PG-00010 Parks)
PG-98003 Mitchell Park Phase I
PE-04010 Children's librarY Improvements
PG-02018 Heritage Park .
PE-98020 Public Safety Building
PE-96008 Downtown Urban Design
Total 2001-2011 Cost
Attachment B
Amount for One% Construction
Construction for Art Year
1,300,000 13,000 2001-02
871,000 8,710 2004-05
1,100,000 11,000 2004-05
257,242 2,572 2005-06
665,000 6,650 2006-07
4,193,242 41,932
Attachlnent B . POLICY AND PROCEDURES x-xx/CSD
Effective: November 2004
ART IN CITY CAP IT AL IMPROVEMENT PROJECTS
POLICY STATEMENT
As a policy the City will budget one percent (1 %) of its construction costs to include
public art for City capital improvement projects that have a visual impact on the
surrounding environment by altering a site through new construction or reconstruction.
The Public Art Commission, through its staff liaison, will work with the appropriate City
departments (which may include but are not limited to Planning, Public Works, Utilities,
and Community Services) to identify and select the appropriate projects and artists.
PROJECTS INCLUDED AS POTENTIAL SITES
City capital improvement projects that have a visual impact on the surrounding
environment by significantly changing or altering a sIte with the addition of a substantial
new construction or reconstruction are potential sites for an art component.
Examples of projects may include but are not limited to:
• New buildings such as libraries, public safety buildings, community centers,
parking garages and lots, transit stations, or performing art center.
• Parks and plazas
• Gateways entering and existing at the City boundaries
• . Bridges, walls and tunnels
PROJECTS EXCLUDED FROM CONSIDERATION AS POTENTIAL SITES
City capital improvement projects with minor or no visual impact are excluded from
consideration.
Examples of excluded projects may include but are not limited to:
• Any improvements, upgrades, and/or repair to existing systems such as irrigation,
mechanical or electrical, and projects where the significant portion of the work is
underground, such as the Electric Under grounding Projects and Water Gas or
Wastewater Rehabilitation and Augmentations projects.
• Any installation of a new system such as irrigation, mechanical or electrical and
projects where the significant portion of the work is underground, such as the
electric under grounding projects and water, gas or wastewater rehabilitation and
augmentations projects~
• Projects with no design or construction, such as studies associated with capital
projects.
• Customer connection projects associated with the utility meters and equipment for
electric, water, and gas services to customers for which customers are charged for
Page 1 of3
POLICY AND PROCEDURES x-xx/CSD
Effective: November 2004
the services. It is not the intention of the procedure to cause an increase in
cOll1ection fees to customers.
• Projects designed and constructed to protect and guard the security of Utility
facilities.
• Projects associated with software, hardware and other IT related products.
• ADA compliance
• Seismic retrofitting
• Open space maintenance projects such as trail and erosion repair
• Parking lot repair or reconstruction
• Annual street maintenance and sidewalk replacement projects
• Any project of a temporary nature such as construction fencing and signage,
vehicle or equipment replacement.
• Projects for which funding is provided through goverrunent, non-profit, or private
grants are excluded unless identified for the specific and restricted purpose of the
creation of artwork
PROCEDURE FOR IDENTIFYING AND SELECTING PROJECTS
1. The staff liaison to the Public Art Commission working with the Infrastructure
Management Committee and appropriate City departments will first identify
projects that have a visual impact on the surrounding environment, significantly
changing or altering a site with the addition of substantial new construction.
2. Identified projects that merit further consideration will be presented to the Public
Art Commission. Consideration will include, but not be limited to:
• Significant visual impact on the surrounding environment.
• Safety and security of the project and the public
3. Projects selected to include public art and submitted during the regular budget
process will include one percent (1 %) of the project construction budget for art.
The project manager will determine the one percent budget derived from the
construction estimates, excluding the c.ontingency and design budget. The one
percent (1 %) will be augmented or decreased during the design phase with the
determination of final cost estimates for construction.
4. The Finance Committee will review and approve any public art element in any
Infrastructure Management project over $20 million, and all projects that may
impact the General Fund.
5. Every effort should be made to identify and select projects in a timely manner.
Page 2 of3
POLICY AND PROCEDURES x-xx/CSD
Effective: November 2004
PROCEDURE FOR IDENTIFYING AND SELECTING ART WORKS
1. Once the Capital Improvement Project (CIP) has been approved by the City
Council, the designer/architect is selected by the City's Project Team and purchasing
staff. When the' design work for the project has begun, the staff liaison to the Public
Art Commission and the Project Manager will develop the RFP in consultation with
the selected designer/architect. The art budget will be derived from the 1 % ofthe
construction budget of the project, excluding the contingency and design budget. The
one percent (1 %) will be subject to change during the design phase with the
determination of final cost estimates for construction. The RFP will include, but not
be limited to:
• Artist's timelinebeginning with the project design phase.
• Any restrictions and requirements of the project as defined by staff and/or
project manager.
• Artist's responsibilities to the project in regards to time and involvement
, with the project manager and project team.
2. Selection of the artist will include input from the appropriate City department
representative as well as the Public Art Commission. Selection of the artist will
occur according to the procedures outlined in the City's Purchasing Manual.
3. Artists' submittals will be reviewed by a selection panel composed of
representatives of the Public Art Commission, staff liaison to the Public Art
Commission, appropriate City department representative, project manager, and
architect/designer. Considerations in selecting the' proposed work of art will
include:
" Safety and security
• Maintenance and rep ail: to the work of art
• 'Appropriateness to the purpose of the site
4. The Public Art Commission will recommend the selected artist and artist's
proposal to the City.
5. The selected artist will work with the appropriate department and project manager
as detailed in the RFP and contract agreement.
6. Every effort should be made to conduct the artist selection and contract process in
a timely manner.
OWNERSHIP AND MAINTENANCE
The City of Palo Alto through owns and maintains all art in City projects and has sole
fiscal responsibility for the artworks and the maintenance of the works. This includes all
artworks in utility projects, separate from the structures.
Page 3 of3
Attachment B POLICY AND PROCEDURES x-xx/CSD
Effective: July 2005
ART IN CITY CAPITAL IMPROVEMENT PROJECTS
POLICY STATEMENT
As a policy the City will budget one percent (1 %) of its construction costs to include
public art for City capital improvement projects that have a visual impact on the
surrounding environment by altering a site through new construction or reconstruction.
The Public Art Commission, through its staff liaison, will work with the appropriate City
departments (which may include but are not limited to Planning, Public Works, Utilities,
and Community Services) to identify and se1eet the appropriate projects and artists.
PROJECTS INCLUDED AS POTENTIAL SITES
City capital improvement projects that have a visual impact on the surrounding
environment by significantly changing or altering a site with the addition of a substantial
new construction or reconstruction are potential sites for an art component.
Examples of projects may include but are not limited to:
• New buildings such as libraries, public safety buildings, community centers,
parking garages and lots, transit stations, or performing art center.
• Parks and plazas
• Gateways entering and existing at the City boundaries
• Bridges, walls and tunnels
PROJECTS EXCLUDED FROM CONSIDERATION AS POTENTIAL SITES
City capital improvement projects with minor or no visual impact are excluded from
consideration.
Examples of excluded projects may include but are not limited to:
• Any improvements, upgrades, and/or repair to existing systems such as irrigation,
mechanical or electrical, and projects where the significant portion of the work is
underground, such as the Electric Under grounding Projects and Water Gas or
Wastewater Rehabilitation and Augmentations projects.
• Any installation of a new system such as irrigation, mechanical or electrical and
projects where the significant portion of the work is underground, such as the
electric under grounding projects and water, gas or wastewater rehabilitation and
augmentations projects.
• Projects with no design or construction, such as studies associated with capital
projects.
Page 1 of 1
POLICY AND PROCEDURES x-xx/CSD
Effective: July 2005
• Customer connection projects associated with the utility meters and equipment for
electric, water, and gas services to customers for which customers are charged for
the services. It is not the intention of the procedure to cause an increase in
connection fees to customers.
• Projects designed and constructed to protect and guard the security of Utility
facilities.
• Projects associated with software, hardware and other IT related products.
• ADA compliance
• . Seismic retrofitting
• Open space maintenance projects such as trail and erosion repair
• Parking lot repair or reconstruction
• Annual street maintenance and sidewalk replacement projects
• Any project of a temporary nature such as construction fencing and signage,
vehicle or equipment replacement.
• Projects for which funding is provided through government, non-profit, or private
grants are excluded unless identified for the specific and restricted purpose of the
creation of artwork
PROCEDURE FOR IDENTIFYING AND SELECTING PROJECTS
1. The staff liaison to the Public Art Commission working with the Infrastructure
Management Committee and appropriate City departments will first identify
projects that have a visual impact on the surrounding environment, significantly
changing or altering a site with the addition of substantial new construction.
2. Identified projects that merit further consideration will be presented to the Public
Art Commission. Consideration will include, but not be limited to:
• Significant visual impact on the surrounding environment
• Safety and security of the project and the public
3. Projects selected to include public art and submitted during the regular budget
process will include one percent (1 %) of the project construction budget for art.
The project manager will determine the one percent budget derived from the
construction estimates, excluding the contingency and design budget. The one
percent (1 %) will be augmented or decreased during the design phase with the
determination of final cost estimates for construction ..
4. The Finance Committee will review and approve any public art element in any
Infrastructure Management project over $20 million, and all projects that may
impact the General Fund.
5. Every effort should be made to identify and select projects in a timely manner.
Page 2 of 1
POLICY AND PROCEDURES x-xx/CSD
Effective: July 2005
PROCEDURE FOR IDENTIFYING AND SELECTING ART WORKS
1. Once the Capital Improvement Project (CIP) has been approved by the City
Council, the designer/architect is selected by the City's Project Team and purchasing
staff. When the design work for the project has begun, the staff liaison to the Public
Art Commission and the Project Manager will develop the RFP in consultation with
the selected designer/architect. The art budget will be derived from the 1 % of the
construction budget of the project, excluding the contingency and design budget. The
one percent (1 %) will be subject to change during the design phase with the
determination of final cost estimates for construction. The RFP will include, but not
be limited to:
• Artist's timeline beginning with the project design phase.
• Any restrictions and requirements of the project as defined by staff and/or
project manager.
• Artist's responsibilities to the project in regards to time and involvement
with the project manager and project team.
2. Selection of the artist will include input from the appropriate City department
representative as well as the Public Art Commission. Selection of the artist will
occur according to the procedures outlined in the City's Purchasing Manual.
3. Artists' submittals will be reviewed by, a selection panel composed of
representatives of the Public Art Commission, staff liaison to the Public Art
Commission, appropriate City department representative, project manager, and
architect/designer. Considerations in selecting the proposed work of art will
include:
• Safety and security
• Maintenance and repair to the work of art
• Appropriateness to the purpose of the site
4. The Public Art Commission will recommend the selected artist and artist's
proposal to the City.
5. The selected artist will work with the appropriate department and project manager
as detailed in the RFP and contract agreement.
6. Every effort should be made to conduct the artist selection and contract process in
a timely manner.
OWNERSHIP AND MAINTENANCE
The City of Palo Alto through owns and maintains all art in City projects and has sole
fiscal responsibility for the artworks and the maintenance of the works. This includes all
artworks in utility projects, separate from the structures.
Page 3 of 1
'.
Chairperson Kleinberg called the meeting to order at 7:02 p.m. in the
Council Conference Room, 250 Hamilton Avenue, Palo Alto, California.
Present: Morton (arrived at 7:22 p.m.), Mossar, Ojakian, Kishimoto.
Absent: None
1. Oral Communications
None.
2. Finance Committee Recommendation to Adopt an "Art in City Projects
Policy" that Includes a "1 Percent Art" (January 19, 2005)
Co-manager, Division of Arts and Culture, Linda Craighead said a
recommendation was made at the January 19, 2005, Finance Committee
meeting that staff take into consideration any requirements that made it
difficult for the City to fund art projects. The following was added in the
policy for identifying and selecting projects as part of the budget process:
"The Finance Committee will approve and review any public art element in
any infrastructure management project over $20 million and all projects that
might impact the General Fund."
Council Member Mossar recalled the City sometimes received grant money
that did not pay for art.
Ms. Craighead said there was language in the policy and procedure that
excluded any project that was funded by restricted grants such as State and
Federal grants. The concern was if a project was to flow over into the
General Fund, something was needed to allow the Council to take that into
consideration. Anything in the Capital Improvement Project (CIP) went to
the Finance Committee for review and approval, as well as any project that
might impact the General Fund.
Council Member Kishimoto referred to page 3 of 3 of Attachment B to the
staff report (CMR:223:0S), which indicated the Public Art Commission (PAC)
would make recommendations to the City ..
Ms. Craighead said a selection team, consisting of the Project Manager, the
Architect Designer, and staff started the process to send out the Request for
Proposal (RFP) and select the artist. The Artist and project came forward
after the PAC recommended the Selection Panel's choice to the Council.
04/19/05 FIN:2
Council Member· Kishimoto asked whether the Council approved or
disapproved the project.
Ms. Craighead said the process was in the Palo Alto Municipal Code (PAMC),
and the PAC was the advisory recommending body. The project would be
outside the CIP funding th.at was approved on an annual basis.
Council Member Kishimoto asked whether item 4, on page 3 of 3, of
Attachment B to the staff report (CMR:223:05), "The Public Art Commission
will recommend the selected artist and artist's proposal to the City," meant
City staff or City Council.
Director of Administrative Services Carl Yeats said item 4 referred to the City
because the nature of the project was usually under $250,000 and did not,
go back to the City Council.
Council Member Mossar said the parking garages had an art component that
was presented as part of the design that went to the Council.
Ms. Craighead said in terms of the Percent for Art for City project, the .
project went forward as a package with the artist recommended by the PAC.
MOTION: Council Member Mossar moved, seconded by Kishimoto, that the
City Council adopt an "Art in City Project Policy," which includes a "1 Percent
For Art" and allows the Council to take into consideration any requirements
that would make it difficult for the City to fund the art project.
MOTION PASSED 3-0, Morton absen't.
3. City Auditor's Quarterly Report
City Auditor Sharon Erickson said since issuing the last status report in
February, the Auditor's Office issued the Audit of contract contingencies. The
Council had before it an audit of Workers' Compensation. The revenue audits
were picking up, with a total of $232,000 during the current year. The goal
was $235,000. Staff expected to make up the remainder through sales tax
and Utility. Users Tax (UUT) audits. Staff expected to hit its goal during the
current year. During the prior quarter, the Auditor's Office issued an
Executive Summary budget. The Budget Staff talked her into doing a Budget
101 class, which resulted in the Executive Summary. Several projects were
in process, including the audit of Comcast franchise fees, an audit of Parks
maintenance, ongoing revenue audits, ongoing controls reviews in SAP, and
a Police Department survey project.
04/19/05 FIN:3
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