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Home My WebLink About2018-04-24 City Council Agenda Packet City Council 1 MATERIALS RELATED TO AN ITEM ON THIS AGENDA SUBMITTED TO THE CITY COUNCIL AFTER DISTRIBUTION OF THE AGENDA PACKET ARE AVAILABLE FOR PUBLIC INSPECTION IN THE CITY CLERK’S OFFICE AT PALO ALTO CITY HALL, 250 HAMILTON AVE. DURING NORMAL BUSINESS HOURS. Tuesday, April 24, 2018 Special Meeting Community Meeting Room 6:00 PM Agenda posted according to PAMC Section 2.04.070. Supporting materials are available in the Council Chambers on the Thursday 11 days preceding the meeting. PUBLIC COMMENT Members of the public may speak to agendized items; up to three minutes per speaker, to be determined by the presiding officer. If you wish to address the Council on any issue that is on this agenda, please complete a speaker request card located on the table at the entrance to the Council Chambers, and deliver it to the City Clerk prior to discussion of the item. You are not required to give your name on the speaker card in order to speak to the Council, but it is very helpful. Call to Order Oral Communications Members of the public may speak to any item NOT on the agenda. Council reserves the right to limit the duration of Oral Communications period to 30 minutes. Special Orders of the Day 1. Interviews of Candidates for the Public Art Commission Adjournment AMERICANS WITH DISABILITY ACT (ADA) Persons with disabilities who require auxiliary aids or services in using City facilities, services or programs or who would like information on the City’s compliance with the Americans with Disabilities Act (ADA) of 1990, may contact (650) 329-2550 (Voice) 24 hours in advance. 2 April 24, 2018 MATERIALS RELATED TO AN ITEM ON THIS AGENDA SUBMITTED TO THE CITY COUNCIL AFTER DISTRIBUTION OF THE AGENDA PACKET ARE AVAILABLE FOR PUBLIC INSPECTION IN THE CITY CLERK’S OFFICE AT PALO ALTO CITY HALL, 250 HAMILTON AVE. DURING NORMAL BUSINESS HOURS. Additional Information Tentative Agenda Schedule of Meetings Public Letters to Council Set 1 Set 2 Schedule of Meetings Tentative Agenda CITY OF PALO ALTO OFFICE OF THE CITY CLERK April 24, 2018 The Honorable City Council Palo Alto, California Interviews of Candidates for the Public Art Commission On Monday, April 2, 2018, City Council selected the following applicants to interview for the Public Art Commission (PAC). The City Council will be scheduled to vote to appoint candidates on Monday, May 7, 2018. Public Art Commission The nine PAC applicants to be interviewed are as follows: 10 minute interviews 1. Loren Gordon (Incumbent) 6:00 P.M. 2. Ben Miyaji (Incumbent) 6:10 P.M. 3. Ian Klaus 6:20 P.M. 4. Bonnie Hall 6:30 P.M. 5. Marilyn Gottlieb-Roberts 6:40 P.M. 6. Djibril Drame 6:50 P.M. 7. Shannon McEntee 7:00 P.M. 8. Simcha Moyal 7:10 P.M. 9. Yeuen Kim 7:20 P.M. There are three open terms (Gordon, Miyaji, and Zelkha) ending May 31. Copies of all applications are attached. Some applications may be redacted at the request of the applicant. A full set of non -redacted applications will be provided to Council Members directly. Background 2.18.010 Public Art Commission Membership. There is created a public art commission composed of seven members who are no t council members, officers, or employees of the city, and who shall be appointed by the city council. (Ord. 3888 § 1 (part), 1989) ATTACHMENTS:  Attachment A: PAC - Gordon, Loren (PDF)  Attachment B: PAC - Miyaji, Ben (PDF)  Attachment C: PAC - Klaus, Ian (PDF)  Attachment D: PAC - Hall, Bonnie (PDF) Page 2  Attachment E: PAC - Gottlieb-Roberts, Marilyn (PDF)  Attachment F: PAC - Drame, Djibril (PDF)  Attachment G: PAC - McEntee, Shannon (PDF)  Attachment H: PAC - Moyal, Simcha (PDF)  Attachment I: PAC - Kim, Yeuen (PDF) Department Head: Beth Minor, City Clerk Page 3 Public Art Commission Application 1 of 5 Personal Information Note: The PAC regularly meets the third Thursday of the month at 7:00 p.m. Name: Address: Cell Phone: ____ Home / ____ Office Phone: E-mail: Are you a Palo Alto Resident? ____ Yes ____ No Do you have any relatives or members of your household who are employed by the City of Palo Alto, who are currently serving on the City Council, or who are Commissioners or Board Members? ____ Yes ____ No Are you available and committed to complete the term applied for? ____ Yes ____ No California state law and the Ci require appointed board and commission members to file a detailed disclosure of their financial interests, Fair Political Practices Commission, Conflict of Interest, Form 700. Do you or your spouse have an investment in, or do you or your spouse serve as an officer or director of, a company doing business in Palo Alto which you believe is likely to; 1) engage in business with the City, 2) provide products or services for City projects, or 3) be affected by decisions of the board or commission you are applying for? ____ Yes ____ No Excluding your principal residence, do you or your spouse own real property in Palo Alto? ___ Yes ___ No How did you learn about this vacancy? ____ Community Group ____ Email from City Clerk ____ Palo Alto Weekly ____ Daily Post ____City Website ____ Flyer Other: List relevant education, training, experience, certificates of training, licenses, or professional registration: DocuSign Envelope ID: 0B1EDCFE-0C28-4C79-A308-99B98619CE22 -GYVVIRXP]WIVZISRXLI4YFPMG%VX'SQQMWWMSR 1ETPI7XVIIX4EPS%PXS'% 1]I\TIVMIRGIMRGPYHIWWIVZMRKEWE4EPS%PXS4YFPMG%VXGSQQMWWMSRIV JSVXLITEWXXLVII]IEVW%GXMRKEWGLEMVSJXLI1IQFIVWLMT)\IGYXMZI 'SYRGMPEXXLI'ERXSV%VXW'IRXIV'ERXSV ERHXLI%RHIVWSR 'SPPIGXMSREX7XERJSVH9RMZIVWMX]GYVVIRXWIVZMRKEWER I\SJJMGMSQIQFIVSJXLI(MVIGXSVW%HZMWSV]&SEVHEXXLI'ERXSV GYVVIRX-LEZIER1&%JVSQXLI9RMZIVWMX]SJ7ER*VERGMWGSERHE &%JVSQXLI9RMZIVWMX]SJ'SPSVEHS 0SVIR+SVHSR PMPMOK$KQEMPGSQ Public Art Commission Application 2 of 5 Employment Present or Las t Em ployer: Occupation: Describe your involvement in community activities, volunteer and civic organizations: 1. What is it about the Public Art Commission that is compatible with your experience and of specific interest to you, and why? DocuSign Envelope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ublic Art Commission Application 3 of 5 2. Please describe an issue that recently came before the Commission that is of particular interest to you and describe why you are interested in it. If you have never been to a Commission meeting you can view an archived video from the Midpen Media Center: 3. If appointed, what specific goals would you like to see the Public Art Commission achieve, and why? How would you suggest accomplishing this? DocuSign Envelope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ublic Art Commission Application 4 of 5 4. Public Art Commission Members work with the document listed below. If you have experience with this document, please describe that experience. Experience with this document is not required for selection. Municipal Arts Plan DocuSign Envelope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ublic Art Commission Application 5 of 5 Consent to Publish Personal Information on the City of Palo Alto Website California Government Code Section 6254.21 states, in part, This consent form will not be redacted and will be attached The full code can be read here: Read the code, and check only ONE option below: _ Commission Application intact. I have read and understand my rights under Government Code Section 6254.21. I may revoke this permission at any time by providing written notice to the Palo Alto City Clerk. OR I request that the City of Palo Alto redact my home address, phone numbers, and email address providing the following alternate information and request that they use the following contact information instead. Address: Cell Phone: ____ Home / ____ Office Phone: ___________________________________________________ Email: ____________________________________________ The phone number / address can be nonpublic and different than the address collected on page one. (Optional) Additional Attachment(s) If you would like to submit a resume, work sample, etc. along with your DocuSign Envelope ID: 0B1EDCFE-0C28-4C79-A308-99B98619CE22 Public Art Commission Application 1 of 5 Personal Information Note: The PAC regularly meets the third Thursday of the month at 7:00 p.m. Name: Address: Cell Ph ____ Home / ____ Office P E- Are you a Palo Alto Resident? ____ Yes ____ No Do you have any relatives or members of your household who are employed by the City of Palo Alto, who are currently serving on the City Council, or who are Commissioners or Board Members? ____ Yes ____ No Are you available and committed to complete the term applied for? ____ Yes ____ No California state law and the Ci require appointed board and commission members to file a detailed disclosure of their financial interests, Fair Political Practices Commission, Conflict of Interest, Form 700. Do you or your spouse have an investment in, or do you or your spouse serve as an officer or director of, a company doing business in Palo Alto which you believe is likely to; 1) engage in business with the City, 2) provide products or services for City projects, or 3) be affected by decisions of the board or commission you are applying for? ____ Yes ____ No Excluding your principal residence, do you or your spouse own real property in Palo Alto? ___ Yes ___ No How did you learn about this vacancy? ____ Community Group ____ Email from City Clerk ____ Palo Alto Weekly ____ Daily Post ____City Website ____ Flyer Other: List relevant education, training, experience, certificates of training, licenses, or professional registration: DocuSign Envelope ID: B9A60FC9-D33D-48D7-873F-79F521BFAFAE &IR 1M]ENM 'YVVIRX :MGI'LEMV SJ XLI 4EPS %PXS 4YFPMG %VX 'SQQMWWMSR 'MX] SJ 4EPS %PXS 4YFPMG %VX 'SQQMWWMSR 1E] XS 4VIWIRX :MGIGLEMV .ER XS TVIWIRX 'MX] SJ 7ER .SWI %VXW 'SQQMWWMSR .YP] XS *IFVYEV] 'LEMV :MGIGLEMV 'LEMV 4YFPMG %VX 'SQQMXXII 1IXVS 2I[WTETIV 4YFPMG %VX 4IVWSR SJ XLI =IEV DocuSign Envelope ID B9A6OFC9-D33D-48D7-873F-79F521BFAFAE Employment Present or Last Employer: Retired from Siemens Occupation: Ret i red Describe your involvement in community activities, volunteer and civic organizations: I have been a member of the City of San Jose Arts Commission from June 1992 to February 2015. I served as chair of the commission from 2003 to 2006 and chair of Public Art Committee of the Arts Commission in 2006-2007. I also chaired the Norman Mineta San Jose International Airport Public Art Master Plan Steering Committee in 2004. I was named Metro Newspaper Public Art Person of the Year in 2004. I have served on the City of Palo Public Art Commission since June 2013 and currently serve as the vice -chair. I was co -president of the Parents Auxiliary at Children's Musical Theater of San Jose and served on the board of directors in 1991-1992 and 1997-1999. As a docent at the Japanese American Museum of San Jose, I lead tours of the museum to guests that request a guided tour. I am a volunteer Marriage Commissioner for the County of Santa Clara and have performed over 5,500 marriage ceremonies. Participated in the 2015 Delta Veterans Group Stand Down, a three day event for homeless veterans that provided meals, a place to sleep and shower, receive counseling, clothing and a sleeping bag, legal services, veterinary services, haircuts and support 1. What is it about the Public Art Commission that is compatible with your experience and of specific interest to you, and why? I have been involved in public art for over 25 years and it is a passion of mine. I believe public art is the soul of a city and great cities have great public art. The Public Art Master Plan that was recently adopted as well as the percent for public art by private development adopted four years ago provides valuable tools for public art in Palo Alto. The Master Plan provides guidance for public art for the next 5 to 10 years. The Master Plan also involves the community, a major component in public art. The percent for public art in private development is a strong partner to the municipal percent for public art and allows for a diverse, powerful and innovative public art collection. Ben Miyaji Public Art Commission Application 2 of 5 Public Art Commission Application 3 of 5 2. Please describe an issue that recently came before the Commission that is of particular interest to you and describe why you are interested in it. If you have never been to a Commission meeting you can view an archived video from the Midpen Media Center: 3. If appointed, what specific goals would you like to see the Public Art Commission achieve, and why? How would you suggest accomplishing this? DocuSign Envelope ID: B9A60FC9-D33D-48D7-873F-79F521BFAFAE (IEGGIWWMSR SJ E TMIGI SJ TYFPMG EVX 3ZIV XLI TEWX HIGEHIW TYFPMG EVX TMIGIW LEZI FIIR TPEGIH F] GSQQYRMXMIW MR QER] TPEGIW 0MXXPI XLSYKLX [EW KMZIR XS XLI YWI SJ QEXIVMEPW ERH PSRKIZMX] SJ XLI TMIGIW 8LMW LEW PIH XS E QENSV TVSFPIQ LS[ XS HMWTSWI SJ TMIGIW XLEX LEZI FIGSQI YRWEJI SV HIXIVMSVEXMRK# 8LI EIWXLIXMGW SJ XLI TMIGI HS RSX GSQI MRXS TPE] SV MJ WSQISRI PMOIW SV HMWPMOIW XLI TMIGI 4EPS %PXS XLVSYKL XLI 4YFPMG %VX 1EWXIV 4PER LEW MQTPIQIRXIH E ZIV] WSYRH TSPMG] SR HIEGGIWWMRK TYFPMG EVX TMIGIW 4PEGMRK XIQTSVEV] TYFPMG EVX MR RIMKLFSVLSSHW ERH RSX NYWX MR XLI HS[RXS[R EVIEW 8IQTSVEV] TYFPMG EVX MR RIMKLFSVLSSHW [SYPH EPPS[ QSVI TISTPI XS MRXIVEGX [MXL TYFPMG EVX 8LI 4YFPMG %VX 'SQQMWWMSR GER QEOI XLMW SRI SJ MXW TVMSVMXMIW MR XLI JYXYVI 4EPS %PXS LEW FIEYXMJYP QYVEPW EVSYRH XLI GMX] 8IQTSVEV] ERH TIVQERIRX QYVEPW EHH E JPEMV XS GMX] PERHWGETIW XLEX GERRSX FI EGLMIZIH [MXL SXLIV X]TIW SJ TYFPMG EVX %KEMR QEOI XLMW E TVMSVMX] SJ XLI GSQQMWWMSR Public Art Commission Application 4 of 5 4. Public Art Commission Members work with the document listed below. If you have experience with this document, please describe that experience. Experience with this document is not required for selection. Municipal Arts Plan DocuSign Envelope ID: B9A60FC9-D33D-48D7-873F-79F521BFAFAE - [EW GLEMV SJ XLI 4EPS %PXS 4YFPMG %VX 1EWXIV 4PER 7XIIVMRK 'SQQMXXII ERH - EQ ZIV] JEQMPMEV [MXL XLI HSGYQIRX DocuSign Envelope ID B9A6OFC9-D33D-48D7-873F-79F521BFAFAE Consent to Publish Personal Information on the City of Palo Alto Website California Government Code Section 6254.21 states, in part, "No state or local agency shall post the home address or telephone number of any elected or appointed official on the Internet without first obtaining the written permission of that individual." This consent form will not be redacted and will be attached to the Application and posted to the City's website. The full code can be read here: LINK Read the code, and check only ONE option below: I give permission for the City of Palo Alto to post to the City's website the attached Board and Commission Application intact. I have read and understand my rights under Government Code Section 6254.21. I may revoke this permission at any time by providing written notice to the Palo Alto City Clerk. OR x I request that the City of Palo Alto redact my home address, phone numbers, and email address from the attached Board and Commission Application prior to posting to the City's website. I am providing the following alternate information and request that they use the following contact information instead. Address: PO Box 8881 Pittsburg, CA 94565 Cell Phone: 408-691-1655 X Home/ Office Phone: 408-691-1655 E-mail: Ben. Miyaj i@gmail . com The phone number / address can be non-public and different than the address collected on page one. - DocuSigned by: Wry Signature: —A9368EOFa8114OA (Optional) Additional Attachments) Date: 3/15/2018 If you would like to submit a resume, work sample, etc. along with your Application, Check this box and click "Attach" to upload your document(s). Ben Miyaji Public Art Commission Application 5 of 5 Public Art Commission Application 1 of 5 Personal Information Note: The PAC regularly meets the third Thursday of the month at 7:00 p.m. Name: Address: Cell Phone: ____ Home / ____ Office Phone: E-mail: Are you a Palo Alto Resident? ____ Yes ____ No Do you have any relatives or members of your household who are employed by the City of Palo Alto, who are currently serving on the City Council, or who are Commissioners or Board Members? ____ Yes ____ No Are you available and committed to complete the term applied for? ____ Yes ____ No California state law and the Ci require appointed board and commission members to file a detailed disclosure of their financial interests, Fair Political Practices Commission, Conflict of Interest, Form 700. Do you or your spouse have an investment in, or do you or your spouse serve as an officer or director of, a company doing business in Palo Alto which you believe is likely to; 1) engage in business with the City, 2) provide products or services for City projects, or 3) be affected by decisions of the board or commission you are applying for? ____ Yes ____ No Excluding your principal residence, do you or your spouse own real property in Palo Alto? ___ Yes ___ No How did you learn about this vacancy? ____ Community Group ____ Email from City Clerk ____ Palo Alto Weekly ____ Daily Post ____City Website ____ Flyer Other: List relevant education, training, experience, certificates of training, licenses, or professional registration: PROFESSIONAL EXPERIENCE: I currently serve as a senior policy adviser to some of the world’s leading city networks. I am Non-resident Senior Fellow at the Chicago Council on Global Affairs and serve as an Advisory Board member for the World Economic Forum’s Future of Urban and Development Services. In all of these capacities, I work closely with city governments and city-focused non-profits around the world. I am a frequent contributor to numerous publications – including CityLab and Citiscope – that cover urban design, politics and culture. Previously, I was Senior Adviser for Global Cities at the U.S. Department of State, where I led external urban diplomacy engagement, including interacting with more than fifty mayors from around the world on global challenges in their cities. Additionally, I served as Deputy U.S. Negotiator for Habitat 3, acting as the lead day-to-day negotiator for the United States in advance of the United Nations every-twenty years urban conference. Prior to those roles, I served as a Member the Secretary of State’s Policy Planning Staff, advising two Secretaries of State on an array of policy issues, including cultural exchange and public diplomacy. EDUCATION: Ph.D. in international history from Harvard University; M.A. from Oxford University in Modern History and Literature. DocuSign Envelope ID: EA0E1BC5-C6D3-42CC-B3F3-05907D849342 Employment Present or Last Employer: C40 Cities/Chicago Council on Gloabl Affairs Occupation: Consultant Describe your involvement in community activities, volunteer and civic organizations: As a diplomat and policy advisor, I had the opportunity not only to engage community leaders and civic organizations around the world, but also to advocate for them. Whether the issue was equity, sustainability or security, the recognition of the importance of public space was a shared touchstone. In my role as Senior Adviser for Global Cities, I met with local artists, architects, and designers in cities from Cairo to Surabaya. In my role as Deputy United States Negotiator for Habitat 3, I was frequently the advocacy voice in negotiations for civil society and non -governmental participation in UN processes. Community engagement, advocacy and dialogue were fundamental components of the urban -focused diplomacy 1 lead. Until 2017, I also served as the Chair for Global Cities Working Group of the Secretary's Strategic Dialogue with Civil Society. In this role, I was the primary point of contact for civic organizations seeking to engage diplomats around urban issues, including public spaces and culture. I convened representatives from U.S. cities, universities, think tanks, the private sector, and civic organizations to work together to build inclusive and sustainable cities. 1. What is it about the Public Art Commission that is compatible with your experience and of specific interest to you, and why? In my role advising city networks, I am frequently exposed to best and innovative practices from around the world. The willingness of cities to share and exchange is among their greatest qualities and competitive advantages. I have convened and hosted numerous meetings between cities, civil society actors and artistic groups — in Quito, Ecuador and London, United Kingdom, both in 2016 for instance — with the goal of facilitating exchange between cities and between cities and architects and designers. Under the series "Diplomats and Designers Discuss," (including one with Future Cities Lab, the team behind "Murmur Wall"), I host quarterly conversation between foreign policy leaders and cultural leaders about how the two groups can work together to address challenges such as climate change and economic inequality. As became clear in so much of the work the State Department does, the U.S. represents itself in myriad ways stretching way beyond public diplomacy. Palo Alto may not be a New York or Chicago on the global stage but it's an iconic name in its own way, and how it approaches public art and culture matters: here, most importantly, but ideas travel. Robert Ian Klaus Public Art Commission Application 2 of 5 DocuSign Envelope ID: EA0E1BC5-C6D3-42CC-B3F3-05907D849342 2. Please describe an issue that recently came before the Commission that is of particular interest to you and describe why you are interested in it. If you have never been to a Commission meeting you can view an archived video from the Midpen Media Center: LINK The November 16, 2017 discussion and decision around the "Bike Boulevards Pilot Project" at intersection of Louis and Fielding perfectly captures the importance of such commissions. As the presentation made clear, the intersection pilot project had numerous goals, at once seeking to enhance public safety while also seeking to deliver public art that drew "inspiration from the unique character of the community, its history and diversity." The Commission's wide-ranging discussion demonstrated why public art is at once difficult and important. It covered everything from budgeting, community engagement and durability to public safety and design aesthetics. The specific project appeals because it is in tune with so many important trends in transportation - including the increased attention to cycle routes and pedestrians and more generally multi -modal movement — but also because its development took into consideration local institutions. Like many of the commissioners, I found appeal in both proposals. But so far as future projects and decisions are concerned, I found the deliberative process itself most relevant. Commissioners worked through design, safety, community, and cultural issues (pending some review) through open dialogue and with open minds. 3. If appointed, what specific goals would you like to see the Public Art Commission achieve, and why? How Would you suggestAccomplishing this? "There are a number of goals contained in the "Municipal Arts Plan" that would be exciting to help advance. While California experiences a housing crisis, it's also important to recognize that many of Palo Alto's architectural masterpieces were created with an eye to affordability and accessibility. In addition to current and new art, adding some of these classics to artistic maps — not unlike what Palm Springs does during Modernism Week — could enhance Palo Alto's artistic reputation while also serving as a reminder of the democratic goals of the art surrounding us. While such goals are more long term, I could immediately help advance the Plan's goals around partnerships and cooperation. Section A, "New Permanent Art and Temporary Projects," and Section C, "Partnerships and Financial," make clear the importance of partnerships and collaborations, including those with other cities, domestic and international. In my role as an adviser to cities networks, I am in constant contact with other cities, cultural institutions and civil society groups focused on public spaces and art. My ongoing work would provide opportunities to forge new relationships for Palo Alto and the Public Art Commission with counterparts and artists around the country and abroad, particularly with an eye to fostering mutual respect and encouraging democratic values. Robert Ian Klaus Public Art Commission Application 3 of 5 Public Art Commission Application 4 of 5 4. Public Art Commission Members work with the document listed below. If you have experience with this document, please describe that experience. Experience with this document is not required for selection. While not having experience with this document, the goals and activities identified therein are consistent with work I have done with other cities, civil society and cultural groups. DocuSign Envelope ID: EA0E1BC5-C6D3-42CC-B3F3-05907D849342 Consent to Publish Personal Information on the City of Palo Alto Website California Government Code Section 6254.21 states, in part, "No state or local agency shall post the home address or telephone number of any elected or appointed official on the Internet without first obtaining the written permission of that individual." This consent form will not be redacted and will be attached to the Application and posted to the City's website. The full code can be read here: LINK Read the code, and check only ONE option below: I give permission for the City of Palo Alto to post to the City's website the attached Board and Commission Application intact. I have read and understand my rights under Government Code Section 6254.21. I may revoke this permission at any time by providing written notice to the Palo Alto City Clerk. OR x I request that the City of Palo Alto redact my home address, phone numbers, and email address from the attached Board and Commission Application prior to posting to the City's website. I am providing the following alternate information and request that they use the following contact information instead. Address: Cell Phone: Home/ x Office Phone: 7077650617 E-mail: The phone number / address can be non-public and different than the address collected on page one. r--DocuSigned by: Koburf (aJA, W u.s Signature: ` 87C827DD8408487 Date:3/16/2018 (Optional) Additional Attachment(s) If you would like to submit a resume, work sample, etc. along with your Application, Check this box and click "Attach" to upload your document(s). Robert Ian Klaus Public Art Commission Application 5 of 5 Public Art Commission Application 1 of 5 Personal Information Note: The PAC regularly meets the third Thursday of the month at 7:00 p.m. Name: Address: Cell Phone: ____ Home / ____ Office Phone: E-mail: Are you a Palo Alto Resident? ____ Yes ____ No Do you have any relatives or members of your household who are employed by the City of Palo Alto, who are currently serving on the City Council, or who are Commissioners or Board Members? ____ Yes ____ No Are you available and committed to complete the term applied for? ____ Yes ____ No California state law and the Ci require appointed board and commission members to file a detailed disclosure of their financial interests, Fair Political Practices Commission, Conflict of Interest, Form 700. Do you or your spouse have an investment in, or do you or your spouse serve as an officer or director of, a company doing business in Palo Alto which you believe is likely to; 1) engage in business with the City, 2) provide products or services for City projects, or 3) be affected by decisions of the board or commission you are applying for? ____ Yes ____ No Excluding your principal residence, do you or your spouse own real property in Palo Alto? ___ Yes ___ No How did you learn about this vacancy? ____ Community Group ____ Email from City Clerk ____ Palo Alto Weekly ____ Daily Post ____ City Website ____ Flyer Other: List relevant education, training, experience, certificates of training, licenses, or professional registration: DocuSign Envelope ID: 26898928-021C-41ED-810B-5DD39493D8E0                  I have implemented over 75 major public art projects from 1988 – to the present. I was CEO of an international art corp for more than 15 years, hold an M.B.A. in Public Administration, and am trained in Financial Planning. While working on the ‘97 Governor’s Conference on the Arts I conceived the idea of‘Art-Bytes’, a youth art and technology project which won a National Endowment for the Arts award. DocuSign Envelope ID 26898928-021 C-41 ED-8108-5DD39493D8E0 Employment Present or Last Employer: Bonnie Hall Fine Art Asset Management Occupation: Owner, Art Investment Advisor Describe your involvement in community activities, volunteer and civic organizations: "COMMUNITY SERVICE/PROFESSIONAL AFFILIATIONS (selected) 2017 Voice of the Advisor, American Funds Distributors, panel member, group of national financial professionals 2016 Wealth & Finance Magazine Award, 'Best Arts and Culture Entrepreneur, California' 2012 Homeless Animal Rescue Team, Board Vice President/Treasurer 2010 Toastmasters International (CC, Competent Communicator) 2008 Project Area Committee, Appointment, Town Center Redevelopment, Paso Robles, CA University of Michigan Entrepreneurial Panel Study (3 year study) 2003 San Luis Obispo Arts Council, Open Studio Planning Committee, San Luis Obispo, CA 2000 Planning Committee for 21st Century Learning Centers — Foundation Consortium, CA Art in America Annual Guide — every year until 2000 1995-1998 US Director, World Council of Art, Tokyo, Japan 1993 Advisory Council, USC School of Fine Arts 1989 Researcher, Rainforest Foundation, founded by Sting/Trudie Styler" 1. What is it about the Public Art Commission that is compatible with your experience and of specific interest to you, and why? RELEVANT ACCOMPLISHMENTS, SPECIAL PROJECTS selected Private/Public Art Projects:secured the project and the funding, managed project from inception to completion(partial list) - Mint Museum Commission, Charlotte, North Carolina- Vesna Petresin Rancho Cienega Sports Complex, Los Angeles Cultural Affairs Commission, Tofer Chin Hepburn Hotel/Residence, Washington, D.C. Excelon Corporation Headquarters, Baltimore, Tofer Chin Spectrum, Toronto, Ontario, Canada, Private commission, Cecil Balmond Syracuse Urban Plaza, 'Connective Corridor' Public Art Project, !melk/Balmond collaboration CTA Transit, Chicago IL, Wilson Station, % for Art, Cecil Balmond Iowa City Plaza, Iowa, Cecil Balmond Farhang Circles, Century City, Los Angeles, CA, Private commission, Cecil Balmond Brea Tech Center, City of Brea, Art in Public Places —two Betty Gold Sculptures, 20' each Hyatt Hotel, Orlando Florida —Richard Ellis 60' Bronze indoor waterfall Home Savings of America — numerous large scale indoors/outdoor commissions; various artists Pacific Mutual Life Insurance, Newport Beach — Robert Therrien Bonnie Hall Public Art Commission Application 2 of 5 DocuSign Envelope ID 26898928-021 C-41 ED-8108-5DD39493D8E0 2. Please describe an issue that recently came before the Commission that is of particular interest to you and describe why you are interested in it. If you have never been to a Commission meeting you can view an archived video from the Midpen Media Center: LINK The recently presented issue of particular interest to me is the art in private development project associated with the Bowman School project — the proposal by Kamau Amu Patton is a well conceived program design that includes the participation of students. With my background creating a recognized model for teaching youth art in Art -Bytes, this aligns with my beliefs that community- driven, especially youth driven public art is a central axis of life-long learning which allows a public program to focus on building and sustaining a healthy diverse experience while providing a framework for proactively responding to a changing cultural landscape. By advancing the arts in combination with creative and comprehensive systems of problem - solving, the social epidemics that drain our country's resources can be minimized. Art heals by bringing clarity and understanding to a society. Most important to my belief is that art is effective in solving larger community problems, facilitating educational objectives, redefining relationships between various community sectors and creating new avenues for a "shared community vision." 3. If appointed, what specific goals would you like to see the Public Art Commission achieve, and why? How would you suggest accomplishing this? Having directed an international arts organization for over 14 years as well as being a licensed investment advisor has afforded me the experience and knowledge as expert in financial analysis and arts management. I would like to see the Public Art Commission achieve not only financial sustainability for the public art program but also to initiate greater economic development through this program. This can be accomplished in a variety of ways, all of which improve the quality of life for a community. A few selected avenues could include: 1. Recognizing cultural assets to enhance Cultural Tourism 2. Increased social media communication, ie a virtual tour of the City's art collection, etc. 3. Outreach and marketing community assets to attract local business engagement/investment emphasizing a multiplier effect. 4. Making connections between sectors, inside and outside the local community. Bonnie Hall Public Art Commission Application 3 of 5 Public Art Commission Application 4 of 5 4. Public Art Commission Members work with the document listed below. If you have experience with this document, please describe that experience. Experience with this document is not required for selection. Municipal Arts Plan DocuSign Envelope ID: 26898928-021C-41ED-810B-5DD39493D8E0                                                       Public Art Commission Application 5 of 5 Consent to Publish Personal Information on the City of Palo Alto Website California Government Code Section 6254.21 states, in part, This consent form will not be redacted and will be attached The full code can be read here: Read the code, and check only ONE option below: _ Commission Application intact. I have read and understand my rights under Government Code Section 6254.21. I may revoke this permission at any time by providing written notice to the Palo Alto City Clerk. OR I request that the City of Palo Alto redact my home address, phone numbers, and email address providing the following alternate information and request that they use the following contact information instead. Address: Cell Phone: ____ Home / ____ Office Phone: ______ E-mail: ____________________________________________ The phone number / address can be non-public and different than the address collected on page one. Signature: Date: (Optional) Additional Attachment(s) If you would like to submit a resume, work sample, etc. along with your Application, DocuSign Envelope ID: 26898928-021C-41ED-810B-5DD39493D8E0                Personal Information Note: The PAC regularly meets the third Thursday of the month at 7:00 p.m. Name: Address: Cell Phone: ____ Home / ____ Office Phone: E-mail: Are you a Palo Alto Resident? ____ Yes ____ No Do you have any relatives or members of your household who are employed by the City of Palo Alto, who are currently serving on the City Council, or who are Commissioners or Board Members? ____ Yes ____ No Are you available and committed to complete the term applied for? ____ Yes ____ No California state law and the Ci require appointed board and commission members to file a detailed disclosure of their financial interests, Fair Political Practices Commission, Conflict of Interest, Form 700. Do you or your spouse have an investment in, or do you or your spouse serve as an officer or director of, a company doing business in Palo Alto which you believe is likely to; 1) engage in business with the City, 2) provide products or services for City projects, or 3) be affected by decisions of the board or commission you are applying for? ____ Yes ____ No Excluding your principal residence, do you or your spouse own real property in Palo Alto? ___ Yes ___ No How did you learn about this vacancy? ____ Community Group ____ Email from City Clerk ____ Palo Alto Weekly ____ Daily Post ____City Website ____ Flyer Other: List relevant education, training, experience, certificates of training, licenses, or professional registration: DocuSign Envelope ID: F1171810-CC8B-465A-867C-48AE67F155A2 )'LEVPIWXSR6H 1EVMP]R+SXXPMIF6SFIVXW Q$FIPPWSYXLRIX Public Art Commission Application 1 of 5 I have an active career in the arts; I was a tenured professor of studio art and art history 1980-2006 at Miami Dade College; Fulbright Scholar in Nigeria 2000-2002. Exhibitions include Hayden Planetarium, Clocktower, Exit Art in NYC; Harvard's Carpenter Center, Mobius Performance in MA; Columbus Museum (GA), Birmingham Museum (AL); an Art in Public Places commission in GA and in FL. Publications include the artist book A Durable Tale, published 2017 by [NAME] Publications Public Art Commission Application 2 of 5 Employment Present or Las t Em ployer: Occupation: Describe your involvement in community activities, volunteer and civic organizations: 1. What is it about the Public Art Commission that is compatible with your experience and of specific interest to you, and why? DocuSign Envelope ID: F1171810-CC8B-465A-867C-48AE67F155A2 1MEQM(EHI'SPPIKI%VX(ITEVXQIRX 4VSJIWWMSREPEVXMWX My community activities in Florida include service on the Executive Boards of Tigertail Productions (ten years) and the Interdisciplinary Sound Arts Workshop of the South Florida Composer’s Alliance (two years). For eight years I was a Panelist on Miami-Dade County's Dept. of Cultural Affairs International Cultural Exchange Grants. I've served as a State of Florida Division of Cultural Affairs Panelist, twice on Individual Artist Interdisciplinary Fellowship panels, and twice on panels for Art in Public Places commissions. National activities include service as Pearson/Prentice Hall Academic Reviewer, 7th Edition of Janson’s History of Art; sixteen years as a National Foundation for Advancement in the Arts Annual Awards Preliminary Adjudicator; and as a selected participant in three National Science Foundation Math and Art Curriculum Development Workshops--two at Franklin and Marshall College(PA)and one at Edmonton Community College (WA). International work includes service as publication Referee for the African Studies Review (scholarly journal of the African Studies Association), and for NAWACS, the annual publication of the National Association of Women Academics (Nigeria). For nine years delivered featured lectures at annual orientation for Foreign Fulbright Students I have recently relocated from Miami Beach to Palo Alto. An activist artist, I take deep pride and satisfaction in service. I want to dive deep into the life of my new community and seek company with those in Palo Alto who wish to advance the arts. Where better to accomplish this than through service on the Public Art Commission? I've not attached a resume, but if after a review of my application one is desired, I'd be happy to supply it. Public Art Commission Application 3 of 5 2. Please describe an issue that recently came before the Commission that is of particular interest to you and describe why you are interested in it. If you have never been to a Commission meeting you can view an archived video from the Midpen Media Center: 3. If appointed, what specific goals would you like to see the Public Art Commission achieve, and why? How would you suggest accomplishing this? DocuSign Envelope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ublic Art Commission Application 4 of 5 4. Public Art Commission Members work with the document listed below. If you have experience with this document, please describe that experience. Experience with this document is not required for selection. Municipal Arts Plan DocuSign Envelope ID: F1171810-CC8B-465A-867C-48AE67F155A2 -LEZIRSTEWXI\TIVMIRGI[MXLXLMWHSGYQIRX Public Art Commission Application 5 of 5 Consent to Publish Personal Information on the City of Palo Alto Website California Government Code Section 6254.21 states, in part, This consent form will not be redacted and will be attached The full code can be read here: Read the code, and check only ONE option below: _ Commission Application intact. I have read and understand my rights under Government Code Section 6254.21. I may revoke this permission at any time by providing written notice to the Palo Alto City Clerk. OR I request that the City of Palo Alto redact my home address, phone numbers, and email address providing the following alternate information and request that they use the following contact information instead. Address: Cell Phone: ____ Home / ____ Office Phone: ___________________________________________________ Email: ____________________________________________ The phone number / address can be nonpublic and different than the address collected on page one. (Optional) Additional Attachment(s) If you would like to submit a resume, work sample, etc. along with your DocuSign Envelope ID: F1171810-CC8B-465A-867C-48AE67F155A2 Marilyn Gottlieb-Roberts m427@bellsouth.net 305-323-9242 https://vimeo.com/74456758 (Dormition, Real time video, 10 min, 2002.) www.durabletale.com (Preliminary work for a 2017 artist book, 2010.) Synopsis Resume current 2018 Education 1998-2002 Doctoral studies, Comparative Sociology & Cultural Anthropology, Florida International University, Miami FL 1977 MFA (Painting & Drawing) University of Miami, Coral Gables FL 1975 BA (Painting & Literature) Goddard College, Plainfield VT Selected teaching experience; painting, drawing, art history 1980-2006 Professor, Department of Art & Philosophy, Wolfson Campus Miami-Dade College, Miami FL (Ret. 2006). Reference: Dr. Haig David-West (haigdavidwest@yahoo.com), Independent Scholar, France. 2000-2002 Fulbright Scholar, University of Jos, Plateau State, Nigeria 1994 Visiting Artist, Master Class, Learning from Performers Program, Office of the Arts, Harvard University, Cambridge MA Selected publications 2017 A Durable Tale presented at cultural astronomy conference “Road to the Stars” presented by INSAP x, Oxford XI, SEAC 25th, Santiago de Campostela, Spain. 2017 A Durable Tale [an artist book], Miami: [NAME] Publications, 2017. 2015 Gottlieb-Roberts, M. “Stars on Local Time: A Personal Almanac.” In Inspiration of Astronomical Phenomena VIII: City of Stars, Proceedings of a Conference held at American Museum of Natural History, July 2013, edited by Brian Patrick Abbott. San Francisco: Astronomical Society of the Pacific, 2006-2015 Featured lecturer, National annual orientation for Foreign Fulbright Scholars, Council for the International Exchange of Scholars. 2014 “Stars on Local Time: A Personal Almanac” shelved in reference library, Dr. E.C. Krupp, Director, Griffith Observatory, Mt. Wilson, Los Angeles CA 2010 “A Durable Tale” installation and lecture, Curated by University of Wales, Lampeter. INSAP VII, Bath Royal Science and Literature Institute, Bath, England 2006 Co-Producer, “Kwagh-hir”, video documentary filmed in Nigeria. Director, Ddirector Charles Recher. 2002 Editorial review of Story by Harold Scheub, for Africa Today, the African Studies Journal of the Indiana University Press. 2000 Lead Paper, International Conference of the National Association of [Nigerian] Women Academics (NAWACS), Abuja, Nigeria. 1998 “Fulani Astral Traditions and the Epic of Gilgamesh; A Comparative Study”, Sub-Saharan Literature panel, African Studies Association Annual Meeting, Chicago IL 1998 Site Ethnographer, Internationalizing New Work in the Performing Arts, pub. Ford Foundation, New England Foundation for the Arts 1995 Illustrations, Deftere Ledde E Pudi [Atlas of Fulani Traditional Botany], Fary Silaat Ka, ARED Press, Dakar, Senegal 1991 SE Portrait 1980-1989, collaboration with Bruce Posner 1983 Light Ambulant catalogue, artistic collaboration with Cesar Trasobares Selected artistic activity 2014 “Therapist,” Sanatorium installation, Pablo Reyes, Art Basel, Inaugural Exhibition of ICA |\/| MIAMI. 2013 “A Personal Almanac” installation. Curated Dr. Lynn Gamwell, for Eighth International Conference on the Inspiration of Astronomical Phenomena (INSAP VIII) “City of Stars.” Hayden Planetarium, American Museum of Science and Natural History, NYC 2013 “Memory Is Our Most Important Product” solo installation. Curated Lou Anne Colodny. Under the Bridge Gallery, North Miami FL 2011 “Teen Moon” collaboration with Patti Hernandez and Domingo Castillo (The End) & Nineties Teen band; and “Xerox Oracle” performance installation. Curated Denise Delgado. Enter the Nineties exhibit, Main Library Gallery, Miami Dade Public Library, Miami FL 1980-2010 GATHERING EVIDENCE A 30-year’s quest of oral star almanacs in SE U.S. & West Africa. 2000-2010 SE PORTRAIT third and final decade, selected activities 2009 “BIG DOG w/hunter” for Dog Tales. Curated, Barbara Young. Main Library Gallery group exhibit. Miami Dade Public Library, Miami FL 2008 “Dormition” Curated, David Audet and Judith Robertson. Festival of the Moving Image, Hillsborough Community College, Ybor City FL. 2004 “Dormition” Curated, Judith Robertson and Dimitry Chamy. TRANSMISSION Mobile Video Collective for Art Basil, Miami FL 2003 “Ask Them” Curated, David Audet. Festival of the Moving Image, Hillsborough Community College, Ybor City FL. “Measured Response” Curated, James Herring. SPACE, Thinking Outside the Sphere group exhibit, Miami Museum of Science and Planetarium, Miami FL 2002 “Enduring Miami” Curated, Elizabeth Hall. Flarb 2, Aqua Hotel group exhibit for Art Basel, Miami Beach FL “Long Shot in the Dark” Curated, Bob Chambers. The No Show group exhibit. Fredric Schnitzer Gallery, Miami FL 2000-2002 Fulbright Scholars Program/Council for the International Exchange of Scholars. Teaching/Research appointment, University of Jos, Nigeria. 1990-2002 A SOUTHEAST PORTRAIT second decade, selected activities West African star lore, field research 1996 Niger Delta, Republic of Mali: Bella, Bozo, & Fulani villages & nomadic encampments 1995 Senegal & Republic of Mali: Wolof, Serer, Bambara, Dogon, and Fulani villages & nomadic encampments Performance installations 1999 “Luna Launch” Collaborative performances curated, Steve Stamphile and Gustavo Matamoros. Cultural Plaza Sculpture Court, Historical Museum of South Florida, Miami FL 1998 “Vulture Moon” Curated, Mary Luft. Ambrosino Gallery group exhibit, Miami FL 1997 “Handy Shadows” Curated, Charles Recher. Art Center South Florida group exhibit, Miami Beach FL 1994 “Ivy Moon” Curated, Bruce Posner. Carpenter Center for the Arts, solo performance, Harvard University, Cambridge MA “Moving Illumination” Curated, Cesar Trasobares. Ground Level group exhibit, Miami Beach FL “Naughty Medusa, Gorgon-in-the-Moon” Curated, Gala Committee. Gala Opening, Art Miami, Miami Beach FL 1993 “Planetarium Playhouse” Curated, Cesar Trasobares. 40th Annual Art Festival Atlanta, Atlanta GA “Planetarium Moon” Curated, Bonnie Clearwater. Museum of Art group exhibit, Fort Lauderdale FL “Planetarium Labyrinth” Curated, Bonnie Clearwater. Museum of Contemporary Art (MoCA) group exhibit, Miami FL 1992 “1.5 Planetarium” Curated, Yvonne Muranushi. Muranushi-Lederman Project, NYC “Planetarium Wall” Curated Roly ChangBarrerro. Frances Wolfson Gallery group exhibit, Miami Dade College, Miami FL 1991 “Counting Change” Curated, Don Chauncey. Alliance for Media Arts solo installation, Miami Beach 1980-1990 A SOUTHEAST PORTRAIT first decade, selected activities Residencies and performance installations 1988-1999 CLEAN BREAK Mobius (Boston MA), Birmingham Museum of Art (Birmingham AL), New Music America 10th Anniversary Festival (Miami FL), Columbus Museum of Art (Columbus GA), Contemporary Art Center (New Orleans LA) 1984-1987 GATHERING EVIDENCE Exit Art (NYC), The Currier Gallery of Art (Manchester NH), The Clocktower (NYC), Real Art Ways (Hartford CT), AVA Gallery (Hanover NH), XXIV Cartagena Film Festival (Cartagena, Colombia), Nexus (Atlanta GA), center Gallery (Chapel Hill NC), 200 East Gallery (Knoxville TN), Moon Gallery (Rome GA) 1983 LIGHT AMBULANT Prep for SE Portrait culminates in this collaborative installation, Frances Wolfson Gallery and the campus 6-story Atrium, Miami Dade College, Miami FL 1983 The Treasure Trail, curated Cesar Trasobares, Miami-Dade County Art in Public Places Selected editorial reviews of artistic activity, appearing in: Journals: Art & Auction, Harvard Magazine, High Performance, Image Film and Video, Art Papers, Independent Spirit, Marquee Newspapers: The New York Times, The Boston Globe, Atlanta Journal/Constitution, Cleveland Plain Dealer, Manchester NH Union Leader, The Hartford Courant, Columbus GA Ledger-Inquirer, The Durham Sun, The Tampa Tribune, The Chapel Hill Newspaper, El Universal Actualidad (Colombia), The Miami Herald, The Miami News, Fort Lauderdale News, Orlando Sentinel Selected awards 2017 Bas Fisher Initiative Project Award (Knight Foundation regrant), Miami FL 2017 Miami-Dade County Dept. of Cultural Affairs, Artist Access grant 2011 “A Durable Tale,” Joan Mitchell Foundation grantee, Atlantic Center for the Arts residency. Curated Alexis Rockman. New Smyrna Beach FL 2007 Miami-Dade County Dept. of Cultural Affairs, Artist Access grant 2006 Miami-Dade County Dept. of Cultural Affairs, Artist Access grant 2000-2002 Fulbright Scholar Program, Teaching-Research Award, Nigeria. Council for International Exchange of Scholars. 1996 National Endowment for the Arts (regional regrant), New Forms Florida Artists Fellowship 1993 R.W. Greenfield Endowed Teaching Chair, Miami Dade College 1993 National Endowment for the Arts (regional regrant), Gathering Evidence 1989 The Henry Luce Foundation (institutional regrant), Gathering Evidence 1988 State of FL Division of Cultural Affairs, program grant, Gathering Evidence Selected professional activities 2006-2011 Executive Board, Interdisciplinary Sound Arts Workshop (iSAW), South Florida Composer’s Alliance 2006 Academic Reviewer, Janson’s History of Art, The Western Tradition, 7th Edition (Pearson/Prentice Hall) 2004-2005 Selected participant, National Science Foundation Math and Art Workshop, University of Indiana and Franklin and Marshall College, Harrisburg PA. 2000-2008 Panelist, International Cultural Exchange Grants Panel. Miami-Dade County Dept. of Cultural Affairs 1996-2012 Preliminary Adjudicator, National Foundation for Advancement in the Arts Annual Awards 2002 Referee, African Studies Review, the African Studies Association Journal 2000-2002 Referee, NAWACS Journal, annual publication of the National Association of [Nigerian] Women Academics 1999, 2000 Panelist, Individual Artist Fellowships, Interdisciplinary Panel, State of Florida Division of Cultural Affairs 1999 Education & Exhibitions Committee, Bass Museum of Art, Miami Beach FL 1998, 1999 Panelist, City of Miami Beach Cultural Arts Council program grants, Miami Beach FL 1998 Panelist, Interdisciplinary/Multidisciplinary Program Awards Panel, State of Florida Division of Cultural Affairs 1997 Panelist, Art in Public Places Panel for Penalver Center commission, State of Florida Division of Cultural Affairs 1997 Panelist, Art in Public Places Panel for Reeves Center commission, State of Florida Division of Cultural Affairs 1983-1986 Director, Miami Waves Film & Performance Festival, Miami Dade College, Miami FL Public Art Commission Application 1 of 5 Personal Information Note: The PAC regularly meets the third Thursday of the month at 7:00 p.m. Name: Address: Cell Phone: ____ Home / ____ Office Phone: E-mail: Are you a Palo Alto Resident? ____ Yes ____ No Do you have any relatives or members of your household who are employed by the City of Palo Alto, who are currently serving on the City Council, or who are Commissioners or Board Members? ____ Yes ____ No Are you available and committed to complete the term applied for? ____ Yes ____ No California state law and the Ci require appointed board and commission members to file a detailed disclosure of their financial interests, Fair Political Practices Commission, Conflict of Interest, Form 700. Do you or your spouse have an investment in, or do you or your spouse serve as an officer or director of, a company doing business in Palo Alto which you believe is likely to; 1) engage in business with the City, 2) provide products or services for City projects, or 3)be affected by decisions of the board or commission you are applying for? ____ Yes ____ No Excluding your principal residence, do you or your spouse own real property in Palo Alto? ___ Yes ___ No How did you learn about this vacancy? ____ Community Group ____ Email from City Clerk ____ Palo Alto Weekly ____ Daily Post ____ City Website ____ Flyer Other: List relevant education, training, experience, certificates of training, licenses, or professional registration: DocuSign Envelope ID: 67A7E3CE-7C44-426B-9B1F-53B2C3D1C6C9                  Public Art Commission Application 2 of 5 Employment Present or Last Employer: Occupation: Describe your involvement in community activities, volunteer and civic organizations: 1. What is it about the Public Art Commission that is compatible with your experience and of specific interest to you, and why? DocuSign Envelope ID: 67A7E3CE-7C44-426B-9B1F-53B2C3D1C6C9                                                                                                                                                                                                    Public Art Commission Application 3 of 5 2. Please describe an issue that recently came before the Commission that is of particular interest to you and describe why you are interested in it. If you have never been to a Commission meeting you can view an archived video from the Midpen Media Center: 3. If appointed, what specific goals would you like to see the Public Art Commission achieve, and why? How would you suggest accomplishing this? DocuSign Envelope ID: 67A7E3CE-7C44-426B-9B1F-53B2C3D1C6C9                                                                                     Public Art Commission Application 4 of 5 4. Public Art Commission Members work with the document listed below. If you have experience with this document, please describe that experience. Experience with this document is not required for selection. Municipal Arts Plan DocuSign Envelope ID: 67A7E3CE-7C44-426B-9B1F-53B2C3D1C6C9                                    DocuSign Envelope ID 67A7E3CE-7C44-426B-9B1F-53B2C3D1C6C9 Consent to Publish Personal Information on the Citv of Palo Alto Website California Government Code Section 6254.21 states, in part, "No state or local agency shall post the home address or telephone number of any elected or appointed official on the Internet without first obtaining the written permission of that individual." This consent form will not be redacted and will be attached to the Application and posted to the City's website. The full code can be read here: LINK Read the code, and check only ONE option below: I give permission for the City of Palo Alto to post to the City's website the attached Board and Commission Application intact. I have read and understand my rights under Government Code Section 6254.21. I may revoke this permission at any time by providing written notice to the Palo Alto City Clerk. OR x I request that the City of Palo Alto redact my home address, phone numbers, and email address from the attached Board and Commission Application prior to posting to the City's website. I am providing the following alternate information and request that they use the following contact information instead. Address: 1264 South Sycamore Avenue Cell Phone: 3237236420 X Home / Office Phone: (323) 939-0752 E mail: dramedj ibril@gmail . com The phone number / address can be non-public and different than the address collected on page one. Doc uSig ned h r Signature: 7427C0023386411... Date: 6/9/2017 (Optional) Additional Attachment(s) If you would like to submit a resume, work sample, etc. along with your Application, Check this box X and click "Attach" to upload your document(s). Public Art Commiss Apl ication Djibri1 orame 5 of 5 DocuSign Envelope ID 67A7E3CE-7C44-426B-9B1F-53B2C3D1C6C9 Djibril DRAME E-mail: Profile : Artistic -Photographer 1 PR & Communications 1 Journa is Curator Languages : French & English Domain: Public relations 1 Visual Art 1 Consultancy 1 Journalism 1 Publishing 1 Curator Computer: Microsoft Office 1 Lightroom 1 Social Media (Facebook, Twitter, Instagram, Tumblr) Tel: QUALIFICATIONS 2013 Institut Superieur des Sciences de !'Information et de la Communication, Dakar, Senegal Bachelors' Degree, Journalism and Communications Major: Public Relations 2008 Universite Cheikh Anta Diop, Dakar, Senegal 1st Year of Bachelors' Degree : English 2007 Certificate in Music Video Direction Dakar, Senegal 2007 Groupe Scolaire Massamba, Dakar, Senegal Baccalaureat : Option : Ll (Humanities) EXHIBITIONS November 2016 Brasil Cultural Center, Culver City, Los Angeles, CA The Peaceful Warriors ( Solo exhibition) and Panelist for 10th edition of Zumbi, November 2015 Lebasquiat Art Gallery, Abidjan, Cote d'Ivoire Ma ville coloree (solo exhibition) Oct - Nov. 2015 Goethe Institut, Dakar, Senegal Ma ville coloree (solo exhibition) Sept. - Oct. 2013 Centre FGO Barbara, Paris, France Leer Lanu Geum (group exhibition), part of Tandem Dakar/Paris Jan 2013 Goethe Institut, Dakar, Senegal Debat autour de la Photographie (solo exhibition) September - Nov. 2012 Haus der Jugend, Freiburg Im Breisgau, Germany Ma ville coloree (solo exhibition), part of the Hip Hop festival Jam Down South March - Sept. 2012 Casa Africa, Las Palmas, Spain Graffrica (group exhibition) June 2011 African Film Festival, Tarifa, Spain PHOTOAFRICA 2011 (group exhibition) Nov. 2009 - Dec. 2010 Visages d'Afrique (group exhibition) Asdar - Association pour le Developpement de la Sante en Afrique Rurale Espace in vitro, Thionville, France 2009 Centro del Arte Moderno, Canary Islands, Spain Marees migratoires (group exhibition) - Casa Africa project 2009 Goethe Intitut, Dakar, Senegal Les plus beaux moments du sport au Senegal (group exhibition) PRIZES 2016 Awarded of the 4th Edition of Sunu Thiossane annual show for my 11 years of work in Arts Administration in Senegal decerned by Sunu Thiossane 2011 Selected as one of 25 finalists for 4th PHOTOAFRICA contest, part of the Tarifa African Cinema Festival, Spain Organised by Al Tarab NGO and Andalusian Centre of Photography, Spain PUBLICATIONS 2015 Editions Vives Voix, Senegal Musique Senegalaise : participant (release February 2016) DocuSign Envelope ID 67A7E3CE-7C44-426B-9B1F-53B2C3D1C6C9 2009 Marie de Dakar/Vive Voix San, Senegal Dakar Emoi : participant (photography) October 2016 -Present Co-founder of ColdBrewTv A Youtube Channel showcasing changemakers, producing independent movies and broadcastings Co-founder of Style and Graffiti A digital platform reuniting Graffiti, murals, Walls and fashion. The purpose is to fine cool swag and a cool model and shot them in front of a graffiti. July 2016 -Present Sunu Thiossane Youth Development Agency (Based in Brookyln New York) 4'h edition production of a short film entitled "Larabilaram: The talibe and me) & annual summ June 2016 January 2016 IDecember 2015 Mars - June 2015 2014 February -March 2014 September 2013 September 2013 September 2012 February 2012 2009 2009 2008 camp Director, Director of Photography & Publicist Untitled Cultural Annual Event, College Universitaire d'Architecture de Dakar 1`' Edition, AfroPunk Themed event curated by freshman and Sophmore [Exhibition (paint & photography), Concert and fashion show] Mentor and Sponsor RAW Material/ Independent Curators International (ICI) Dakar, Senegal Curatorial intensive training Auditor and participant Petites Pierres, Dakar, Senegal Selected for the writing workshop Writivism Mix Bar, Togo Curator : Indigo exhibition (Togolese artist Juvencio) Goethe Institut, Dakar, Senegal Member of Organizational Committee Official Photographer, PR officer, Journalist: Melodie M ixxx Panos Project Acteurs culturels et acteurs mediatiques: Moteur en Afrique! Member of the editorial committee Project financed by the European Union for 3 years, uniting Senegal, Tunisia, Mali and Niger Project Manager and Initiator : , rc� aphy contest aiming to reduce social inequality Tigo Cash , Advertisement campaign Event coverage in the suburbs of Dakar, Photographer L'espace Medina, Dakar, Senegal Curator : L'Emotion Ecrite exhibition (photographer Mandione Laye Kebe) Begue Bus (Malboro, Philip Morris) Photographer, Campaign tour in Senegal Jam Down South festival (Haus der Jugend, Freiburg Im Breisgau, Germany) Documentation (photographic and written) Arte (German TV channel) Appearance in the television programm Metropolis Goethe Institut Senegal Tour of Senegal with for photo book project, following the exhibition Les plus beaux moments sport au Senegal Casa Africa (Canary Islands, Spain) Photographer, translator and guide : Marees migratoires project (Senegal & Spain) SUNNAY Productions Assistant Cameraman PROFESSIONAL EXPERIENCE PR, Journalism, Photo ra h May 2016 Francophonle Abidjan 2106 (PR for the cultural committee of the Francophonie games during the Dak'Art Biennale 2016) Tastemakers Africa DocuSign Envelope ID 67A7E3CE-7C44-4268-9B1F-53B2C3D1C6C9 L February 2016 Dakar Ambassador (Co -coordinator, Guide, and Cultural Medium collaborator) Marathon Eiffage Photographer and assistant coordinator July - December 2015 Ministry of Local Governance, Development and Urban Planning, Dakar, Senegal Assistant : Department of Communications, Documentation and Public Relations June - July 2015 Ministry of Tourism and Aviation (MTTA), Dakar, Senegal Photographer and PR Officer 2013 Africa Plus Size Fashion Week, Dakar, Senegal Official Photographer and Director June - July 2013 Socas Senegal, Dakar, Senegal Organisation of photo stand for Dieg Bou Dior campaign 2012 -present May 2010 - 2011 PeupleSenegalals.net, Information site Co-founder Photography, content writing, editor (culture and art) I'As Newspaper, Dakar, Senegal Photojournalist : 1 image vaut 1000 mots, Journalist TRAVELS Senegal & Gambia (Goethe Insitut, Dakar) Cote d'Ivoire (Lebasqulat Art Gallery, Abidjan) Germany (Haus der Jugend/Jam Down South, Freiburg) Spain (Casa Africa, Canary Islands) DocuSign Envelope ID 67A7E3CE-7C44-426B-9B1F-53B2C3D1C6C9 dram�djibril akagodeye gadaay BI 151Tr Djibril Drame is a young visual artist, journalist and publicist with over 10 years of experience. He is known amongst his visual peers as "Gadaay/GodEye". Djibril, well connected in the artistic world, embarked on many exhibitions and competitions in Europe to share his work through his popular art collection known as "My Colored City" where he pushes the envelope of the Senegalese street art and the talents that play a great part such as graffiti artists, hip hop activists and ambassadors of the urban culture. Djibril Drame is among the pioneers and activists in the urban community who have traveled internationally due to his striking talents and captivating photography. While still conducting his own blog "www.peuplesenegalais.net" where he makes time to help expose the dynamics of the young Senegalese change makers locally and abroad about captivating topics we face in the Senegalese daily life and bringing light to social issues. Gadaay hardly entered photography in 2007, shortly after to participate as one of the youngest artistic photographer in the book "Dakar Emoi" editions of Vives Voix. Right after this project, he joined the daily popular newspaper L'As where he hosted for one year a section of photographs called "A picture is worth 1000 words." In 2010, his art is exported internationally, where he represented Senegal in an international event of contemporary art at the GRAFFRICA Festival (Las Palmas), in 2011 at the Festival of the City of Tarifa (Spain) and so many more. GodEye is among a creative network of trendsetters and young artists in Senegal, in their own right, whether it be fashion, visual art, communications, dance or entrepreneurship. Down the line, GodEye aims to continue to share his expertise and experience by giving back to his community with the creation of his Visual Art & Communications Academy. He dreams of a bringing the true image of Africa to the world one country at a time and creating future ambassadors to continue this legacy. Djibril Drame is skilled in communications, mentoring young talents, leadership, management, working with others to achieve a main goal by contributing his experience and knowledge. He has worked with many NGOs and Top Companies in Senegal. Djibril Drame earned his Bachelors in Communications and Journalism with concentration in public relations at the Institut des Sciences de ('Information et de la Communication in Senegal. DocuSign Env elope ID: 67A7E3CE-7C44-4266-9B 1 F-53B2C3D1 C6C9 ;v .; .__ _ . y„ - HAS SUCCESSFULLY COMPLETE D INDEPENDENT C URATORS INTERNATIONAL'S CURA TORIA L INTENSIVE IN DAKAR WITH RAW MATERIAL COMPANY FRO M MAY 30 TO JUNE 5, 2016. Public Art Commission Application 1 of 5 Personal Information Note: The PAC regularly meets the third Thursday of the month at 7:00 p.m. Name: Address: Cell Phone: ____ Home / ____ Office Phone: E-mail: Are you a Palo Alto Resident? ____ Yes ____ No Do you have any relatives or members of your household who are employed by the City of Palo Alto, who are currently serving on the City Council, or who are Commissioners or Board Members? ____ Yes ____ No Are you available and committed to complete the term applied for? ____ Yes ____ No California state law and the Ci require appointed board and commission members to file a detailed disclosure of their financial interests, Fair Political Practices Commission, Conflict of Interest, Form 700. Do you or your spouse have an investment in, or do you or your spouse serve as an officer or director of, a company doing business in Palo Alto which you believe is likely to; 1) engage in business with the City, 2) provide products or services for City projects, or 3) be affected by decisions of the board or commission you are applying for? ____ Yes ____ No Excluding your principal residence, do you or your spouse own real property in Palo Alto? ___ Yes ___ No How did you learn about this vacancy? ____ Community Group ____ Email from City Clerk ____ Palo Alto Weekly ____ Daily Post ____City Website ____ Flyer Other: List relevant education, training, experience, certificates of training, licenses, or professional registration: DocuSign Envelope ID: 532EEF5C-8721-4667-A2D5-F97131762C79 7LIVMHER%ZI WLERRSRVQGIRXII$KQEMPGSQ 7LERRSR1G)RXII &*%9RMZIVWMX]SJ9XEL 1%1MPPW'SPPIKI 8EYKLXQSHIVRHERGIEXYRMZIVWMX]PIZIPMRXLI97ERHEFVSEH Public Art Commission Application 2 of 5 Employment Present or Last Employer: Occupation: Describe your involvement in community activities, volunteer and civic organizations: 1. What is it about the Public Art Commission that is compatible with your experience and of specific interest to you, and why? DocuSign Envelope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ublic Art Commission Application 3 of 5 2. Please describe an issue that recently came before the Commission that is of particular interest to you and describe why you are interested in it. If you have never been to a Commission meeting you can view an archived video from the Midpen Media Center: 3. If appointed, what specific goals would you like to see the Public Art Commission achieve, and why? How would you suggest accomplishing this? DocuSign Envelope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ublic Art Commission Application 4 of 5 4. Public Art Commission Members work with the document listed below. If you have experience with this document, please describe that experience. Experience with this document is not required for selection. Municipal Arts Plan DocuSign Envelope ID: 532EEF5C-8721-4667-A2D5-F97131762C79 -HSRSXLEZII\TIVMIRGI[MXLXLMWHSGYQIRX Public Art Commission Application 5 of 5 Consent to Publish Personal Information on the City of Palo Alto Website California Government Code Section 6254.21 states, in part, This consent form will not be redacted and will be attached The full code can be read here: Read the code, and check only ONE option below: _ Commission Application intact. I have read and understand my rights under Government Code Section 6254.21. I may revoke this permission at any time by providing written notice to the Palo Alto City Clerk. OR I request that the City of Palo Alto redact my home address, phone numbers, and email address providing the following alternate information and request that they use the following contact information instead. Address: Cell Phone: ____ Home / ____ Office Phone: ___________________________________________________ Email: ____________________________________________ The phone number / address can be nonpublic and different than the address collected on page one. (Optional) Additional Attachment(s) If you would like to submit a resume, work sample, etc. along with your DocuSign Envelope ID: 532EEF5C-8721-4667-A2D5-F97131762C79 Public Art Commission Application 1 of 5 Personal Information Note: The PAC regularly meets the third Thursday of the month at 7:00 p.m. Name: Address: Cell Ph ____ Home / ____ Office Pho E- Are you a Palo Alto Resident? ____ Yes ____ No Do you have any relatives or members of your household who are employed by the City of Palo Alto, who are currently serving on the City Council, or who are Commissioners or Board Members? ____ Yes ____ No Are you available and committed to complete the term applied for? ____ Yes ____ No California state law and the Ci require appointed board and commission members to file a detailed disclosure of their financial interests, Fair Political Practices Commission, Conflict of Interest, Form 700. Do you or your spouse have an investment in, or do you or your spouse serve as an officer or director of, a company doing business in Palo Alto which you believe is likely to; 1) engage in business with the City, 2) provide products or services for City projects, or 3) be affected by decisions of the board or commission you are applying for? ____ Yes ____ No Excluding your principal residence, do you or your spouse own real property in Palo Alto? ___ Yes ___ No How did you learn about this vacancy? ____ Community Group ____ Email from City Clerk ____ Palo Alto Weekly ____ Daily Post ____City Website ____ Flyer Other: List relevant education, training, experience, certificates of training, licenses, or professional registration: DocuSign Envelope ID: B3BB18CF-710B-469D-AAAD-B528008902B3 7-1',% 13=%0 :IVRSR 8IVVEGI 4EPS %PXS '% ` WMQGLE$MWVEIPMZMWYEPEVXWGSQ ` [[[MWVEIPMZMWYEPEVXWGSQ 463*)77-32%0 )<4)6-)2') -WVEIPM :MWYEP %VXW 4VIWIRX WMQGLE 1S]EP DocuSign Envelope ID: B3BB18CF-710B-469D-AAAD-B528008902B3 Employment Present or Last Employer: salfe employee , i work as a contractor Occupation: cu--ator , Artist's Producer, Exhibition and Public Arts Describe your involvement in community activities, volunteer and civic organizations: Volunteering work ; year 2000- OVCAG- Ceramic guild - I was among the first members to open this guild , i was at their board , bringing speakers every month to the guild's members. 2002 - Fundraising for The Rebecca Ziv Hospital in Zefat, Israel working with various of local( Bay Area)artists 2013 -Fundraising for the Ethiopian community in Israel, in full cooperation with the Ethiopian community in Oakland . 2016 - Mosaic wall in Grant Park , Los Altos, CA. I worked with the Silicon Valley Mosaic artists to donate a mosaic wall for one of the parks for the city of Los Alto. 1. What is it about the Public Art Commission that is compatible with your experience and of specific interest to you, and why? For me, public art reflects our society today. It brings with it touching who we are, what we are dealing with and what the community is interested in. Public art for me is a place where the viewers wants to go to see, the piece should be curious an interesting and the local community is proud to have it. These are works of art that can be simply beautiful visually, technically interesting, and intriguing to talk about. Public art should n be a meeting point for the public. That the public will have fun sitting next to watching for hours and every day enjoy the art piece as if it was their first time. My ambition in public art is to have sculptures that are just beautiful looking at, sculptures that convey messages, sculptures that tell a story and sculptures that the public will be inactive with, especially in the place where we live, Silicon Valley. I feel that the connection between art and technology, art and science is missing. My big dream is to create an icon of the Silicon Valley in Palo Alto . . . to build/ create a sculpture that is the symbol / Icon of Silicon Valley, in Palo Alto, and with the time it will be listed as one of the places that must come to visit. Simcha Moyal Public Art Commission Application 2 of 5 Public Art Commission Application 3 of 5 2. Please describe an issue that recently came before the Commission that is of particular interest to you and describe why you are interested in it. If you have never been to a Commission meeting you can view an archived video from the Midpen Media Center: 3. If appointed, what specific goals would you like to see the Public Art Commission achieve, and why? How would you suggest accomplishing this? DocuSign Envelope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ublic Art Commission Application 4 of 5 4. Public Art Commission Members work with the document listed below. If you have experience with this document, please describe that experience. Experience with this document is not required for selection. Municipal Arts Plan DocuSign Envelope ID: B3BB18CF-710B-469D-AAAD-B528008902B3 2S DocuSign Envelope ID: B3BB18CF-710B-469D-AAAD-B528008902B3 Consent to Publish Personal Information on the City of Palo Alto Website California Government Code Section 6254.21 states, in part, "No state or local agency shall post the home address or telephone number of any elected or appointed official on the Internet without first obtaining the written permission of that individual." This consent form will not be redacted and will be attached to the Application and posted to the City's website. The full code can be read here: LINK Read the code, and check only ONE option below: I give permission for the City of Palo Alto to post to the City's website the attached Board and Commission Application intact. I have read and understand my rights under Government Code Section 6254.21. I may revoke this permission at any time by providing written notice to the Palo Alto City Clerk. OR x I request that the City of Palo Alto redact my home address, phone numbers, and email address from the attached Board and Commission Application prior to posting to the City's website. I am providing the following alternate information and request that they use the following contact information instead. Address: Cell Phone: X Home/ E-mail: Office Phone: 6502138214 The phone number/ address can be non-public and different than the address collected on page one. (-DocuSigled hy: Siwkth t kerb Signature: \--9E981E55E06E495 (Optional) Additional Attachments) Date: 2/28/2018 If you would like to submit a resume, work sample, etc. along with your Application, Check this box and click "Attach" to upload your document(s). Simcha Moyal Public Art Commission Application 5 of 5 DocuSign Envelope ID FD552AFB-7903-4976-B691-D1B4F3OECD5A Personal Information — Note: The PAC regularly meets the third Thursday of the month at 7:00 p.m. Name: Yeuen Kim Address: Cell Ph 1 x Home/ E -m Office Pho Are you a Palo Alto Resident? x Yes No Do you have any relatives or members of your household who are employed by the City of Palo Alto. who are currently serving on the City Council, or who are Commissioners or Board Members? Yes x No Are you available and committed to complete the term applied for? x Yes No California state law and the City's Conflict of Interest Code LINK require appointed board and commission members to file a detailed disclosure of their financial interests. Fair Political Practices Commission, Conflict of Interest, Form 700. Do you or your spouse have an investment in. or do you or your spouse serve as an officer or director of, a company doing business in Palo Alto which you believe is likely to: 1) engage in business with the City, 2) provide products or services for City projects. or 3) be affected by decisions of the board or commission you are applying for? Yes x No Excluding your principal residence. do you or your spouse own real property in Palo Alto? _ Yes X No How did you learn about this vacancy? X Community Group Daily Post Email from City Clerk City Website Palo Alto Weekly Flyer Other: midtown residents' e -news List relevant education, training, experience. certificates of training, licenses, or professional registration: Faciliator as clinician educator (clin assist prof, affiliated with Stanford Univ School of Med 1999 -present) for workshops for med students, residents, faculty on medical humanities ie art and visual observation skills, communication, and difficult interactions. Masters' clin research (MAS) UCSF, 2008 PLME Prog in Liberal Medical Education (A.B. Comp Lit/French, MD) Brown University '92 AB '96 MD Yeuen Kim Public Art Commission Application 1 of 5 DocuSign Envelope ID FD552AFB-7903-4976-B691-D1B4F3OECD5A Employment Present or Last Employer: Palo Alto VA, Stanford School of Medicine Occupation: staff physician, med outreach section; clin asst prof (affil) Describe your involvement in community activities, volunteer and civic organizations: 1999-2003 condo board, 435 Sheridan Ave 94306 condo including earthquake insurance, Sunrise Assisted Living proposed building discussions 2006 recognition, BOS County of S Mateo; Willow Clinic redesign (working smarter, not harder) to improve wait times/access 2006 recognition, volunteer attending, Cardinal Free Clinics 2013 BOS County of S Clara; spoke on behalf of Dean Winslow MD, former chair of medicine at Santa Clara Valley Medical Center 2015 City of Palo Alto inaugural Veterans' Day at City Hall table 2007 -present Ohlone Elementary School parent: staff appreciation, PiE chair, Auction committee, Harvest Festival, Core Values Committee 2012-2015 Partners in Education to support PAUSD: Ohlone Elementary fundraising team/chair 2006 -present Society of General Internal Medicine member: promote education, research, clinical care for underserved populations including veterans and homeless individuals 2006 -present Fellow, American College of Physicians 2008 Nominee, Kaiser Family Foundation UCSF Teaching Award 1. What is it about the Public Art Commission that is compatible with your experience and of specific interest to you, and why? We have been lucky to be a part of the Palo Alto community since we moved to 345 Sheridan Ave Apt 204 in 1996; since then we have also lived in a condo and now in midtown on Kipling Street. We have seen Palo Alto develop as it probably always has and will continue to, and we mourn the loss of certain small businesses and familiar faces (e.g. businesses on Calif Ave when it was lined by large shady trees, independent book stores, family -run bowling alleys) but also realize that change brings wonderful opportunities. However, the art (esp that I walk by often on Calif Ave) has been varied in its ability to promote the arts, engage imagination, and widen perspectives-- I will just say it: certain public installations have been ugly. With an architect father (Grad school of design, Harvard 1960's) mother as pianist/art educator, and sister who also practices architecture, I have been the only person in my family who gets confused by art. However, I also know my taste tends to be mainstream (e.g. Henry Moore, Serra, Rauschenberg, mural on side of wall near Palo Alto Sol, rotating poppies outside Sun Country market) and I hope to represent a portion of the community that enjoys learning about art, asking questions, and supports the arts while into account context, architecture/environment, budgets, and the appeal or challenge of art installations in the community. Yeuen Kim Public Art Commission Application 2 of 5 Public Art Commission Application 3 of 5 2. Please describe an issue that recently came before the Commission that is of particular interest to you and describe why you are interested in it. If you have never been to a Commission meeting you can view an archived video from the Midpen Media Center: 3. If appointed, what specific goals would you like to see the Public Art Commission achieve, and why? How would you suggest accomplishing this? DocuSign Envelope ID: FD552AFB-7903-4976-B691-D1B4F30ECD5A - FIPMIZI XLEX EGGIWW XS EVX MW GLERKMRK NYWX EW XIEGLMRK QIXLSHW RIIH XS EHETX XS PIEVRIVW [E]W SJ EGUYMVMRK ORS[PIHKI - EQ WSQI[LEX SJ E 0YHHMXI FYX XLVSYKL Q] XIIREKIVW ERH VIWMHIRXW 1(W [LS EVI XVEMRMRK MR MRXIVREP QIHMGMRI QSWXP] EX 7XERJSVH - EQ GSRWXERXP] PIEVRMRK E RI[ [E] SJ YWMRK E JEQMPMEV ETT SV E RI[ QIXLSH SJ HMKMXEP SV WMQMPEV PIEVRMRK -Q [SRHIVMRK MJ 4EPS %PXS WIIW GSYPH FI E XLIQI WMQMPEV XS LS[ 7IEXXPI VIEHW FIKER [MXL XLI TYFPMG PMFVEV] QE]FI [I GSYPH LEZI ER MRWXEKVEQ EGGSYRX ERH WTYV HMWGYWWMSR WTEVOMRK MRXIVIWX MR ZMWMXMRK XLI %VX 'IRXIV SV SXLIV MRWXEPPEXMSR WMXIW - XLMRO - [SYPH PMOI XS PMWXIR JMVWX EW - EQ RI[ XS XLI [SVPH SJ QYRMGMTEP WIVZMGI ERH EVX GSQQMWWMSRW 7XEOILSPHIVW WYGL EW EVXMWXW EVX GIRXIV PIEHIVWWXEJJ FYWMRIWWIW IWT MJ VIUYMVIH XS WTIRH SJ XLIMV FYHKIX SR EVX SV EJJIGXIH F] PSGEP EVX WYGL EW 'EPMJ %ZI GSQQYRMX] MRWXMXYXMSRW PMFVEVMIW IZIR PE[ IRJSVGIQIRX SV LIEPXL GEVI GSYPH EPP LEZI MRXIVIWXW MR LS[ XLI EVX MRJPYIRGIW VIEGXMSRW ERH IZIR FILEZMSV - [SYPH PMOI XS LIPT SVKERM^I IZIRXW WYGL EW HIGSQQMWWMSRMRK GYVVIRX GSPPIGXMSRW QIRXMSRIH MR XLI 4%' VITSVX XLEX GSYPH LIPT VEMWI JYRHW XS LIPT WYTTSVX QSVI GSPPEFSVEXMSR ERH PSGEP EVXMWXW *MREPP] - [SYPH PMOI XS WII LS[ [I GSYPH GSPPEFSVEXI [MXL ]SYRKIV KIRIVEXMSRW IK LMKL WGLSSP SV WMQMPEV XS WII LS[ [I GER LIPT WYTTSVX XLIMV EVXMWXMG MRXIVIWXW ERH KSEPW 78)%1 RSX NYWX 78)1 QEXXIVW Public Art Commission Application 4 of 5 4. Public Art Commission Members work with the document listed below. If you have experience with this document, please describe that experience. Experience with this document is not required for selection. Municipal Arts Plan DocuSign Envelope ID: FD552AFB-7903-4976-B691-D1B4F30ECD5A - HS RSX DocuSign Envelope ID FD552AFB-7903-4976-B691-D1B4F3OECD5A Consent to Publish Personal Information on the City of Palo Alto Website California Government Code Section 6254.21 states, in part, "No state or local agency shall post the home address or telephone number of any elected or appointed official on the Internet without first obtaining the written permission of that individual." This consent form will not be redacted and will be attached to the Application and posted to the City's website. The full code can be read here: LINK Read the code, and check only ONE option below: I give permission for the City of Palo Alto to post to the City's website the attached Board and Commission Application intact. I have read and understand my rights under Government Code Section 6254.21. I may revoke this permission at any time by providing written notice to the Palo Alto City Clerk. OR x I request that the City of Palo Alto redact my home address, phone numbers, and email address from the attached Board and Commission Application prior to posting to the City's website. I am providing the following alternate information and request that they use the following contact information instead. Address: Cell Phone: X Home/ E-mail: Office Phone: 6503236274 The phone number/ address can be non-public and different than the address collected on page one. ,-DocuSigned by: Signature:Ltlutuk, tLiol 7FCDEA1 JD9F043C Date:3/20/2018 (Optional) Additional Attachment(s) If you would like to submit a resume, work sample, etc. along with your Application, Check this box and click "Attach" to upload your document(s). Yeuen Kim Public Art Commission Application 5 of 5